Girl You Know It's True
- 2023
- 2h 4m
IMDb RATING
7.1/10
3.9K
YOUR RATING
Dancers Rob Pilatus and Fab Morvan rise to fame in the late 80's as Milli Vanilli. The duo never sang a word in their songs nor their debut album and, when the truth was finally revealed, th... Read allDancers Rob Pilatus and Fab Morvan rise to fame in the late 80's as Milli Vanilli. The duo never sang a word in their songs nor their debut album and, when the truth was finally revealed, they started one of the biggest scandals in music history.Dancers Rob Pilatus and Fab Morvan rise to fame in the late 80's as Milli Vanilli. The duo never sang a word in their songs nor their debut album and, when the truth was finally revealed, they started one of the biggest scandals in music history.
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- 5 wins & 4 nominations total
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Featured reviews
Fascinating music drama about the scandal regarding Milli Vanilli back in the late 1980's early 90's
Though I knew the background to their deception was not aware of the full story which this film does well to tell. Acting of the two guys playing the duo is not award winning but they do have chemistry together.
Thought Matthias Schweighofer was very good as the genius that was Frank Farian, and it was good to hear the music again that made the Germans famous
So definitely worth checking out as all the main players in the saga are given enough air time to understand their contribution to the rise and fall of Milli Vanilli.
Though I knew the background to their deception was not aware of the full story which this film does well to tell. Acting of the two guys playing the duo is not award winning but they do have chemistry together.
Thought Matthias Schweighofer was very good as the genius that was Frank Farian, and it was good to hear the music again that made the Germans famous
So definitely worth checking out as all the main players in the saga are given enough air time to understand their contribution to the rise and fall of Milli Vanilli.
For a low-budget music biopic, this film makes a compelling watch in part because the story of Rob and Fab says a great deal about the artifice of the music industry and the fleeting nature of fame. It's absolutely and rightfully sympathetic to its main characters, who got swept into a fraud that got bigger and more elaborate than anyone expected. The performances are excellent, and the director makes some intriguing choices, especially toward the end of the film. Whether you are old enough to remember the scandal or know nothing, it's a film that should keep most viewers engaged. Also, the friendship between Rob and Fab, provides real heart to the story.
All the main actors also look eerily like the real people they are playing, so kudos to the casting director.
All the main actors also look eerily like the real people they are playing, so kudos to the casting director.
Rob & Fab were the Superstars of 1989 and although I wasn't a fan back than, the hype was felt by everyone. And suddenly it was all over...
Simon Verhoeven made a great biopic about the rise and fall of those two guys, that works on different levels. The wall breaking was a nice touch, but what really worked, was the acting of the two leads, who fit perfectly. Combined with Matthias Schweighöfer as Farian the casting was top notch. Of course the script tried to shift the blame from the protagonists and yes, you will feel sorry for them, but what stays, is the fantastic product of Milli Vanilli, that wouldn't have worked without Rob &Fab. The movie tries to give them the credit they deserve. All in all, "Girl you know it's true" is really worth a watch, especially for everyone who was around when it all happened.
I have watched documentaries about the Milli Vanilli scandal previously so I thought I knew the story but film tells the story in a fresh, enlightening, engaging and emotional way. It reveals details that I didn't know about the actual performers and writers of the group's hits.
The period attention to detail in the sets, clothes and soundtrack takes those of us old enough right back to to 80s but this film should also be engaging to younger audiences who have never heard of Milli Vanilli. The themes around in the pursuit of fame, exploitation by the entertainment industry and lack of post fame support are just as relevant in today's world of reality TV shows, social media and talent contests. Well with watching. Note that some dialogue is in German and French with subtitles.
The period attention to detail in the sets, clothes and soundtrack takes those of us old enough right back to to 80s but this film should also be engaging to younger audiences who have never heard of Milli Vanilli. The themes around in the pursuit of fame, exploitation by the entertainment industry and lack of post fame support are just as relevant in today's world of reality TV shows, social media and talent contests. Well with watching. Note that some dialogue is in German and French with subtitles.
To the writers, producers, and storytellers of Girl You Know It's True:
First, thank you.
I came into this film expecting to revisit the pop scandal of my youth-Milli Vanilli, the Grammy, the lip-syncing, the fall. That was the version of the story the world fed me back then. I loved the music. I believed, like many others, that we'd all been duped.
But what I watched was not a scandal.
It was a tragedy.
A human one.
And one that hit me harder than I ever expected.
What you gave us wasn't just the truth behind the band- You gave us Rob Pilatus, the person behind the image.
And as an adoptee, I recognized that boy immediately.
When Rob said,
"I knew why they adopted me. They had something to prove," it was like someone reached into my chest and gripped my heart.
