Wow, either director Lawrie Brewster recruited all his friends and relatives to give high ratings and write favorable reviews for his film, OR none of the avid fanatics around here has ever seen a genuinely atmospheric Gothic horror movie. I'm sure my user comment will receive a lot of not-useful votes, but what the hell, "Lord of Tears" does not deserve its current 7.1 out of 10 rating and please do not be deceived by the plenty of comments stating it's an impeccable new genre classic. There, I said it. However, I do admit that the film is a worthwhile and well-crafted attempt at traditional & spooky horror with beautiful scenery and filming locations, an admirably melancholic ambiance and – most of all – an authentically creepy monster! The Owl Man, which you can admire on the cover artwork, is a nightmarish creature with impressive mask and claws that demands for a specific type of sacrifices. The timid school teacher James Findlay has been plagued by visions of this creature ever since his childhood, but now he can confront his traumas because James' mother died and he inherited the parental "Baldurroc Mansion" in the Scottish Highlands. James believes all his phobias originate from this place and, together with the lovely caretaker Eve, he begins to investigate the hidden secrets of the estate. Okay, so far so good, then why exactly isn't "Lord of Tears" as magnificent as it ought to be? Basically because the actual plot is feather light and ultra-thin and there are only two principal characters (and one reasonably significant supportive character) in the entire movie. Brewster compensates for the lack of variety through (over-)long sequences that stylishly build up tension and atmosphere, but they lead absolutely nowhere. You know what kind of sequences I mean: sudden apparitions of the creature underneath a tree, but it vanishes when the protagonist looks again, abruptly ending dream sequences, the clichéd use of creepy children's drawings, etc etc.. The denouement – as in the revelation of the Findlay family secret – doesn't make any sense and raises more questions than the script can answer. The acting performance of Euan Douglas is quite pitiable and the beautiful Alexandra Hulme doesn't convince either. David Schofield's sinister voice is underused. Lawrie Brewster and Sarah Daly (the writer) definitely show talent and growth potential, but "Lord of Tears" is overall unmemorable and weak. Okay, go ahead, hit the non-useful button if you must
