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O.J. & Nicole: An American Tragedy

  • TV Special
  • 2020
  • TV-14
  • 1h 25m
IMDb RATING
6.3/10
151
YOUR RATING
O.J. & Nicole: An American Tragedy (2020)
CrimeDocumentary

The O.J. Simpson case, as never told before. Tanya Brown, sister of Nicole Brown Simpson, explores O.J. and Nicole's relationship and the trial that followed, using Nicole's words and the ph... Read allThe O.J. Simpson case, as never told before. Tanya Brown, sister of Nicole Brown Simpson, explores O.J. and Nicole's relationship and the trial that followed, using Nicole's words and the photos she left behind to reveal the Brown family's experience.The O.J. Simpson case, as never told before. Tanya Brown, sister of Nicole Brown Simpson, explores O.J. and Nicole's relationship and the trial that followed, using Nicole's words and the photos she left behind to reveal the Brown family's experience.

  • Director
    • Alex Emslie
  • See production info at IMDbPro
  • IMDb RATING
    6.3/10
    151
    YOUR RATING
    • Director
      • Alex Emslie
    • 2User reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos

    User reviews2

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    Featured reviews

    2helenahandbasket-93734

    So He Is Dead....

    Now we'll be subjected to documentary and film dissecting this man all over for a while- I was alive and old enough to be aware of the facts and how it all transpired. There's so much this case doesn't discuss, and even more that's come to light after it was made. Whether he was guilty or not was not for me to say- and this nonsense of white vs black regarding the verdict is absolutely ridiculous- many of my white friends simply did not see enough evidence to support his guilt. Many of us watched the trial in its entirety, and the evidence just simply did not support the case put forth by the prosecution. Absolutely abhorrent prosecution, a very educated and effective defense team, an incompetent criminal investigation into the case left the door wide open for the defense to pilot directly through holes so large that you could fly a 747 through them.

    Furman was and still is a complete monster, the handling of evidence was demonstrably wrong, the trial judge was completely incompetent and should have been removed from the case the moment his ineptitude was revealed, and Marcia Clark/Chris Darden were just outwitted and outmatched at every single turn.

    Now we have the revelation by the jury forewoman that the verdict presented was due in its entirety to the racial divide and having almost an entirely black jury was not inconsequential to that supposition. She point blank said that there was discussion in the jury room regarding this, and much of the questionable evidence was outright ignored. The glove farce was what sealed the deal, and so close to the end of the trial, played a large part in the verdict. Love them or hate them, the defense team was incredibly effective and very good at what they did. They managed to make a fairly experienced prosecution look like amateur hour, and inevitably won over the jury. I've sat on 4 separate juries- 1 being a federal jury, 1 a grand jury and 2 county court juries; I've been the foreman for 3, and I can say with absolute certainty, whether you like it or not, likability plays a huge part in guilty vs not guilty. When prosecutors are arrogant, ignorant and conceited, even if the evidence completely supports the case, juries will go out of their way to find loopholes to punish people deemed deserving. Cases aren't necessarily won or lost based on this, but it can make all the difference when sentencing is made or different degrees of guilt are offered.
    6penelopepoczuda

    It's Not the Definitive Documentary, But At Least It Pays a Respectful Tribute

    Some tragedies, time insists on rewinding. The O. J. Simpson case is one of them - a legal and racial melodrama that, since 1994, has become a cracked mirror of the United States. We've already had the definitive version, the epic O. J.: Made in America, which elevated the case to a level of historical and sociological analysis. Compared to it, O. J. & Nicole: An American Tragedy ends up retelling the case more than reinterpreting it.

    The film focuses on doing what so many others have already done: recounting the facts. The Bronco chase, the trial, the tabloid flashes - it all reappears, as if America never tires of seeing itself reflected in this mirror of blood and celebrity. The documentary reuses faces, testimonies, and even the pacing of other versions. It's not that there's a problem with revisiting - the O. J. Simpson case remains fascinating - but when the material is so well-known, it's natural to expect something distinctive. And here, even the cast is practically the same as in Made in America. Everything is there again, just less vibrant. It lacks something to truly set it apart - something beyond the letters and good intentions.

    Still, there is a point of light: the perspective of Tanya Brown, Nicole's sister. It is through her that the film finds some breath. By reading her sister's letters and diary excerpts, Tanya brings a more sensitive, more intimate layer - a pain that doesn't fit in courtrooms or news reports. It's not that other documentaries have ignored domestic violence, but this one lingers on it a bit longer. It shows the contrast between the facade of the marriage and the real life, full of fear and isolation. And it does so without sensationalizing, which is already a merit.

    In the end, O. J. & Nicole: An American Tragedy works as a respectful tribute. Its value lies in reminding us of what should have been heard back then: Nicole's voice, finally uninterrupted. It may not be the definitive documentary about this American tragedy, but it is, at least, a reminder that certain stories, no matter how often revisited, still hurt on replay.

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    Related interests

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Crime
    Dziga Vertov in Man with a Movie Camera (1929)
    Documentary

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    Details

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    • Release date
      • October 5, 2020 (United States)
    • Country of origin
      • United States
    • Official site
      • Official site
    • Language
      • English
    • Also known as
      • El crimen de O. J. Simpson
    • Production company
      • Arrow International Media
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      • 1h 25m(85 min)
    • Color
      • Color

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