That was not a throwaway line. That was a life sentence.
A truth that every adopted person I know understands too well.
And that brings me to what I need to say:
This film should have included a trigger warning.
You gave us suicide. You gave us addiction. You gave us exploitation.
But the part that broke me-and that will break countless adoptees who watch this-came without a whisper of caution:
The portrayal of Rob's adoption trauma.
You showed the way he was abandoned, shaped, discarded, and ultimately destroyed by a system and a society that never saw the child behind the performance. And of course, as so often happens in real life-the adoptee is the one who dies in the end. The one who carries the most pain. The one who is never allowed to fully heal.
We live in an era where even fictional stories are prefaced with content warnings.
But this? This was a real story.
And you told it well. So well that it triggered something ancient and agonizing in me.
What I want the world to understand is this:
You think adopted children are "better off." You think we're lucky.
You think we're saved.
But unless you've been through it, you'll never truly grasp what it feels like to be
removed from your roots
stripped of origin and story
used as proof of someone else's goodness
and then asked to smile for the camera and be grateful.
Rob was a brilliant, broken, beautiful soul who never got the closure he deserved.
He was a boy who wanted to be seen.
And he died trying.
So again, I say thank you.
Because you told his story.
You honored his pain.
And now, I will honor it too.
But let this be a reminder to Hollywood, to storytellers, to audiences:
Adoptees are not props.
We are not plot twists.
We are not here to be tragic and then disappear.
We are still here.
We are still carrying it.
And some of us-like Rob-don't survive it.
Let his story stay with you.
Because it will never leave me.
Sincerely, Catherine An adoptee A witness A survivor And now-one voice louder.
First, thank you.
I came into this film expecting to revisit the pop scandal of my youth-Milli Vanilli, the Grammy, the lip-syncing, the fall. That was the version of the story the world fed me back then. I loved the music. I believed, like many others, that we'd all been duped.
But what I watched was not a scandal.
It was a tragedy.
A human one.
And one that hit me harder than I ever expected.
What you gave us wasn't just the truth behind the band- You gave us Rob Pilatus, the person behind the image.
And as an adoptee, I recognized that boy immediately.
When Rob said,
"I knew why they adopted me. They had something to prove," it was like someone reached into my chest and gripped my heart.
That was not a throwaway line. That was a life sentence.
A truth that every adopted person I know understands too well.
And that brings me to what I need to say:
This film should have included a trigger warning.
You gave us suicide. You gave us addiction. You gave us exploitation.
But the part that broke me-and that will break countless adoptees who watch this-came without a whisper of caution:
The portrayal of Rob's adoption trauma.
You showed the way he was abandoned, shaped, discarded, and ultimately destroyed by a system and a society that never saw the child behind the performance. And of course, as so often happens in real life-the adoptee is the one who dies in the end. The one who carries the most pain. The one who is never allowed to fully heal.
We live in an era where even fictional stories are prefaced with content warnings.
But this? This was a real story.
And you told it well. So well that it triggered something ancient and agonizing in me.
What I want the world to understand is this:
You think adopted children are "better off." You think we're lucky.
You think we're saved.
But unless you've been through it, you'll never truly grasp what it feels like to be
removed from your roots
stripped of origin and story
used as proof of someone else's goodness
and then asked to smile for the camera and be grateful.
Rob was a brilliant, broken, beautiful soul who never got the closure he deserved.
He was a boy who wanted to be seen.
And he died trying.
So again, I say thank you.
Because you told his story.
You honored his pain.
And now, I will honor it too.
But let this be a reminder to Hollywood, to storytellers, to audiences:
Adoptees are not props.
We are not plot twists.
We are not here to be tragic and then disappear.
We are still here.
We are still carrying it.
And some of us-like Rob-don't survive it.
Let his story stay with you.
Because it will never leave me.
Sincerely, Catherine An adoptee A witness A survivor And now-one voice louder.
Did you know
- TriviaThe movie is dedicated to the late Rob Pilatus, who died on April 2, 1998 in Frankfurt, Germany. He was 33.
- GoofsWhen Rob and Fab are given a cassette demo of the song "Blame It on the Rain", they are told that it was originally written for Whitney Houston. In real life, Diane Warren originally wrote the song for The Jets, but Arista Records president Clive Davis suggested to give it to Milli Vanilli instead.
- Crazy creditsDuring the first closing credits, right after the photos of the real life people, the musical cast is seen singing "Girl You Know It's True" combined with the original music video.
- ConnectionsFeatures Disco (1971)
- How long is Girl You Know It's True?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Milli Vanilli: Girl You Know It's True
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $3,658,675
- Runtime
- 2h 4m(124 min)
- Color
- Sound mix
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