Galveston

Noir film, brilliantly acted by Ben Foster, who deserves to be a major star. Familiar premise of a hitman who rescues a teenage prostitute and goes on the lam with her and her young daughter. Somewhat overacted by Elle Fanning, who needed to rein in the histrionics - a mistake by the director.. The story holds up well, with twists and turns along the way. Unfortunately the ending lets the whole thing down. Illogical and rushed (as other reviewers have noted!) the story simply peters out instead of ending with a bang. A shame as there was enough good acting and originality to the story to have made it a good watch. Interesting to note that Wikipedia reports the write took his name of the credits when the director made changes he disagreed with. Would have been nice to have seen the original ending instead of the director's.

I don't understand how this has a rating of 6.2 This is great film making, beautiful cinematography great acting, in its own lane. If you like Ben Foster you'll enjoy this. Highly recommend this movie.

I was hooked into this film, it grabbed me and held my interest easily and fully. It feels so authentic, I was loving it. The end however I found to be very disappointing. I didn't feel it was the type of film to end in the vague way it does. It just didn't fit this film. Too bad the ending wasn't better, because this could have truly been great. 6.5/10

It's 1988 New Orleans. Roy (Ben Foster) is diagnosed with terminal cancer. He's a hitman sent to kill a crime lord but the man isn't there. He ends up rescuing captive Rocky (Elle Fanning). She's 19 and hoping to work as an escort. She refuses to leave his side as he sets off on a road trip to Galveston.

Famed French actress Mélanie Laurent is the director. She has a good visual eye. The story flows well but it does have a few bumps on the road. Foster is playing the strong, silent type but it would serve the movie well if he has more conversations with Rocky. I like most of their interactions. Elle's big emotional scene does go too hard. Obviously, Mélanie directed her to stretch out her acting skills but she may not be capable yet. Also I think it would be more powerful if she tries to stifle her pain inside. When Roy gets to his destination, the scene needs some more depth to the reason why he needed to see that woman. It also doesn't make sense that he would return to Rocky unless it is set up better. Overall, Foster continues to be an underrated actor and Elle is at least trying to do more than being the ingenue.

When you don't have anything to lose, you risk it all ... I mean that makes sense now doesn't it? While we all know we will eventually die, we don't really (like to) think too much about our mortality. So maybe you don't approve of the movie being so blunt and in your face. Not to mention violent and over the top of course.

Ben Foster plays it as straight as he can and he has the innocent looking Elle Fanning at his side. Anyone who has seen her in other roles already knows there is more to her though. In this case we get something I haven't yet seen from her: annoying screaming. It's her character of course, so don't get that mixed up. Thriller is quite nice to say the least, even it isn't everyones cup of tea