Hunger

Very engaging film for any food lover. The main character played by Chutimon Chuengcharoensukying did a terrific job as an actress. You can really feel the emotions during the intense scenes. Sadly she was the only character with any depth. It felt like her world and everyone was just living in it. The supporting roles were kind of interesting but only surface level.

Many of the plot turns were pretty cheesy. The scenes of violence and the reasons behind them were random, weird and had no build up. The head chef was cool, and stoic, which is to be expected from many successful chefs, however, he had outbursts that didn't make that much sense.

There was a few ominous scenes of rich people living out their gluttony with depictions of them eating flesh-like food. It was a clear dynamic between rich people betrayed as greedy while low-status people betrayed as simply, caring, loving, yet frustrated. It was very interesting to see this depiction, especially during the flashback scene of the Head Chef's upbringing. The comment about the caviar had me burst out laughing.

The cinematography was enjoyable and the dishes looked great. Its probably was kept me engaged the most.

Overall, this film was good. I would recommend it for sure. Many aspects were rushed, and had little development, but remained exciting and had scenes that moved me. The ending will leave most with lots of questions and unfulfilled, but you will give reflections.

This film is a commentary on socioeconomic class-divide through food, but not your typical "wow, that's fancy looking food" kinda movie from the food-drama sub-genre.

Plot Aoy (Remember the actor from Bad Genius?), who runs a family noodle shop, wants to be 'special', wants more from life. But how far is she willing to go to become a famous chef? Can she handle everything that will come the fame?

Take Social commentary can sometimes feel too preachy, either the rich or poor side can be made to seem very villainous, but I thought it was fairly balanced here. While there is nothing mind-blowing here, the satire and drama were balanced. Good acting by everybody and also well shot. It's a slow-burn of sorts but the film has a message, that....is thought-provoking, to say the least.

What a weird movie, a very confusing movie that tries way too hard to be impressionable.

The main character is extremely one-dimensional. She pretty much has the same exact facial expression for the entire movie. It's the same deadpan stare that many Asian dramas suffer from.

The story's message is quite simple but the execution is like a hot soda can that exploded inside your car, it's all over the place.

The show is evil, demonic at some points. But for what? It's so extra and beyond that it's comical... Except that it's trying to be serious.

So the result is a bunch of drawn out scenes that do not offer any pleasurable closures. The ending scene is bizarre and the twist comes out of left field.

Give it a try if you desperately need something to try but you won't really be missing out on much if you decide to skip it.

This is a film of two halves - unfortunately, these two halves belong in different movies.

The first half has the tone and feel of scabrous satire, clearly wanting to deliver social commentary. Here we are skirting really, really close to the same territory explored by The Menu. The second half discards this and, instead, mimics the dynamic and arc of Wall Street - only with restauranteurs. Which is a shame: the first half was visually arresting and had the potential to be both provocative and interesting. The second half less so.

This is another one of those movies which cause me to scratch my head: what did this want to be? What does the film maker imagine this film to be about?

If you're interested in writing, film-making or whatnot, there is such a thing as the elevator pitch. You're in a lift with some hotshot producer. You've got until those elevator doors ping to pitch your movie. This film, alas, fails that simple test.

I was shocked after watching this film. Obviously the film on the surface is about cooking, kitchens etc, and then on the next level down it becomes about greed, snobbery and privilege. How far are we willing to go to get what we want and what is meaning of it all?

But there is another level to this movie which left me feeling sick to my stomach. And it's not because of blood or gore. It is more to do with the way that the whole world is going, in a biblical sense the worshipping of false idols that in the end prove to be wrong. The way that we are being led by our greed and jealousy, into a place that is as far from reality as you can get.

But thankfully the film does pull it around in the end and gives mankind a glimmer of hope.