Run & Jump

Just how fluid is our definition of "family"?

Conor (Edward MacLiam) is an Irish carpenter who, at the age of 34, is unexpectedly felled by a stroke. Though he will never again be the man he was, Conor recovers sufficiently to allow him to return home to his wife, Vanetia (Maxine Peak), and two children. However, he is accompanied by Ted Fielding (a generally miscast Will Forte), an American brain specialist who moves in with the family so he can monitor and study Conor's condition on a 24/7 basis. While Ted, a single man without a wife or children of his own, is supposed to remain a neutral, emotionally detached observer of the situation, he finds himself more and more filling the void left by Conor, slipping into the role of father to the children and husband to the wife. Will Conor erupt in a jealous rage at this blatant disruption of his family unit, or will he have the grace to accept the fact that Ted can provide for his loved ones in a way that he himself no longer can?

Written by Ailbhe Keogan and Steph Green and directed by Green, "Run & Jump" is an unassuming, slice-of-life drama that is less about a man's struggle to overcome the harsh hand that's been dealt him and more about the effect that hand is having on those around him. How, the movie asks, does one re-establish a familial norm when the dynamics have effectively shifted and everyone's role in that family has been essentially redefined? This relationship-shuffling manifests itself in some surprising ways. Conor's stroke, for instance, has clearly affected the part of his brain that censors what he says, a condition that proves most taxing to his gay teenage son who must suffer his dad's withering homophobic comments, keen in the knowledge that they reflect his own father's true, unfiltered feelings towards him. And there are many such examples.

Despite a certain sketchiness in some of the storytelling, "Run & Jump" is, for the most part, a poignant case study in family dynamics, one that both avoids melodrama and refuses to cast judgments on its characters as it explores the complexities of human relationships.

An Irish family welcome home Conor, the husband and father who has recently suffered a life changing stroke. In tow is an American psychologist who is studying Conor's progress as he tries to settle back into the family life. It's not long before the American becomes the father figure himself and also begins to veer towards a deeper relationship with Vanetia, the wife.

For a film that clocks in at just over 1 hour 40 minutes this still felt rather long winded in places. Some of the dramatic scenes work well and the performances are perfectly OK, Edward MacLiam as Conor in particular impressing whereas Maxine Peake as his free-spirited wife struggles badly with the Irish accent which doesn't help.

It seems however there is too much thrown into the pot and in the end it becomes unnecessarily convoluted - we have the blossoming relationship between the wife and the psychologist, the struggles of the husband and wife, the son facing up to homosexuality, the suspicious father-in-law, the sister who's taken a shine to the American and so on. All this leaves it rather disjointed and had it just centred on the 3 way adult relationship dynamic it would've made for a much stronger film.

Not all bad but something of a mixed bag.

Before I saw this movie, I had a small idea as to what the main storyline was about. I wondered how the story would be captured on film. It exceeded all my expectations and managed to deliver far beyond that. It is such a sensitive portrayal of a situation. I liked the way the film was peppered with humour and it showed how people can find humour or use humour to deal with the potential sadness of a situation. It's quintessentially Irish without being twee or 'oirish'! The acting is superb also. I often think that a good sign of a movie is one that leaves an impression and becomes the topic of conversation for days/weeks afterwards. This movie made that great impression and I look forward to seeing it again soon.

Run 8 Jump is a great movie with a well written plot and a top notch cast. It's a sweet, enlightening and somewhat heartbreaking film, dealing with some very serious issues of family as the people here undergo some harsh times. It is also a film about realisation, of people seeing where they stand in this world. We see this mainly in Vanetia, who is a very developed, strong female character.

My main issue with this film would actually be the way it was advertised, as the tone is completely different. The advertisements made this look like a very happy, feel good film with a bit of drama, whereas it has significantly more weight and heavier undertones than we ever would have gotten from those trailers.

The cast is stellar, Maxine Peake shines in the lead role, clearly having put a lot of depth and thought in to her character. Will Forte is also fantastic in a very unlikely turn for him, well known for his Saturday Night Live sketches, I would never have pictured him in such a toned down, very human role, and he is spectacular in it. Every cast member gets a chance to shine in this film. Edward MacLiam has some great, hard hitting moments and even the child stars have some rough dialogue that they deliver with pure emotion, particularly Brendan Morris, who plays Peake's son in the movie, coming to terms with the situation his parents are in.

It is very real, there is really no "movie clichés" here, it's a drama about human issues. Dramatic, well acted and very engrossing, Run & Jump is certainly worth the watch for anyone looking for a good drama.

An American doctor travels to study a family following their fathers stroke.

Best Performance: Maxine Peake

As an American living in Dublin (Ireland) and an avid film lover, I had the pleasure to attend the Run & Jump premier at the Galway film festival (located on west coast of Ireland) last night. I am a huge fan of will forte's comedy and think that he has successfully crossed over to a dramatic roles with Run & Jump (think Jeff Daniels)... And, for the film, it was a powerful story of a family faced with a challenging change to their lives - I don't think their was a dry eye in the theater... This film has the great qualities of European independent film making, with its deep exploration of human experience... How people deal with extraordinary circumstances in their own lives but which are unfortunately difficult realities for many. My connection to this film was very personal - my mother's personality changed due to a chronic medical condition - and so it helped me see how others deal with these experiences - especially since it is based on the writer's personal experience with her own father... I think it would also help those who have not had direct experience understand what other's go through. Therefore whether the writer intended to or not, this film is an important expression of these challenges and can serve (inadvertently) as a contributing form of therapy. Please note cinematography (understated and spectacular), sounds (you can feel and hear basic movements such as the scratching of a beard hence drawing you into the characters thoughts) and for non-Irish please also note that jumping into the freezing Irish Sea is a right of passage here... I can say more but will conclude that I also believe this film is important to our society and should have access to the general public... (Typos here due to iPad keyboard)