Five girls, five best friends, all haunted by their past mistakes of an April Fools prank gone fatally wrong, meet again after two years for a summer week long getaway in the woods to reconn... Read allFive girls, five best friends, all haunted by their past mistakes of an April Fools prank gone fatally wrong, meet again after two years for a summer week long getaway in the woods to reconnect and reconcile.Five girls, five best friends, all haunted by their past mistakes of an April Fools prank gone fatally wrong, meet again after two years for a summer week long getaway in the woods to reconnect and reconcile.
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After meeting up with old friends, a group of girls on a getaway trip to reminiscence at a remote house in the woods to get together end up finding their trip ruined by the remnants of a prank they committed when they were younger that left a person dead and must now find a way to stop the vicious killer.
This was a pretty solid and enjoyable throwback slasher effort. One of the better features of this one is the rather fun setup that serves as a fine inspiration to set everything in motion. Featuring the expected prank and the aftermath that serves as the inspiration to start a revenge rampage on the ones responsible for what went down, the resulting aftermath of which takes place when they get together years later being unoriginal but perfectly suited to this kind of throwback style. That also goes along rather nicely with the rest of the setup involving the girls trying to get over their issues while meeting up which generates a sense of strain and tension amongst the group. None of this is, again, all that clever or unique and tends to allow it to fall victim to plenty of cliched moments or scenarios that arise because it's following this kind of structure but there's still enough going on here to serve as worthwhile for the type of film this is presented as. This gives the film quite a lot to like in terms of being a straightforward slasher once the killer arrives. Given a great mask and a solid disguise, this one comes off quite nicely in that regard as the types of attacks that emerge here aren't that bad including the first attack on the police officers or the confrontations with the boyfriends who are clearly there to enhance the body count. Turning to the girls and stalking them through the house, the fact that they're aware of the killer from the start with him appearing to the group as a whole and causing some solid chases throughout gets quite fun with the interactions involving him taking out a few of them in obscure locations around the house. As these scenes not only give off the kind of low-budget slasher thrills which are necessary for this type of feature but also offer a nice frenetic energy in the best part of the film, these all come together to give everything quite a lot to like about it. There are some minor drawbacks to be had with this one. One of the few minor issues is the somewhat staggered pacing that takes quite a while to get going. Since it's running through some familiar territory involving the prank and its outcome as well as getting the friends back together at the house which includes not only the journey there but also the various scenes of them sitting around hanging out about what happened that the kills are instead pushed back to the last half of the film. While it's great to get a sense of their relationship with each other in stuff like their trip to the store where they encounter the homeless guy, their slow-motion pillow fight or the arrival of a boyfriend, these scenes end up dragging everything out to having most of the action take place in the last half-hour so it can feel like a struggle to get going. Combined with that aforementioned familiarity and a general sense of obeying genre conventions, these are the main drawbacks in store for this one.
Rated Unrated/R: Graphic Language, Graphic Violence, Brief Nudity, and mild drug use.
This was a pretty solid and enjoyable throwback slasher effort. One of the better features of this one is the rather fun setup that serves as a fine inspiration to set everything in motion. Featuring the expected prank and the aftermath that serves as the inspiration to start a revenge rampage on the ones responsible for what went down, the resulting aftermath of which takes place when they get together years later being unoriginal but perfectly suited to this kind of throwback style. That also goes along rather nicely with the rest of the setup involving the girls trying to get over their issues while meeting up which generates a sense of strain and tension amongst the group. None of this is, again, all that clever or unique and tends to allow it to fall victim to plenty of cliched moments or scenarios that arise because it's following this kind of structure but there's still enough going on here to serve as worthwhile for the type of film this is presented as. This gives the film quite a lot to like in terms of being a straightforward slasher once the killer arrives. Given a great mask and a solid disguise, this one comes off quite nicely in that regard as the types of attacks that emerge here aren't that bad including the first attack on the police officers or the confrontations with the boyfriends who are clearly there to enhance the body count. Turning to the girls and stalking them through the house, the fact that they're aware of the killer from the start with him appearing to the group as a whole and causing some solid chases throughout gets quite fun with the interactions involving him taking out a few of them in obscure locations around the house. As these scenes not only give off the kind of low-budget slasher thrills which are necessary for this type of feature but also offer a nice frenetic energy in the best part of the film, these all come together to give everything quite a lot to like about it. There are some minor drawbacks to be had with this one. One of the few minor issues is the somewhat staggered pacing that takes quite a while to get going. Since it's running through some familiar territory involving the prank and its outcome as well as getting the friends back together at the house which includes not only the journey there but also the various scenes of them sitting around hanging out about what happened that the kills are instead pushed back to the last half of the film. While it's great to get a sense of their relationship with each other in stuff like their trip to the store where they encounter the homeless guy, their slow-motion pillow fight or the arrival of a boyfriend, these scenes end up dragging everything out to having most of the action take place in the last half-hour so it can feel like a struggle to get going. Combined with that aforementioned familiarity and a general sense of obeying genre conventions, these are the main drawbacks in store for this one.
