A typical Woody Allen comedy drama, driven by Cate Blanchett's jaw dropping performance.
Woody Allen while maintaining his one movie each year streak, manages to produce another of his cheeky humourish drama about human psychology. As much repetitive it might seem to his previous work, it's flaws and repetitiveness is completely foreshadowed by Cate Blanchett's best ever.
Jasmine (Cate Blanchett) is a proud ex-upper class lady, who after the loss of her wealth, moves in to her sister's place. Struggling to come in terms of her own past, she not only becomes a headache for those around her, but ruins herself also.
Just like all Woody Allen films, this film also has a 'stage drama' feel to it, with the protagonist being there from frame one to the last frame, and everyone else just coming and playing there part. As always Woody proves himself one of the best presenter of human psychology and mannerism, with this strong account of narcissism.
But what comes as a striking surprise from this low budgeted typical 'old classic drama' is Cate Blanchett's superb portrayal of Jasmine a egoistic lady. She certainly deserves the Oscar this year. It was also good to see Sally Hawkins' great rendering of Ginger. The story might be ordinary, but Woody with help from Cate and Sally, manages to produce to characters which will be remembered for long.
The film also has some good production design. The editing is also good and keeps the film more interesting with the parallel flashbacks, however, it might seem a little abrupt at times.
Direction: Nice.
Story/Screenplay: A typical Woody Allen stage drama with strong characters and a satire on human nature. Even though it is good, but I still feel the best writing nomination was a surprise, as his previous works are more or less the same.
Acting: Cate Blanchett will be a sure shot winner at The 86th Oscars, she totally surpasses Amy and Sandra's performances. Surprisingly, Sally was also great. Alec and others fit into their roles perfectly.
Music: Good background score with collage of 80's soundtrack accompanies by Conal Fowkes' "Blue Moon", a pleasure to the ears.
Overall a solely Cate Blanchett driven drama with some refreshing comedy, a good family film.
Jasmine (Cate Blanchett) is a proud ex-upper class lady, who after the loss of her wealth, moves in to her sister's place. Struggling to come in terms of her own past, she not only becomes a headache for those around her, but ruins herself also.
Just like all Woody Allen films, this film also has a 'stage drama' feel to it, with the protagonist being there from frame one to the last frame, and everyone else just coming and playing there part. As always Woody proves himself one of the best presenter of human psychology and mannerism, with this strong account of narcissism.
But what comes as a striking surprise from this low budgeted typical 'old classic drama' is Cate Blanchett's superb portrayal of Jasmine a egoistic lady. She certainly deserves the Oscar this year. It was also good to see Sally Hawkins' great rendering of Ginger. The story might be ordinary, but Woody with help from Cate and Sally, manages to produce to characters which will be remembered for long.
The film also has some good production design. The editing is also good and keeps the film more interesting with the parallel flashbacks, however, it might seem a little abrupt at times.
Direction: Nice.
Story/Screenplay: A typical Woody Allen stage drama with strong characters and a satire on human nature. Even though it is good, but I still feel the best writing nomination was a surprise, as his previous works are more or less the same.
Acting: Cate Blanchett will be a sure shot winner at The 86th Oscars, she totally surpasses Amy and Sandra's performances. Surprisingly, Sally was also great. Alec and others fit into their roles perfectly.
Music: Good background score with collage of 80's soundtrack accompanies by Conal Fowkes' "Blue Moon", a pleasure to the ears.
Overall a solely Cate Blanchett driven drama with some refreshing comedy, a good family film.
- A_Voice
- Feb 5, 2014