Bambi: The Reckoning

Bambi: The Reckoning had a few decent moments, but overall it fell flat due to a lack of depth and emotional connection. The story felt underdeveloped, with barely any world-building or explanation around the who, where, or why of what was happening. None of the characters were particularly likable or compelling.

Even the kid, who should have been a sympathetic figure, just came across as kind of a blank slate. The mom made questionable choices, especially in how she handled the broken relationship between the father and son, and that dynamic was never explored in a meaningful way. The film seemed to rely on shock or sentimentality in the final act, but it didn't earn that emotional payoff.

The ending felt heavy-handed for a movie that hadn't taken the time to make you care about anyone. I usually enjoy these B-movie horror spins on fairy tales or childhood IPs, but this one just didn't land. It lacked heart, clarity, and ultimately any real reason to get invested.

I recently watched the UK picture 🇬🇧 Bambi: The Reckoning (2025) in theaters. The storyline follows a mutated Bambi who is out for revenge after the death of his mother. When a car crashes in the forest, the victims will have to avoid Bambi at all costs if they hope to survive.

This picture is directed by Dan Allen (Mummy Reborn) and stars Roxanne McKee (Game of Thrones), Samira Mighty (Beauty and the Beast), Nicola Wright (Peter Pans Neverland Nightmare) and Tom Mulheron (Carnage).

This movie is absolutely awful; however I have to admit, I was definitely entertained. The CGI is way over the top and horrible; however, the kills are unique, gory and pretty awesome. I also enjoyed the supporting wooded animals, thumper was great. The bunny and propane tank sequences had me laughing out loud in the theaters. There is a kitchen scene that was stolen from Jurassic Park, and the overall storyline and premise is as bad as you'd expect, but there is an elite bear trap sequence and ai liked the ending more than I wanted too...so much so I sat through the credits just to find out there's a sequel on the way that I will watch also.

In concluding, Bambi: the reckoning fell in the so bad it's good category for me. I'd score this a 4/10, but recommend it for those looking for something different.

Mr. Allen direction to the Twisted Childhood Universe is solid as it is, many Disney fans are NOT going to love this as much as I did, this 81 minute short feature runtime went through fast paced and done in a way that made me intense. Putting my foot down, the Visual Effects on Bambi looks beautiful crafted well top to bottom, cast did not a bad performance but solid, I more into international indie films like this one, we just had Peter Pan's Neverland Nightmare back in January approx. (6 months ago), just got another film for the TCU which two TCU films in 1 year is extremely good, most of these films from the TCU are high expectations, usually once a year is enough to step back and work on another production. But 2 in 1 year is solid work, Thank you to the pre production team and the visual effects team who created Bambi as a monster that I adored.

(Watched July 25th, 2025) Bambi: The Reckoning is currently the best installment in the Twisted Childhood Universe. I love almost everything they went for in this movie. The only problem I have is some of the acting can be bad. But the acting wasn't terrible some of it was actually good, the story is decent, the CGI is amazing for a movie with a low budget, the deaths were clever, and it had some funny moments that I laughed at in the theater.

Deceptive though it might seem, high camp can be a tricky artform to pull off successfully on screen, especially in genres like horror and sci-fi. It requires deftly managed, evenly sustained pacing - not necessarily at the breakneck speed of a screwball comedy, but certainly steady in its regular dispensing of delicious nuggets of wry and macabre wit with bridge segments in between them that move the story along without overstaying their welcome. Sadly, however, in his fourth feature outing, director Dan Allen only gets this down pat about half of the time in this twisted and sinister retelling of the classic Felix Salten 1923 novel about a motherless roe coping with life in the forest. In this ghoulish iteration of the tale, a divorced mother (Roxanne McKee) and her 13-year-old son (Tom Mulheron) are on their way to visit her in-laws' family after her ex-husband (Adrian Relph) summarily ditches his promise to spend the weekend with the boy. However, the duo's journey is interrupted when their ride is brazenly attacked on a remote roadway by a ferocious mutant adult stag that looks like something out of the "Jurassic Park/Jurassic World" movies only with cheesier special effects (but with a supremely stylish set of hooves that resemble those in the inner sleeve artwork from the Rolling Stones' Tattoo You LP (1981)). Not only does the woodland monster go after the stunned mother and son, but also all of their relatives, including the family matriarch (Nicola Wright), who suffers from a form of dementia but seems to have an unusual (but unexplained) psychic bond to Bambi. This scenario is further complicated by a band of apparent bounty hunters who are charged with capturing and/or killing the creature, as well as other equally gruesome wild animals that have also mysteriously mutated, including a pack of rabbits whose carnivorous proclivities put the bunny from "Monty Python and the Holy Grail" (1975) to shame. The reasons behind the hunt don't become clear until well into the film (after more than enough of the aforementioned protracted narrative hammocks), but they nonetheless provide the absent justification behind much of the story (as well as the source of Bambi's unrepentant rage), making for a final act that compensates for many of the picture's prior shortcomings. To its credit, the film's campy elements are well done, but there just aren't enough of them and they're a little too loosely strung together (at least initially), almost feeling as if the in-between sequences amount to little more than excessive padding to fill out the runtime. In addition, there's a certain predictability to the narrative wherein it's easy to guess who's going to get done in and when, as well as who ultimately ends up surviving the ordeal. I was also somewhat puzzled by the preponderance of F-bombs scattered throughout the screenplay, a count that rivals "The Wolf of Wall Street" (2013) at times, particularly for a story involving younger characters. These issues are somewhat made up for by the inclusion of several surprisingly touching moments, an unexpectedly nice counterpart to the graphic (but generally in-context) gratuitousness that pervades the film, often depicted in colorful and cleverly raucous ways (remember what I said about those bunnies). Indeed, those who enjoy their horror with a touch of dark humor are sure to enjoy this production from the makers of the "Winnie-the-Pooh: Blood and Honey" films, though don't be disappointed if you still come away from it hungering for a little more, especially in light of this offering's scant 1:21:00 duration. Nevertheless, come the movie's end, don't be surprised if you still find yourself heaving a heavy sigh and heartily exclaiming "Deer me!"