Four interconnected stories set in 1987 Oakland, CA. will tell about the love of music, movies, people, places and memories beyond our knowable universe.Four interconnected stories set in 1987 Oakland, CA. will tell about the love of music, movies, people, places and memories beyond our knowable universe.Four interconnected stories set in 1987 Oakland, CA. will tell about the love of music, movies, people, places and memories beyond our knowable universe.
- Awards
- 3 nominations total
LeQuan Antonio Bennett
- Greg
- (as LeQuan Bennett)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
6.214.8K
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Featured reviews
A love letter to the 80s/90s Bay
If you were born and raised in the East Bay in the 80s and 90s this movie hits deep. The opening scene is at the movie theater where I had my 13th birthday and I grew up every Friday and Saturday night at The Gilman. I saw Op Ivy more times than I can count.
The vibes are perfect. The dialogue is spot on and the acting is actually incredible.
I also loved every other story in the anthology and was shocked and delighted by some of the A-list cameos. What's more even though it's an anthology there's a thread that runs through all of it and ties together at the end in the most insane way.
Sure, it's a B movie anthology action flick but it's not just referencing the era. It was obviously made by people who lived and loved the era. I am one of them too, and this movie is for me. It might be for you.
The vibes are perfect. The dialogue is spot on and the acting is actually incredible.
I also loved every other story in the anthology and was shocked and delighted by some of the A-list cameos. What's more even though it's an anthology there's a thread that runs through all of it and ties together at the end in the most insane way.
Sure, it's a B movie anthology action flick but it's not just referencing the era. It was obviously made by people who lived and loved the era. I am one of them too, and this movie is for me. It might be for you.
Garbage
This movie is basically what you would get if you asked an A. I. social media algorithm to make a movie about 1987.
Nothing makes sense. There's no plot, obviously no research was done into any of the content, character development is non existent, its initial vehicle seems to be racial rage bait disguised as some elementary form of political commentary that comes off like a teenager being interviewed at a pot rally.
But seriously though, how old were the people who came up with this nonsense? It's pretty apparent they were never around in 1987, never mind California.
This could have been a 20 second Tik Tok video.
Nothing makes sense. There's no plot, obviously no research was done into any of the content, character development is non existent, its initial vehicle seems to be racial rage bait disguised as some elementary form of political commentary that comes off like a teenager being interviewed at a pot rally.
But seriously though, how old were the people who came up with this nonsense? It's pretty apparent they were never around in 1987, never mind California.
This could have been a 20 second Tik Tok video.
Hizzle for Zhizzle Grindhouse
Presented in a 4:3 aspect ratio, this film in its presentation emulates an old videotape. Cut-off titles and all. Clearly shot on digital video, I still appreciated the Betamax (not VHS) artifacts. But it finds Inspiration from many direct to VHS (mostly horror) films from the 80's. The "tales" (as in Tales from the Crypt, etc.) in the title promises multiple story segments and this promise is kept. But rarely did period pieces overlap so perfectly with their segments. Worst case: 3 or more short films added together by a narrator. Not here however.
At the same time, it's impossible to view this and not see this as being inspired by the Grindhouse format from Quintin Tarantino and Robert Rodriguez. Both in "retro pulp" and violence terms.
Any criticism? Yep. For non-Americans the second segment is not that interesting. We found ourselves "sitting it out" this part on the strength of the first (imperfect) segment. Only to be rewarded by the third segment. International audiences will be unlikely to make it to the third segment. Thus my "Hizzle for Zhizzle" in the title of this comment. We are Dutch, so associate this subject matter at best with "Do The Right Thing" (and at worst with "The Fresh Prince of Bel Air".
Pedro Pascal "did some acting" and the other well known actor... from Forrest Gump... Tom Hanks... they are in this. Pascal did a descent job. A good one in fact.
This is a film you should see if you remember 1987. And like violence and stuff. Or if you enjoy well made pulp-films.
At the same time, it's impossible to view this and not see this as being inspired by the Grindhouse format from Quintin Tarantino and Robert Rodriguez. Both in "retro pulp" and violence terms.
Any criticism? Yep. For non-Americans the second segment is not that interesting. We found ourselves "sitting it out" this part on the strength of the first (imperfect) segment. Only to be rewarded by the third segment. International audiences will be unlikely to make it to the third segment. Thus my "Hizzle for Zhizzle" in the title of this comment. We are Dutch, so associate this subject matter at best with "Do The Right Thing" (and at worst with "The Fresh Prince of Bel Air".
