Wild Is the Wind

Maybe not entirely crime film, but an unusual scheme in this South African movie where you have no really lead character, no hero, only characters for whom you wonder what feeling you can have. It is question of a serial killer intrigue mixed up with a rogue cops element. You have convincing performances and situations too. It is however a bit slow, but again, this is a worth watching movie where you can also watch as a buddy movie, a White and Black cop working together as a team, without being entirely LETHAL WEAPON either. It is of course question of racial matters in this South African feature; this explains the buddy scheme with two different races characters. A very short tribute to QT's RESERVOIR DOGS in the scene of the serial killer dancing around the car trunk with a gasoline can; remember Michael Madsen sequence dancing besides the tortured cop. Good ending.

As this South African film opens we see police officer Vusi Matsoso accepting a bribe from a speeding motorist. Afterwards he splits the money with his partner, John Smit. As the driver pulls away we see he has a young woman trussed up in the boot of his car. Three years later Matsoso and Smit are more corrupt; they raid a drug den, killing the criminals and taking their drugs to sell to local criminals. Meanwhile there is the murder of another young woman, this time she is an Afrikaner. Racial tensions flare when suspicions fall on her black boyfriend. The events that follow will test Matsoso and Smit's friendship; will they do the right thing or take the easy options?

I thought this was a really solid crime drama. It started really well. We know from the opening scene that our protagonists are corrupt, the only question is whether their corruption is taking bribes for minor offences and robbing drug dealers or whether they will be willing to ruin innocent lives for their own benefit. The story deals with the racial tensions that are inevitably still present in South Africa without feeling as if it is a lecture. The main strength of the film is its acting and direction. Mothusi Magano and Frank Rautenbach really impress as Matsoso and Smit and even those in secondary roles are good. Fabian Medea does a great job directing. The South African landscape adds a lot to the atmosphere of the film; the rugged veldt gives the film the feel of a western at times. While the identity of the man who killed the Afrikaner girl is unlikely to surprise anybody there are a few other moments that do come as a surprise, one time tragically so. Overall I'd definitely recommend this to fans of crime drama looking for something set outside North America or Europe. It would be nice to see more great drama coming out of Africa.

It must be noted that although Netflix suggests this is an English language film most of the dialogue is in subtitled Afrikaans; I didn't find that to be a problem but others might want to be aware before watching.

African crime/narc/thriller movies that includes corrupt cop or maybe they say kopjes, spinning around in the transvaal region i guess, usually brings you into quite some realistic stuff, harsh and tough they act in this movie, that have the racial balance as a meter of issuance.

They are usually wellmade and thourough in their making, but this one slips a bit on, maybe not the main cast, the support and extras that fills the frame. It feels instructive behind the camera, and the lack of heartfelt acting shines through. It maybe amateur issues or just directional fits of action.

But youll get thrill for your money even if they come in a rand-omized order, so a small recommend from the grumpy old man.

The film offers an interesting view of a South African town and township and highlights the continuing inequality characterizing South Africa. The town very much has the feel of a southern town in the US in the 1960's where racial inequality was stark, racial attitudes and privileges were potent and very much in your face, even as many in society tried to move forward. The take of the criminals in the black community justifying their criminality as a reasonable response to racism was compelling and the tension between the white and black cops felt authentic. There are no purely good guys in the movie (though there are a couple of good, very noble women) and only one irredeemably evil guy. On the whole I thought it was a very good flick, if a bit melodramatic. It didn't offer the relatively happy ending I was expecting, but it was perhaps more realistic as a result. Innocent people are sometimes railroaded, police do knowingly charge innocent people if they're under duress to produce a suspect and in South Africa and in the South Africa, murders of whites still prompt more vigorous efforts by authorities to find the killers than murders of black people. It isn't a pleasant film and it doesn't say much positive about human nature, but it's a good movie.

The action scenes are stealthy, but the anticipation slowly fades into the background as the script gets a bit dense in highlighting other social issues. The racially fuelled opening fades into the background as the script explores other dire needs of the community who have fallen into poverty and are desperate to get themselves out of it. Medea wants to highlight the endless cycle that occurs in the area and how corruption is perceived. It is more so character-driven, as the police officers are polar opposites of one another. One is more level-headed, and the other is a hothead with a short fuse, which ends up being quite problematic.

*didn't show too much racial tension as opposed to other problems.