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There's Still Tomorrow

Original title: C'è ancora domani
  • 2023
  • 1h 58m
IMDb RATING
7.7/10
17K
YOUR RATING
Paola Cortellesi in There's Still Tomorrow (2023)
Watch Official Trailer
Play trailer2:16
2 Videos
26 Photos
Dark ComedyPeriod DramaComedyDramaHistory

In this moving comedic drama set in postwar Rome, a working-class wife and mother dreams of a better future. Winner of 6 Italian Academy Awards.In this moving comedic drama set in postwar Rome, a working-class wife and mother dreams of a better future. Winner of 6 Italian Academy Awards.In this moving comedic drama set in postwar Rome, a working-class wife and mother dreams of a better future. Winner of 6 Italian Academy Awards.

  • Director
    • Paola Cortellesi
  • Writers
    • Furio Andreotti
    • Giulia Calenda
    • Paola Cortellesi
  • Stars
    • Paola Cortellesi
    • Valerio Mastandrea
    • Romana Maggiora Vergano
  • See production info at IMDbPro
  • IMDb RATING
    7.7/10
    17K
    YOUR RATING
    • Director
      • Paola Cortellesi
    • Writers
      • Furio Andreotti
      • Giulia Calenda
      • Paola Cortellesi
    • Stars
      • Paola Cortellesi
      • Valerio Mastandrea
      • Romana Maggiora Vergano
    • 48User reviews
    • 85Critic reviews
    • 59Metascore
  • See production info at IMDbPro
    • Awards
      • 22 wins & 21 nominations total

    Videos2

    Official Trailer
    Trailer 2:16
    Official Trailer
    There's Still Tomorrow | Official Trailer
    Trailer 2:28
    There's Still Tomorrow | Official Trailer
    There's Still Tomorrow | Official Trailer
    Trailer 2:28
    There's Still Tomorrow | Official Trailer

    Photos26

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    Top cast49

    Edit
    Paola Cortellesi
    Paola Cortellesi
    • Delia
    Valerio Mastandrea
    Valerio Mastandrea
    • Ivano Santucci
    Romana Maggiora Vergano
    Romana Maggiora Vergano
    • Marcella
    Emanuela Fanelli
    Emanuela Fanelli
    • Marisa
    Giorgio Colangeli
    Giorgio Colangeli
    • Ottorino
    Vinicio Marchioni
    Vinicio Marchioni
    • Nino
    Francesco Centorame
    Francesco Centorame
    • Giulio
    Raffaele Vannoli
    Raffaele Vannoli
    • Alvaro
    Paola Tiziana Cruciani
    • Franca
    Yonv Joseph
    • William
    Alessia Barela
    Alessia Barela
    • Orietta
    Federico Tocci
    • Mario
    Priscilla Micol Marino
    • Giovanna
    Maria Chiara Orti
    • Rosa
    Silvia Salvatori
    • Elvira
    Mattia Baldo
    • Sergio
    Gianmarco Filippini
    • Franchino
    Barbara Chiesa
    • Sora Ada
    • Director
      • Paola Cortellesi
    • Writers
      • Furio Andreotti
      • Giulia Calenda
      • Paola Cortellesi
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews48

    7.716.6K
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    Featured reviews

    9eleonoraantonacci

    Great debut as a director.

    Ill start saying that an applaude rose spontaneously in the theater at the end of the movie. Everyone one was super emotional, I believe each of them for different reasons. Mine is that the movie depicted perfectly the status of women just right after the end of 2WW and the challenges they had to face in everyday life. Something that feels so far way from now, but still not so far away considering all the injustices women nowadays have to live with in every aspect of their life.

    Well, the protagonist tries really hard for find a balance dealing with a violent husband, multiple jobs, 3 children and an annoying father in law, but she also surrounds herself with good friends and women with strong personalities.

    The pace of the film Is entertaining, great comedy moments, costumes very on point, and the use of the camera very intelligent (at one point, I even recognize an angle that reminded of a famous painting of the Mantegna , the Cristo Morto) Beautiful selection of music as well.

    But honestly what really made the film great and emotional, is the finale. It's worth going to the cinema to watch this movie just for this reason.