Rated Unrated/R: Graphic Language, Graphic Violence, Brief Nudity, and mild drug use.
Within seconds, and I do mean seconds, I absolutely fell in love with Pillow Party Massacre. The neon titles; the retro music; the use of slow motion; it's all there as our cast is assembled at a High School dance in which an April Fool's Day prank goes wild. The music stops only momentarily as the girls gathered get their drink on and then - BOOM! - the party is momentarily abandoned to go make out in a mausoleum of dirty socks.
Pillow Party Massacre, directed by indie filmmaker Calvin, is a delightful homage to the 1980s slasher genre with a modern twist. It successfully marries nostalgia with contemporary storytelling, offering a thrilling and hilarious ride that keeps you hooked from start to finish.
The film kicks off with an unmistakable '80s vibe, evident from the very first frame. The neon titles, synth-heavy soundtrack, and an array of vintage fashion choices transport you back in time.
Get your pillows ready and Parrrrrtaaay!
Pillow Party Massacre, directed by indie filmmaker Calvin, is a delightful homage to the 1980s slasher genre with a modern twist. It successfully marries nostalgia with contemporary storytelling, offering a thrilling and hilarious ride that keeps you hooked from start to finish.
The film kicks off with an unmistakable '80s vibe, evident from the very first frame. The neon titles, synth-heavy soundtrack, and an array of vintage fashion choices transport you back in time.
Get your pillows ready and Parrrrrtaaay!
Right, well I figured that with a title such as "Pillow Party Massacre" then maybe this 2023 might be a horror spoof on the old classic slasher movies such as "Slumber Party Massacre". In fact, I hadn't even heard about this movie prior to sitting down to watch it, so I wasn't sure what I was in for.
The storyline in "Pillow Party Massacre" was generic, oh so very, very generic. This was essentially just another run-of-the-mill slasher movie with a masked killer wearing a black robe. Maybe writer and director Calvin Morie McCarthy is a hardcore fan of the "Scream" franchise, because "Pillow Party Massacre" felt like a watered down attempt at copying those movies. Except that "Pillow Party Massacre" lacked the brutality, the budget, the intensity and the story.
Needless to say that I wasn't familiar with the cast ensemble in the movie. However, it should be noted though, that the acting performances weren't all that bad, taking into consideration the severe limitations imposed upon the actresses and actors by an inferior script and wooden character gallery.
Visually then "Pillow Party Massacre" was a mess. The vast majority of the special effects were so bad that they effectively were just that; special! Some of the effects were so bad that I was laughing loudly and had to go back and watch it a second time. But a few of the special effects were actually great, so go figure.
If you enjoy a slasher movie, then do yourself a favor and don't waste 87 minutes on "Pillow Party Massacre". Some of us did so you don't have to. There are far better slasher movies readily available out there in an abundance.
My rating of writer and director Calvin Morie McCarthy's 2023 movie "Pillow Party Massacre" lands on a generous three out of ten stars.
The storyline in "Pillow Party Massacre" was generic, oh so very, very generic. This was essentially just another run-of-the-mill slasher movie with a masked killer wearing a black robe. Maybe writer and director Calvin Morie McCarthy is a hardcore fan of the "Scream" franchise, because "Pillow Party Massacre" felt like a watered down attempt at copying those movies. Except that "Pillow Party Massacre" lacked the brutality, the budget, the intensity and the story.
Needless to say that I wasn't familiar with the cast ensemble in the movie. However, it should be noted though, that the acting performances weren't all that bad, taking into consideration the severe limitations imposed upon the actresses and actors by an inferior script and wooden character gallery.
Visually then "Pillow Party Massacre" was a mess. The vast majority of the special effects were so bad that they effectively were just that; special! Some of the effects were so bad that I was laughing loudly and had to go back and watch it a second time. But a few of the special effects were actually great, so go figure.
If you enjoy a slasher movie, then do yourself a favor and don't waste 87 minutes on "Pillow Party Massacre". Some of us did so you don't have to. There are far better slasher movies readily available out there in an abundance.
My rating of writer and director Calvin Morie McCarthy's 2023 movie "Pillow Party Massacre" lands on a generous three out of ten stars.
Perhaps the worst ovie of the year.
A bunch of totally unattractive Gez Z'ers get together in a house years after pulling an April Fool's prank on one of the students. Heard it before? Of course you have.
