Lights, Camera, Christmas!

This is really unique for a Hallmark holiday movie. It does not follow the typical formula and it even has Hallmark poking some playful fun at itself and the making of their Christmas films. The story is told in flashback, as the makers of a Santa movie participate in a "question and answer" at the premier of their latest film. The first hour is very funny as you get to know these characters and their circumstances. Sometimes, the humor is very cheeky and quick so you have to play close attention, but it can be hilarious. The second hour is more sentimental and dramatic, but it is still very engaging as these likable characters come to grips with their personal conflicts.

There is a lot of credit to be given all around here. Gary Goldstein has written a script that is fresh with crisp and realistic dialogue, the direction by Dennis Weaver is smart, attractive, and different, the production values, costumes, and sets are very well done, and casting director Jackie Lind has assembled an excellent cast, with some of the best Hallmark has in its stable, all of whom give it their all.

Kimberley Sustad and John Brotherton are just terrific as the big star, Brad, and his rather reluctant costumer, Kerry. The always excellent Sustad is the heart and soul of the story, and Brotherton is wonderful as the conflicted big time movie star. Still, they can be very funny and casting these two together makes the whole thing work. Their performances just shine here. Plus, there is Laura Soltis as Kerry's mother, a gushing fan of Brad's, who is very good, as is the rest of the cast : particularly Matthew Kevin Anderson as the director of the Santa movie, Leila Harrison as its screenwriter, and Veronica Long as Brad's co-star.

All in all, this is really different, really engaging, and really well done, thanks particularly to Sustad, Brotherton, director Weaver, and writer Goldstein. The best of the new 2022 Hallmark holiday season so far.

This's a cute story and all but everytime I watch a movie with Kimberley Sustad, I know I will not enjoy it because I'll be distracted by her gloomy face. I have yet to see one scene where her face shows joy. She is always frowning, surprised, or,serious. To me, her face is insatiable. If you want a better rating, next time, choose an actress that can express joy..The other actors expressed their feeling correctly. The actress who plays Kimberly Sustad's mom is the opposite. Her botoxed face is all smiling, all the time. ?The couple who play the couple who used to me married play their parts perfectly.

The.

After watching one and abandoning another disappointing Christmas movie today, we began watching Lights, Camera, Christmas! With a bit of trepidation. Could it be a three strikes day?

LCC took a big swing at the next pitch and hit a home run. I think it's a bit brave, as this movie is very self-aware of making Hallmark Christmas movies and is an utter satire of the process.

Since it's comedy satire, the characters are allowed to go over the top ... and they do ... but they don't abuse it. We found many chuckle moments and an occasional surprised laugh out loud.

The stealth romance is the producer and director, a successful filmmaking couple who split up and talk through an intermediary, even though they're standing right beside each other. Will agreements in making this movie bring them back together? Watch and find out!

I am picky about my comedies. I laughed at this one. It wasn't overly silly, but had some silly moments.

The story is about a big time movie in a small town where a local gets pulled in. In this case, the production company's costumer never showed and they couldn't find a replacement, so they hired a local designer, Kerry.

Kimberley Sustad is perfect for this part. She is a good fit for this style of comedy. Her timing and demeanor work here. She also has decent chemistry with John Brotherton, who plays the overbearing, self-absorbed star of the show, Brad.

The best gags are early, as Kerry is trying to fit into a world she knows nothing about. I think the writers stretched her fitting in a little too well as more than once she saves the day in ways unrelated to costuming. After the novelty of her assimilation winds down, the tenor of the film switches to the developing romance. There is also a secondary romance which also has funny and sweet moments.

The conflict, climax and ending were a surprise to me, but also a little convoluted.

This is probably one I will watch again.

'Lights Cameras Christmas' (2022)

Opening thoughts: Absolutely loved the concept for 'Lights Cameras Christmas', it may not be a unique one overall in film etc but is very different for Hallmark, a lot less formulaic sounding than usual. It is also a very fun and clever one. Am familiar with Kimberly Sustad in lead and supporting roles and have found her consistently good regardless of the overall quality of the film itself.

Hallmark's 2022 Christmas output was very variable, especially early on in both the Countdown to Christmas and Miracles of Christmas blocks. 'Lights Cameras Christmas' is one of the best, as well as one of the freshest and most fun. A fun and clever concept is given equally fun and clever execution, in a way that feels fresh. Anybody who likes Sustad won't be disappointed either.

Bad things: Criticisms are very few. Did feel that the ending was a little rushed.

Did also think that some of the legal stuff in regard to the legal side of the profession seemed unrealistic, especially with the breaching of the contract.

Good things: Sustad however absolutely sparkles in her role, she was clearly enjoying herself with the lighter sides of her role while also being very emotive when more serious. John Brotherton is sympathetic, down to earth and has an endearing easy-going charm. He and Sustad work beautifully together, whether in the playful back and forth or in the heart melting romantic chemistry. The supporting cast are solid. Really cared for the characters and found them realistic, any negative character traits are not over-written (something that was a common problem with Hallmark's 2022 output) and the positive ones are endearing without being too perfect.

It looks lovely, very slickly shot with vibrant scenery. The music fits well and the direction is professional and no frills. Loved the cheeky wit in the script, the affectionate references and the witty, knowing self-awareness, it is not every day where you see a Hallmark film seeming to acknowledge and make fun of the things their films are often criticised for. Thr story is charming and light hearted, the Christmas cheer nostalgic and uplifting, and does not take itself too seriously or become too much of a joke. The pacing is bright and breezy, not letting up with only the ending being rushed. Very energetic and relaxed.

Closing thoughts: Very well done and lots of fun.

8/10.