Terrorists take over the G20 summit with President Sutton, bringing her governing and military experience to defend her family, company, and the world.Terrorists take over the G20 summit with President Sutton, bringing her governing and military experience to defend her family, company, and the world.Terrorists take over the G20 summit with President Sutton, bringing her governing and military experience to defend her family, company, and the world.
- Awards
- 1 win & 4 nominations total
Featured reviews
"G20" is the cinematic equivalent of wrapping the American flag around a missile and calling it diplomacy. This high-octane political action thriller positions the United States as the lone savior of the free world - again - with the kind of invincibility usually reserved for comic book superheroes or fever dreams from the Pentagon.
From the first explosion to the final, slow-motion flag wave, "G20" makes one thing clear: Americans can do anything - survive impossible odds, outwit international superpowers, and defuse geopolitical crises with a single inspirational speech or a well-aimed punch. It's not just unrealistic - it's comically over-the-top.
The plot, thin as it is, involves an elite American operative (of course) thwarting a global threat at the annual G20 summit. The rest of the world's leaders mostly stand around helplessly, reduced to background props while the U. S. single-handedly saves the day. Russian hackers? No match. Rogue drones? Shot out of the sky with sunglasses still on. Nuclear codes? Already hacked by the CIA before breakfast.
While the pacing is relentless and the action sequences are polished, the film constantly asks viewers to suspend all disbelief. It's less a geopolitical thriller and more a muscle-flexing fantasy that leaves no cliché unexplored - complete with American exceptionalism on steroids.
In short: If you're looking for realism, look elsewhere. If you're in the mood for unapologetic flag-waving, gravity-defying heroism, and a plot where the laws of physics (and politics) take a back seat to pure spectacle - "G20" delivers, just don't take it too seriously.
Rating: 2.5 out of 5 stars - for entertainment value, not plausibility.
From the first explosion to the final, slow-motion flag wave, "G20" makes one thing clear: Americans can do anything - survive impossible odds, outwit international superpowers, and defuse geopolitical crises with a single inspirational speech or a well-aimed punch. It's not just unrealistic - it's comically over-the-top.
The plot, thin as it is, involves an elite American operative (of course) thwarting a global threat at the annual G20 summit. The rest of the world's leaders mostly stand around helplessly, reduced to background props while the U. S. single-handedly saves the day. Russian hackers? No match. Rogue drones? Shot out of the sky with sunglasses still on. Nuclear codes? Already hacked by the CIA before breakfast.
While the pacing is relentless and the action sequences are polished, the film constantly asks viewers to suspend all disbelief. It's less a geopolitical thriller and more a muscle-flexing fantasy that leaves no cliché unexplored - complete with American exceptionalism on steroids.
In short: If you're looking for realism, look elsewhere. If you're in the mood for unapologetic flag-waving, gravity-defying heroism, and a plot where the laws of physics (and politics) take a back seat to pure spectacle - "G20" delivers, just don't take it too seriously.
Rating: 2.5 out of 5 stars - for entertainment value, not plausibility.
Caught this one out of curiosity and honestly, while it's not breaking any new ground, it wasn't as bad as some of these reviews make it out to be.
Yes, the plot is familiar (think Olympus Has Fallen meets streaming-era political thriller) and yes, some of the action scenes definitely stretch believability - but I actually found parts of it enjoyable. The pacing moves along quickly enough, and the production value is solid for what I assume is a straight-to-streaming project.
Anthony Starr is easily the standout - brings a fun, menacing edge to his role without going full cartoon villain. Viola Davis has her moments too, even if her character arc feels a bit rushed.
It's definitely heavy on the "message" and a bit too polished politically, but if you're not expecting a masterpiece and just want something explosive and passable to unwind to - it works. Especially if you're a fan of the cast.
Yes, the plot is familiar (think Olympus Has Fallen meets streaming-era political thriller) and yes, some of the action scenes definitely stretch believability - but I actually found parts of it enjoyable. The pacing moves along quickly enough, and the production value is solid for what I assume is a straight-to-streaming project.
Anthony Starr is easily the standout - brings a fun, menacing edge to his role without going full cartoon villain. Viola Davis has her moments too, even if her character arc feels a bit rushed.
It's definitely heavy on the "message" and a bit too polished politically, but if you're not expecting a masterpiece and just want something explosive and passable to unwind to - it works. Especially if you're a fan of the cast.