Pedro Pascal "did some acting" and the other well known actor... from Forrest Gump... Tom Hanks... they are in this. Pascal did a descent job. A good one in fact.
This is a film you should see if you remember 1987. And like violence and stuff. Or if you enjoy well made pulp-films.
Stylish but Shallow Tales
"Freaky Tales" is one of those anthology films that feels like it's almost onto something - but never quite gets there. It's visually engaging and has a certain nostalgic flair, and I did find myself enjoying a few segments, but overall, most of the stories rely heavily on well-worn tropes without offering much that feels fresh.
The third tale, featuring Pedro Pascal, stands out as the one with the most potential. There's some emotional weight and intriguing character dynamics, but just as it starts to build momentum, it's over - underdeveloped and leaving more questions than satisfaction.
While "Freaky Tales" has energy and style, the majority of the narratives feel like sketches rather than fully realized stories. They're loud, flashy, sometimes fun, but ultimately forgettable. It's not a bad watch, but it's also not particularly memorable. A 6/10 feels fair: some fun to be had, but not enough depth to leave a lasting impression.
The third tale, featuring Pedro Pascal, stands out as the one with the most potential. There's some emotional weight and intriguing character dynamics, but just as it starts to build momentum, it's over - underdeveloped and leaving more questions than satisfaction.
While "Freaky Tales" has energy and style, the majority of the narratives feel like sketches rather than fully realized stories. They're loud, flashy, sometimes fun, but ultimately forgettable. It's not a bad watch, but it's also not particularly memorable. A 6/10 feels fair: some fun to be had, but not enough depth to leave a lasting impression.
Destined for Cult Status
Only first heard about the film a day or two before it opened in Toronto. Didn't have very high expectations, but honestly of everything playing right now, this was the only film that interested me. I couldn't have been more surprised.
"Freaky Tales" is part "Pulp Fiction" (1994), part "Heavy Metal" (1981), and at times reminiscent of another 80s-inspired film, "Mandy" (2018). Four wacky (freaky) tales set in Oakland California, weaving together a diverse and fun cast of characters.
Aspect ratio's are changed between segments, animated characters burst onto screen, blood is spilt, punk music blares through the speakers - there's just a lot of fun being had on screen, and I felt it. I can only imagine feeling the response from a large audience during certain moments of the film; unfortunately there were less than 10 people at my screening.
Without giving anything else away, if you want to have a fun time at the theatre go support this movie. It's rare to see a movie like this get a theatrical release anymore, but it was the best theatrical experience I've had so far this year.
"Freaky Tales" is part "Pulp Fiction" (1994), part "Heavy Metal" (1981), and at times reminiscent of another 80s-inspired film, "Mandy" (2018). Four wacky (freaky) tales set in Oakland California, weaving together a diverse and fun cast of characters.
Aspect ratio's are changed between segments, animated characters burst onto screen, blood is spilt, punk music blares through the speakers - there's just a lot of fun being had on screen, and I felt it. I can only imagine feeling the response from a large audience during certain moments of the film; unfortunately there were less than 10 people at my screening.
Without giving anything else away, if you want to have a fun time at the theatre go support this movie. It's rare to see a movie like this get a theatrical release anymore, but it was the best theatrical experience I've had so far this year.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Soundtrack
Preview the soundtrack here and continue listening on Amazon Music.
Did you know
- TriviaOne of Angus Cloud's final roles before his passing in July 2023. The film is dedicated to his memory.
- GoofsWhilst at the police station, Clint pulls a cigarette that is clearly broken and bent which is lit by The Guy. The camera then pans to The Guy whilst the phone rings. The next shot shows the cigarette in Clint's mouth and it is no longer broken or bent.
- Crazy creditsThere is a mid credit scene featuring the video clerk.
- ConnectionsReferenced in Film Junk Podcast: Episode 986: Trainspotting + T2 Trainspotting (2025)
- SoundtracksFreaky Tales
written by Todd Shaw
performed by Symba
courtesy of The Starr Island Group/Atlantic Recording Corporation
- How long is Freaky Tales?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Дикі історії
- Filming locations
- Oakland, California, USA(on-location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $2,760
- Runtime
- 1h 47m(107 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
- 1.78 : 1
- 2.35 : 1
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