Haddi

Sameer lodaya

The makers have titled the movie haadi (bone) but the movie is totally bone less

The content is about revenge of a transgender whose entire world was destroyed by a politician for a land cause the execution was dull thus making the movie uninteresting and heavy on mind due to lot of violence.

Anurag was shockingly good Nawaz was little more and loud than required

Bad luck for this movie is taali series on transgender was already released though the content was different but people compare them.

I watched only for nawaz and apologise for bad review as I expected a lot and will keep expecting from the team to deliver a better quality product.

LGBQT is handled very commercially. However, the story is 10 star. But the output wasn't that good. Editing is the worst. When only muteness was required they played a song.

There was some misunderstanding in audiences about era. 6 months ahead or 11 months back.

Moreover, lovestory of two gays is highly underated. They don't even feel like (on screen) that they are in love. Leave apart the tragedy and felt like comedy that happens.

Terrace scene, nuances, like why his friends start fighting is not well epicted.

But in the whole plot, Nawaz. Best performance.

Anurag, u r better as a director, don't act, don't play a villian next time.

I wish to appreciate Nawazuddin Siddiqui for his amazing performance. The movie shows its characterisation, plot, action in a very subtle way. You'll definitely love and praise the character of Arika in this movie. Also, you'll love Nawajuddin in action. His dialogue is impressive: "Main Nahin Marta".

Each and every character from the movie has performed very well and hence deserves our appreciation. This movie shows the life of 3rd gender and the way the society devalues it. The song Beparwa is also very good and suits all the takes throughout the movie. Nawajuddin's acting performance in all forms is impressive and praiseworthy.

Admya Bhalla and director Akshat Ajay Sharma collaborated on the film, and it commendably avoids delving into the sensitive topic of eunuch rights or portraying them as helpless. It treats its characters with care while delivering a potent message against those who pose a threat.

However, the frequent shifts between the past and present weaken the story. The film starts with a flurry of events and names, making it challenging to follow. Viewers must commit to memory, but as the plot unfolds, the characters gradually become more recognizable.

Just as the story gains momentum, it meanders among inconsequential characters. The narrative advances for several months leading up to the climax, yet it fails to explore the significant transformation of Bone as he establishes his own party.

This leaves numerous unanswered questions in the film's conclusion, as the editing lacks cohesion. Nonetheless, the film excels in depicting the beautifully portrayed love story between Irrfan and Haddi.

Nawazuddin Siddiqui, known for his experimental roles, continues to impress with his portrayal of a transgender woman, demonstrating a deep understanding of her mannerisms and speech.

The emotional impact when Haddi's family reacts to Pramod's death through clapping is both poignant and heart-wrenching. Saurabh Sachdeva's performance as Inder feels authentic from the very beginning.

Anurag Kashyap falls short in his negative role, with repetitive facial expressions throughout. Ila Arun as Revathi Amma and Mohammad Zeeshan Ayub as Irrfan have limited screen time and incomplete character development. The song "Beparda" aptly suits the film's context.

While it's great to see trans representation in Indian cinema, grotesquely violent as it may be, this film didn't quite do it for me. I'm not quite sure that Nawazuddin's superlative acting chops saved the film from its own convoluted ensnarement. I didn't quite get the mystery that shrouded the business that Haddi, our protagonist is a master of. The revelation of the mysterious business adding nothing to the plot except more gore and violence to the already blood-dripping entree that we as the audience is served. As well, Haddi's collaboration with the trans community of Delhi, who help him with their vengeance mission is also lacking. There are no scenes that show them bonding, we get no sense that relationships were built, sympathies were exchanged and a community that's so often oppressed rose to the occasion to take down the notorious and self-serving politicians. All in all, as a typical action-drama, I'd probably rate it higher (6) but in so far as storytelling goes, it fell short.