Serena is the rebel hacker teen daughter of US President Danielle Sutton (Viola Davis). Derek Sutton (Anthony Anderson) is the first gentleman. G20 is holding a meeting in South Africa. The organizers have hired private security led by Edward Rutledge (Antony Starr). Danielle is personally protected by Secret Service Agent Manny Ruiz (Ramón Rodríguez).
This is White House Down adjacent. It has some action fun. It is unrealistic at times. It is ridiculous to take out most of the government protection with one blast. The premise is dumb but whatever. The movie does lose me when Viola Davis turns super-soldier. Aside from being a woman in her late 50's, the character is set up different from super fighting. The movie gets rather too ridiculous at the end. I like this up to a point. Too bad that it goes past that point.
This is White House Down adjacent. It has some action fun. It is unrealistic at times. It is ridiculous to take out most of the government protection with one blast. The premise is dumb but whatever. The movie does lose me when Viola Davis turns super-soldier. Aside from being a woman in her late 50's, the character is set up different from super fighting. The movie gets rather too ridiculous at the end. I like this up to a point. Too bad that it goes past that point.
So watched this right after work today and I must confess I'm utterly bamboozled as to how hell a movie with such a stacked cast stuffed with so many action sequences can be so boring??
It's obvious it's got a decent budget as the production values are there and there's a whole heap of plot ideas (mostly B rated tech thriller and tinfoil hat taking points) and mixed character motivations but somehow fails to cohere into a solid whole.
Really disappointing as I really like a lot of the cast members and none of them are phoning it in.
Trying to find another 50 chars so I'd best point out it's MGM marque but it does feel like a amazon direct to streaming effort.
It's obvious it's got a decent budget as the production values are there and there's a whole heap of plot ideas (mostly B rated tech thriller and tinfoil hat taking points) and mixed character motivations but somehow fails to cohere into a solid whole.
Really disappointing as I really like a lot of the cast members and none of them are phoning it in.
Trying to find another 50 chars so I'd best point out it's MGM marque but it does feel like a amazon direct to streaming effort.
G20 has some of the right elements to do its concept justice but it's undermined by its standard issue made for streaming construction and the near constant overly serious nature which prevents it from having any fun with the concept. Like most streaming originals, it borrows from far superior films and ends up being so generic that everything it's taken from them makes it feel derivative. The casting of its hero and villain saves this from being really bad.
Viola Davis is massively over qualified for this incredibly bland material which at least means she is more than capable of elevating this with her commanding screen presence and undeniable action star credentials. Anthony Starr does a good job as the main villain, relishing in his villainy and delivering several cringe worthy speeches advertising Bitcoin without completely losing the will to live in a seriously impressive feat.
Patricia Riggen's direction is pretty lifeless. The action sequences are basic and when they do add some visual flair to proceedings it feels so random, plus there's not enough of them considering the nearly 2 hour run time. It generally looks flat thanks to a colour palette that's slightly desaturated throughout which becomes kinda distracting. Some of the CGI is laughably bad but thankfully those moments are contained to small doses.
Viola Davis is massively over qualified for this incredibly bland material which at least means she is more than capable of elevating this with her commanding screen presence and undeniable action star credentials. Anthony Starr does a good job as the main villain, relishing in his villainy and delivering several cringe worthy speeches advertising Bitcoin without completely losing the will to live in a seriously impressive feat.
Patricia Riggen's direction is pretty lifeless. The action sequences are basic and when they do add some visual flair to proceedings it feels so random, plus there's not enough of them considering the nearly 2 hour run time. It generally looks flat thanks to a colour palette that's slightly desaturated throughout which becomes kinda distracting. Some of the CGI is laughably bad but thankfully those moments are contained to small doses.
Viola Davis Through the Years
Viola Davis Through the Years
From The Help and Ma Rainey's Black Bottom to "How to Get Away with Murder" and G20, take a look back at the impressive carrer of Viola Davis.
Did you know
- TriviaAnthony Anderson went to a Cape Town emergency room because of a "fight with a chair" on the set.
- GoofsBad guys need the voice of the presidents to generate deepfakes. But their voices are already publicly available everywhere for years.
- ConnectionsReferenced in 82nd Golden Globe Awards (2025)
- SoundtracksPata Pata
Written by Miriam Makeba and Jerry Ragovoy
Performed by Miriam Makeba
Courtesy of Strut Records, a division of K7 Music GmbH, and the Miriam Makeba Estate, Miriam Makeba Trust and Miriam Makeba Foundation
- How long is G20?Powered by Alexa
Details
- Runtime
- 1h 48m(108 min)
- Color
- Aspect ratio
- 2.35 : 1
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