Mother Couch

I must say at the outset that I wanted to like this film, because symbolic, metaphorical, low-budget, chamber-drama-like works are very close to my heart. Unfortunately, Niclas Larsson (who is responsible for such great works as... well, yeah) hasn't the faintest idea how to direct a film or write a script, because the end result is so fake, incoherent, wannabe-deep, boring and so frustratingly roundabout that anything the film was trying to say (not that there haven't been a million films made about grief work and letting go...) is completely meaningless because it just babbles, stammers, and then urinates under itself.

I have no idea how Larsson was able to blackmail these stars into appearing in this botched film experiment, perhaps kidnapping their child or poisoning them with the venom of a rare species of South American snake for which only he has an antidote. In any case, it is certain that "Mother, Couch" will not ennoble anyone's CV. But one thing must be acknowledged: it's a perfect film for snobs, who are ready to project everything and its opposite into the infertile, barren nothingness at any time, if it makes them feel that they are more than the average cinema-goer, despite their mediocre intellect and awful taste.

I have no idea what this film was about and neither will you. The storyline goes like this, three children who go and find their mother sitting on a couch in a furniture store and tries to get her to leave the store but she doesn't want to leave. And from there, you're left to think that the story is actually going to lead up to something spectacular or tragic to unfold and it literally does neither. From the beginning to the very end, you don't know what the message in the film is actually relaying. It's just a bunch of incoherent scenes meshed together leading up to a climax that leaves you pondering wtf did I just watch, I kid you not. Excellent cast but a very incoherent story that literally made no sense.

I think this film deserves a review even though I'm still processing some of the scenes.

This is not an easy story to describe. So I understand some negative reviews that may be posted.

Much of the investment is with McGregor's character and his relationship with his mother. This unfolds initially as a straight-forward affair of a son whose mom refuses to leave a furniture store (staking her claim on a specific couch in the store).

As the story progresses, you begin to realize not everything is as it seems. Once you realize this, the film takes on a different light and the focus on McGregor's character becomes a bit more justified.

Still, I think the brother and sister deserved a little more substance of character than what was provided. Kudos to Lara Flynn Boyle for making the most out of something less.

"Mother Couch" (2024), directed by Niclas Larsson, is an ambitious and daring exploration of the abstract, fusing dark drama and comedy in a way that defies traditional storytelling.

What stands out most in "Mother Couch" is its bold attempt to blend art with narrative. Larsson's vision feels more like a visual art installation than a conventional film, designed for viewers who have an appreciation for the slow, dark, and often bizarre corners of cinema. The film's pacing is deliberate, with long, introspective scenes that some might find tiresome, but those with a passion for art-house films will likely find it thought-provoking. This is a movie that requires patience and an openness to unconventional forms of storytelling.

At its core, "Mother Couch" seems to be about the art of healing, showing how unresolved family dynamics can manifest in strange ways. The characters, though emotionally distant at times, ultimately search for closure, making this film a contemplative piece on the complexities of human relationships.

While it may not cater to mainstream tastes, "Mother Couch" is a unique entry for cinephiles who seek something different, especially those interested in the fusion of art and film. It's an experimental journey that, while imperfect, deserves credit for its originality and daring approach to dark comedy.

Wanted to watch this for a really long time! The premise looked extremely intriguing and the plot is really unique and special! Love these types of unique films and innovative plots!

Ewan McGregor is one of my all time favourite actors and does a amazing performance! One of his best!

This was really a movie in my taste! That mixes different genres and atmospheres!

First of all, It gives you that feeling you want from a good and intense psychological thriller/drama!

Niclas Larsson does a amazing job! Definitely a promising talent in filmmaking! Its really well put together and directed!

Soundtrack is perfect and really fits the film!

I really recommend this unique film!

However i don't understand the ending fully, which was abit disappointing! But its a very deep film which let the viewer decide! I really like that!

A intrestring study of the mind and the fate, and the mind's acceptance through trauma, family and loss!

It leaves you with a very special and wierd feeling after.

Excellent, artistic, deep and unique psychological thriller/drama. Definitely worth watching!