Rippy

First off, the trailer is not really a good indication of what to expect from Rippy (aka The Red), which seems to imply it is a comedy horror movie (like 2014's Zombeavers), but in fact the material is played almost entirely straight. The closest film that springs to mind is another Australian film, Razorback from 1984 in which a giant boar terrorises an Australian community. Here, it's a zombie(!) Red Kangaroo that terrorises a small Australian mining town. Razorback is the better film.

Michael Biehn is hopelessly miscast (although at least he does not attempt an Aussie accent), and his apparent overacting (particularly during the first act) suggests he thought he was making a different kind of film. The lead, Tess Haubrich, who plays the small-town cop Maddy who lives in the shadow of her father's legacy, does the best she can with what she was given.

This is clearly a low budget film, and the dodgy cgi and practical effects could definitely have used some more money thrown at it. The movie tried but failed to bite off more than it can roo.

Actually the trailer tells you the whole movie.

And it is really about some zombie kangaroo who kills a lot of people in the Australian Outback.

It sounds like a hilarious, funny horror comedy you'd enjoy watching and have a good laugh at - but noooo.

The biggest flaw of that kangaroo zombie flick is that it totally wastes that opportunity and tries to be an earnest shocker movie.

But that does not work, because while the movie takes itself way too seriously and tries to scare you, it fails miserably because once "Rippy" the zombie kangaroo enters the scene you can not stop laughing at all. :)

And that's not only because the whole idea is so silly but because they used some very cheap and obvious CGI for "Rippy".

"Look - it's Rippy the zombie kangaroo out of my old computer I made with the help of the book "Cheap CGI zombie kangaroo for dummies" :)

The movie never gets any good it isn't even so bad it is almost good.

Unfortunately it isn't really worth watching.

I almost felt sad for poor ol' Rippy, who desperately tries to scare you, but you always end up laughing about it.

And I was really looking forward to watching a funny, braindead movie with the typical down under humor - but nooo - instead I got "Rippy" the serious serial killer movie about a zombie kangaroo.

Facepalm!

The bizarre tale of a zombie kangaroo terrorising a rural Australian village is told in Ryan Coonan's Australian horror film, which you may also interpret as a dark comedy. The movie, which is primarily set at night in the small town of Axehead, stars Tess Haubrich as Sheriff Maddy, a young police officer attempting to carry on her late father's legacy.

The townspeople are ripped to pieces by a string of horrific incidents just as she is beginning to feel overwhelmed by the demands of her work. Before it's too late, Maddy and her quirky Uncle Schmitty-played by seasoned actor Michael Biehn-must try to halt the zombie attacker. As they investigate, they find that Rippy, a massive undead kangaroo on the loose, is the real culprit. Hold on tight as we embark on this strange Australian journey into the mayhem of the outback with undead kangaroos.

The strange idea alone makes it worth seeing, but the uneven execution makes it unsatisfactory. Rippy the zombie roo can occasionally be legitimately unsettling and unsettling, but the slapstick required to strike a balance between comedy and horror can clash with heavier, more serious components. The mood is continuously changed by this schizophrenic technique, with differing results.

Coonan obviously did his research since Rippy captures the feel of rural Australia. The remote Outback location, complete with dusty country roads and dilapidated farmhouses illuminated by flickering porch lighting, feels genuine. But the erratic CGI is startling and takes us straight out of the eerie countryside. Rippy himself frequently looks more like a rubber Halloween costume than a realistic zombie. Any sense of menace is undermined by the floating fakeness when he punches or rushes with teeth and claw. It's also unfortunate because gore effects that use real makeup were not bad.

Gave it a half star extra for being an Australian film...

To think I spent $11.20 on my Uber trip on All Hallows Eve to get to Limelight Cinemas just to support the Australian film industry by watching "The Red" also known stateside as "Rippy".

It was more laughs and for all the wrong reasons than horror I experienced during this almost 90 minutes screening.

The facts is some third world countries are making better horror movies than the so-called lucky country, Australia, in 2024.

Russell Mulchays' "Razorback" was a better monster horror movie and it was made 40 bloody years ago before CGI.