The movie is filled with used up cliches: Jump scares, Truth or Dare games, you name it. Only none of it is effective in this horribly boring movie.
What makes it worse is that the cast cannot act their way out of a proverbially paper bag and they are down right fugly so you don't even want to look at them.
Don't even think about crisp, exciting, directing. Watching paint dry is more exciting.
A bunch of totally unattractive Gez Z'ers get together in a house years after pulling an April Fool's prank on one of the students. Heard it before? Of course you have.
The movie is filled with used up cliches: Jump scares, Truth or Dare games, you name it. Only none of it is effective in this horribly boring movie.
What makes it worse is that the cast cannot act their way out of a proverbially paper bag and they are down right fugly so you don't even want to look at them.
Don't even think about crisp, exciting, directing. Watching paint dry is more exciting.
The best thing I could say about Pillow Party Massacre is that the director did in fact pull off making a feature length film which is no easy feat.
There is sincerity and passion behind this project, and two or three of the kills are creative and use some decent makeup effects. This is definitely a step in the right direction for the creator and hopefully a learning experience which will lead to bigger and better projects down the line. But all that being said, I cannot recommend this film as entertainment value on any level.
Despite its tongue-in-cheek title, Pillow Party Massacre never becomes the silly 80's-inspired romp that it keeps on promising to be.
The script is thinner than most direct-to-video horror films would allow their own script to be. Every line of dialogue in this film is soulless exposition, and none of the characters have any personality or identity. By the end of the film I couldn't remember a single character's name, and the few moments where the screenplay tries to be meta are lazy and uncommitted. You can tell that the filmmakers have intended to make their own version of Scream without the wit, knowhow or brilliance that made that film work. And the resulting project is soulless, boring and so glacially paced that the short running time felt phenomenally longer than it actually was.
The film is also riddled with technical flaws. The CGI looks unbelievably cheap and not in an ironic way, and the majority of the kills look incredibly fake without it even being humourous. There are way too many dance sequences in the film which drag on for way too long with the intro scene being the most notable example, and the camera seems to linger on the feet and legs of the characters for an uncomfortably long amount of time as if the director of photography has some kind of strange fetish. The colour grading is terribly off, the sound editing is consistently weak, there are numerous lines of dialogue that are obviously dubbed or sometimes layered multiple times out of order, and the cinematography seems to be using a camera that operates on a steadycam gimble yet also manages to shake all the time. Why you would shake the camera whilst also trying to steady it goes completely beyond me, it's like ordering a diet coke with a side of sugar.
Ultimately, the film is just boring. It was made with the best intentions but without proper expertise or a screenplay worth filming. I didn't laugh, I wasn't scared, I wasn't entertained. This film is no massacre, it's a drag.
There is sincerity and passion behind this project, and two or three of the kills are creative and use some decent makeup effects. This is definitely a step in the right direction for the creator and hopefully a learning experience which will lead to bigger and better projects down the line. But all that being said, I cannot recommend this film as entertainment value on any level.
Despite its tongue-in-cheek title, Pillow Party Massacre never becomes the silly 80's-inspired romp that it keeps on promising to be.
The script is thinner than most direct-to-video horror films would allow their own script to be. Every line of dialogue in this film is soulless exposition, and none of the characters have any personality or identity. By the end of the film I couldn't remember a single character's name, and the few moments where the screenplay tries to be meta are lazy and uncommitted. You can tell that the filmmakers have intended to make their own version of Scream without the wit, knowhow or brilliance that made that film work. And the resulting project is soulless, boring and so glacially paced that the short running time felt phenomenally longer than it actually was.
The film is also riddled with technical flaws. The CGI looks unbelievably cheap and not in an ironic way, and the majority of the kills look incredibly fake without it even being humourous. There are way too many dance sequences in the film which drag on for way too long with the intro scene being the most notable example, and the camera seems to linger on the feet and legs of the characters for an uncomfortably long amount of time as if the director of photography has some kind of strange fetish. The colour grading is terribly off, the sound editing is consistently weak, there are numerous lines of dialogue that are obviously dubbed or sometimes layered multiple times out of order, and the cinematography seems to be using a camera that operates on a steadycam gimble yet also manages to shake all the time. Why you would shake the camera whilst also trying to steady it goes completely beyond me, it's like ordering a diet coke with a side of sugar.
Ultimately, the film is just boring. It was made with the best intentions but without proper expertise or a screenplay worth filming. I didn't laugh, I wasn't scared, I wasn't entertained. This film is no massacre, it's a drag.
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- Резня на пижамной вечеринке
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- Runtime1 hour 27 minutes
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- 2.35 : 1
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