Pine Cone

I just watched pine cone. And I was amazed that how beautiful film it is. I'm seriously shocked that this kind of deserve more.story and direction are super by onir.it's not only for a pride community, but i would like to suggest everyone that please watch once. I also requesting onir sir to release it on theatre or OTT so maximum people can watch this beautiful masterpiece. Second most beautiful thing of the film is locations and music. I'm damm sure that everyone will enjoy. I would like to say in one word that it's truly love story and full of emotions. Please please please release it on ott or theatre.

Onir's Anirban Dhar latest film doing the rounds in film festivals and special screenings, was screened for an invited audience this evening at The American Centre in the city. Personally, I like his films not because he'd been a junior and a friend at the University or his sister Irene Irene Dhar Malik I knew before I knew him. I like them because of their honesty and simplicity.

Though Onir describes the film as a 'queer' love story told rather autobiographically, I related to it mostly as a tale of 'heartbreaks and hope' that, I'm sure, will touch any viewer irrespective of their sexual orientations. We have all been through most of them whatever the orientation.

References to 'My Beautiful Launderette' by Hanif Qureshi and relevant dialogues would possibly stir all the emotions that we all have. Be it humour, pain, anger, sorrow ... whatever. In other words, it's a story well-told. If you like to listen to stories, rather watch them, you'd love and live every moment of it. And boy o boy, he really knows how to tell stories on screen. For me, I failed to hide a tear towards the end.

Things have changed since his first film 'My Brother ... Nikhil' released nineteen years ago and Onir too has evolved with the times. The film told in three parts is aptly set in 1999, 2009 and 2019. The years are important as the first year is when the country's first gay pride parade is held in Calcutta, the second, when the Delhi High Court decriminalises homosexuality and the third year, when the Supreme Court decriminalises homosexuality once agin after the verdict of 2009 was overturned in 2012. Also, the characters as Muslim, Hindu and Christian add a separate religious angle to the discourse.

Shot on iPhone with a meagre crew of about fifteen odd people, the film is made with a shoestring budget. Arvind Kannaviran has done a great job with a tad unstable camera movements and long duration shots in places where they make a big difference to the story in contrast to the shorter shots that depict dreams and freedom through shadowgraphy by the characters in one story. Vivek Philips's music is infectious. Irene's edit stitches the emotions with precision so that the 't's are crossed and the 'i's are dotted. What's most interesting about the way the film unfurls is that the audience is kept guessing about how things would conclude till the end.

I sincerely hope that the CBFC would clear the film without any cuts and people would be able to watch it in Cinemas, but I'm keeping my fingers crossed. Whatever happens, I will wish that 'Into that heaven of freedom' my country will awake. Well, if it doesn't, to echo a dialogue of the young duo in the part of the film set in Gangtok, I'd say ... 'Hum saare duniya ki gaand maar denge!

"Pinecone" is a breathtaking masterpiece that delicately unfolds the tender, passionate, and ultimately heartrending romance. Onir's masterful direction imbues every frame of "Pinecone" with a palpable sense of longing and desire, capturing the lush landscapes of Gurez Valley and the simmering tension between its protagonists with stunning visual elegance. But beyond its mesmerizing aesthetics and captivating performances, "Pinecone" is a deeply resonant exploration of love, identity, and the bittersweet passage of time. With its stunning visuals, powerful performances, and thought-provoking themes, this film is a cinematic masterpiece that will leave viewers spellbound long after the credits roll. It is a testament to the transformative power of storytelling and a reminder of the enduring magic of cinema.

Thankyou Onir for one more masterpiece!!

A film that sheds light on the evolving landscape of queer rights in India... This poignant narrative captures the essence of first love, the harsh realities of cynicism, and the relentless fight for equality --- highlights the broader struggle for LGBTQ+ rights in India!!

Watching Sid Mehra's journey unfold on screen, I was reminded of my own first love-the excitement, the vulnerability, and the profound impact it had on my life. Sid's transformation from a proud, hopeful filmmaker to a cynical yet resilient advocate for queer rights resonated with my experiences of navigating the complexities of love and identity.

This film is more than just a love story; it is a call to action, a testament to resilience, and a vital contribution to the ongoing quest for equal rights and acceptance for queer folks in India.

I recommend folks from the community and others to watch Pine Cone, more for its beauty to normalise desires and a message for folks to let their gaurds down and give love another chance.

I personally liked how the movie communicated the experiences a queer individual faces in their daily lives. Very relatable.

I wished the movie didn't end, wanted to watch more and more of it. And I guess, that speaks a lot of the movie, that the audience is hooked to know "what's next?" "How do they work it out?".

I'd love to have more and more folks (out of the community) to watch this, and get a sneak peak into what it is like for a queer individual to find love whilst operating in all the constructs of the society.