No, this movie relied on puppeteers in a Roo costume to scare us...what a joke!

No ones going to have a moviegasm watching "Rippy" the darn big bush kangaroo chomp his way through the imaginary mining township of Axehead.

One of the filmmakers biggest mistakes was revealing the zombie marsupial only seconds into the movie.

Clearly the word suspense isn't in their Funk & Wagnalls.

Made on a paltry 7.5 million dollar budget (costume budget for Olivia Rodrigo's World Tour) it showed.

Just like "Razorback" we had to hire an American for one of the lead roles to sell this OS.

Michael Biehn ("Aliens") as "Schmitty" is supposed to be a broken down Vietnam veteran, even though my math has him as 15 years of age in 1971 as he recounts his war stories.

"Rippy" had the chance to be scary and humorous, but under first time feature film director Ryan Coonan, failed on both counts.

Even though it's based on a short he created called, "Waterborne".

This treatment needed a few more drafts before being green lit.

"The Red" or as the Germans say whilst eating sauerkraut "Das Killerkangaru" was filmed in Queensland: around Brisbane, Cracow and Old Petrie Town.

At least these towns might benefit from the handful of film location tourists who follow this stuff.

"The Red" also lacked a killer soundtrack, which I might just make a Spotify playlist for, because I can...full of Aussie bangers (code for hits).

Zombie Roo "Rippy" was no ordinary bush kangaroo and when Rippy goes "Rogue" (another better Aussie horror flick) all hell breaks loose and you don't want to be a runner or a drunk miner after dark.

The trailer contains the best 2 minutes of this horror flick.

The towns cop gives birth to a genius plan in the final showdown, "I'm gonna blow the fu&@ers brains out!" Why that would work when guns and bullets have been useless till now amused me.

Wouldn't you be better to use an old axe hanging in the Fire &Axe pub?

The working title for "The Red" was "Zombieroo" according to Biehn, but that doesn't make it any better because this movie takes itself way too seriously and misses the campy horror cult flick it could have become.

Instead it's relegated to the skinny decaf cappuccino or why bother basket.

It's not even a "so bad it's good film".

Continuity is a disaster, the script blows chunks and First Nations actor Aaron Pedersen couldn't save it.

My love of Zombie movies is prolific, but this was a missed opportunity.

Shame because I was rooting for another great Australian camp fire story for future generations to enjoy too!

Rippy should have been Australia's answer to Cocaine Bear-a wild, blood-soaked, tongue-in-cheek marsupial massacre. Instead, it hops straight into the realm of the forgettable, weighed down by cringe-inducing earnestness, limp storytelling, and a complete lack of self-awareness.

Ryan Coonan's kangaroo slasher arrives with a killer concept: a jacked-up joey goes rogue in the Outback. Sounds like campy gold, right? Wrong. Instead of leaning into the absurdity, Rippy insists on dragging viewers through a desert of maudlin backstory, family trauma, and dead-serious exposition. You'll spend 85% of the runtime wondering if someone accidentally swapped the script with an abandoned Outback soap opera.

Tess Haubrich plays Maddie, a haunted sheriff with daddy issues so cliché they should've come with a warning label. The film opens with her narrating her dead father's legacy like a eulogy from a bad Hallmark movie. It doesn't get better. The emotional weight is forced, unearned, and entirely unnecessary in a film about a murderous kangaroo.

Michael Biehn, bless him, is the only one who understands the assignment. Playing Schmitty, a deranged, bathrobe-wearing bush prophet, he twitches, rants, and throws himself into the ridiculousness with abandon. Unfortunately, the script abandons him, leaving him stranded in a movie that's too embarrassed to be what it should've been: fun.

The kills? Meh. The gore? Minimal. The jokes? Non-existent. Not even a single half-decent pun-no "roo the day," no "marsupial mayhem," not even a cheeky nod to Skippy. When your monster is a murderous kangaroo, you owe the audience at least some wink-wink carnage. But Rippy squanders every opportunity to lean into Ozploitation chaos.

By the time the film finally delivers a campy one-liner in the closing minutes, it's too little, too late. You don't make a killer kangaroo movie and spend 90 minutes pretending you're making Mystic River.