The Giggle

Now here's an episode you might have to grin and Baird, which those of a disposition and most typically grey haired, may find the evolution, more akin to revolution, as the hero of their childhood regenerates with flare. Stooky Bill begins adventures though you may see him as Saw, and if you watched the stuff created early on it's such a chore, when compared to modern times, that uses pixels and not lines, though the shock towards the end you couldn't possibly ignore. In between there is a maker of fine toys and games to play, a celestial of sorts who wants to have another day, up his sleeves he may have tricks, numerous accents on the lips, but there's division that will catch your eye, and on your mind might weigh.

The Giggle combines both elements of the other 60th anniversary specials for a fun large scale adventure with some more disturbing moments interspersed throughout. It's nice to see Doctor Who be angry again as it's so ready to critique the hatred that's rife in the modern world and only made worse by technological advancements.

It's also a regeneration episode like no other, doing something new and exciting, confirming that this new era of Who won't be empty nostalgia. Tennant's run as the 14th Doctor has been brief but still a gift and this episode still finds the time to make his final moments sink in, giving him a send off that makes the return absolutely worth it.

David Tennant and Catherine Tate continue to be an all time great duo here with the episode giving them plenty of moments that are funny and sincere. Neil Patrick Harris' Toymaker is a top tier villain purely because of the delightful villainy the character is imbued with. Ncuti Gatwa really couldn't have made a better first impression than what he does with the limited screen time.

Chanya Button directs the episode with an energy that's easily able to match Tennant's mobility. There's a lot of impressive stuff done with the Toymaker's reality distorting games that constantly keeps the episode on its toes, helped by some snappy editing and it certainly has one of the most thrilling games of catch ever put to screen.

The Giggle rounds out the 60th anniversary specials on a high note bringing back a very special foe from a time long ago. The Giggle was the centre of the marketing for a very good reason, it had no right to be good and delivered something that was equal parts epically camp and horrifically dark. The budget was clearly spent here and it just delivers every step of the way.

Controversial? Oh undoubtedly so, but Russell and company is having a blast, trippy hypnogogic visuals, gorgeous music, outstanding direction, hilarious writing and a fantastical dance sequence. Yes, you heard me right.

Tennant is on top form as is nearly everyone else in this story but christ alive Neil Patrick Harris absolutely steals the show as the Toymaker, having the time of his life in a role he easily makes his own while standing toe to toe with the iconic Michael Gough. Ncuti Gatwa makes his debut here and all I can is, the future of Who is in safe hands, he makes a fantastic impression, one I can't wait to see more of this Christmas.

The Giggle not only delivers a satisfying end to what could have been a gigantic disappointment, Russell brought Who back to top form and he had no right to do so... but can someone please tell 15 to put on some trousers already.

You have to laugh at Neil Patrick Harris doing his German accent. I think he got away with it.

It was all a game to him as he crossed the realm to our universe. So he can dance to the Spice Girls.

Mel Bush somehow made it back to the present Earth after travelling with Glitz for almost 50 years.

Donna goes demented with some puppets. While the Toymaker puts on a puppet show explaining what happened to some of the Doctor's companions. That's alright then.

It was all rather crazy and wild and that is before the bi-generation. The jury might be split on that.

The ball game was underwhelming, RTD going the Alice in Wonderland route than something more Marvel.

I did like RTD trolling some aspects of the online media who think they are always right and are permanently angry.

This episode opens in 1925 as a man goes into a toy shop and buys a ventriloquist's dummy; it is to be used as a prop in John Logie Baird's first ever experimental television broadcast. Back in the present UNIT pick up The Doctor and Donna; they tell him that something is causing everybody to believe that they are right, and violently react to those with other opinions. UNIT are only unaffected due to a special device. It soon becomes apparent that the events are linked to that broadcast nearly one hundred years ago. The man who sold the toy was the Celestial Toymaker, a menace that the Doctor hadn't crossed paths with for fifty seven years. It looks like it is the end for this Doctor and the much heralded arrival of the next doctor... without going into details the regeneration doesn't go as anybody expects.

I really enjoyed this episode; as much as I enjoyed the previous one. It is very different though; that concentrated on the characters of The Doctor and Donna while this involves a cornucopia returning of characters. The highlights were the return of the Toymaker and the arrival of a new Doctor. Neil Patrick Harris is really great as the former and Ncuti Gatwa impresses as the latter even though he arrives fairly late in the episode I suspect he will turn out to be a great Doctor. Of course that needs good stories, on the strength of the past three stories I think he might get them. As expected David Tennant and Catherine Tate were great; it was a real treat to have them back for these three specials. Overall an impressive episode that, with the previous two specials, makes me think the series has found its feet again.