    Obviously I'll not spoiler anything, but be ready to say: wow , what a great debut from Paola Cortellesi.
    8lilianaoana

    Good but major trigger warning for domestic abuse

    A saga of domestic abuse and deeply rooted misogyny and somewhat a celebration of female empowerment. Did not expect the ending, I was hoping for something grander for Delia's disobedience, but this goes to show how significant it was at the time.

    There is also some humour here and there, but I have to say putting a musical number over a scene of spousal abuse kind of has the opposite effect. It makes light of something awful and I cringed watching it. Or maybe that was also by design, who knows. It's certainly uncomfortable.

    The opening scene sure sets the tone and it only gets worse from there. Up to hearing don Ottorino advise his son on how to effectively discipline his wife. Initially I thought he was advocating for her, but no. And then Giulio showing his true colours and Marcella refusing to see it and you can feel Delia's whole being shuddering.

    I did not feel like watching an old (style) movie, and this is I imagine the reason why they chose back and white, but the actors' performances make it come to light.
    7francescabalzani-26183

    Great performance, forced storyline

    I will start by saying that I really love Paola Cortellesi, she is one of the finest Italian actresses of these times, capable of offering the greatest laughs and the most bitter tears, thanks to her versatile acting skills.

    This happens throughout this film too. She is Delia, a middle-aged woman who lives with her husband, three children and her nasty father-in-law in terribly harsh conditions. She struggles to make ends meet and to sustain her family, while suffering domestic abuse and dreaming of a past love. When her daughter gets engaged to the son of the local café owner, she senses that her she risks embarking in a life of strain and violence, just like hers.

    I loved the performances in this film: Paola Cortellesi, Vittorio Mastandrea (one of my favourite actors), Giorgio Colangeli and Emanuela Fanelli. The use of black and white was clever, as it gives the film a poetic look. I also appreciated the bittersweet scenes: tragedy mixed with comedy.

    Nevertheless I wouldn't call this a masterpiece as I thought the storyline was a bit forced, especially with the final surprising end, which seems a bit too detached from the rest of the film...
    10morgenstern_88

    I hope it makes it to the Oscars

    This movie is perfect in so many ways and I hope it will win everything it can win, from the bottom of my heart. I haven't seen such a beautiful Italian movie in so long. And to think it's Paola Cortellesi's first movie as a director and co-writer makes it even more special.

    It is amazingly written, directed and acted. It's brave, powerful, original and you NEED to watch it. It tells a dramatic story with bittersweet tones, keeping it extremely real and revolutionary.

    I am Italian so I could obviously understand all the homages and nuances, however I am sure an international audience will appreciate this little gem in a whole.

    Go watch it and you won't regret that.
    10ikgoumas

    Great cinema!

    This is a masterpiece, a surprise because unexpected. Brilliant story based on true events, but full of symbolisms and deeper meanings that are all connected on the final scenes of the movie. Great directing and acting by Cortelesi, but also great choice of the characters and performancefrom the other actors. The women's universe in Italy back then was complicated and the road to the recognition of their rights was full of obstacles, with many dramatic stories happening. The movie manages also to be ironic and there are moments you laugh. Then suddenly it becomes dramatic again and you want to cry. Then you bacome angry. All these fluctuations are captivating, meanwhile represent the reason why Paola manages to give a powerful message through the art of cinema.

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    Storyline

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    Did you know

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    • Trivia
      One month after its release, the film was already the highest grossing Italian movie post-pandemic.
    • Connections
      Featured in Zomergasten: Liesbeth Zegveld (2024)
    • Soundtracks
      Aprite le finestre
      Written by Virgilio Panzuti and Giuseppe Perotti

      Sung by Fiorella Bini

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    Details

    Edit
    • Release date
      • March 7, 2025 (United States)
    • Country of origin
      • Italy
    • Official site
      • Official Site
    • Languages
      • Italian
      • English
    • Also known as
      • Siempre Habrá Un Mañana
    • Filming locations
      • Via Giovanni Battista Bodoni 98, Rome, Lazio, Italy(Delia's family housing)
    • Production companies
      • Wildside
      • Vision Distribution
      • Sky Italia
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • €8,300,000 (estimated)
    • Gross US & Canada
      • $180,426
    • Opening weekend US & Canada
      • $3,936
      • Mar 2, 2025
    • Gross worldwide
      • $50,205,411
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 58 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.33 : 1
      • 1.85 : 1

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