Jana - Marked for Life

I watched it all and more fool me.

Just the premisses we are expected to swallow are unbelievable. Chief prosecutors break the law, eminent psychiatrists prescribe illegal medicines, trainee prosecutors break into private and commercial properties. All this is against a backdrop of a Svengali figure training and controlling an army of Bene Gesserit-like fighting children.

One might say these kids were hidden in plain sight but their base is just about the most ridiculous one imaginable. Where would their food have come from in this industrial wasteland?

Contrived climaxes and discoveries abound. There's no actual detective work at all. Lucky coincidences lead to the next episode of ridiculousness. Horrifyingly, there's a semi cliffhanger at the end. We might be subjected to more of this nonsense.

"Jana" is a mesmerizing journey into the world of crime fiction, where the intricate characters and gripping storyline of Emeli Schepp's novels come alive on the screen. From the very first scene, viewers are drawn into the complex web of suspense and intrigue that surrounds Jana Berzelius, a character whose depth and complexity are brilliantly portrayed by the talented cast.

The director's meticulous attention to detail shines through in every frame, creating a rich and immersive atmosphere that transports audiences into the heart of the story. Each character is brought to life with nuance and depth, making it impossible not to become emotionally invested in their fates.

What sets this adaptation apart is its ability to seamlessly weave together elements of mystery, drama, and suspense, keeping viewers on the edge of their seats until the very end. From the smallest gestures to the grandest revelations, every moment is crafted with care and precision, ensuring that no detail is overlooked.

One of the most remarkable aspects of the series is its ability to hint at events from the past, adding layers of depth and complexity to the storyline. These subtle nods not only enrich the viewing experience but also serve to deepen our understanding of the characters and their motivations.

Overall, "Jana" is a captivating adaptation of Emeli Schepp's Jana Berzelius series brought to life on screen is a must-watch for fans of crime fiction and mystery. With its compelling characters, intricate storyline, and masterful direction, it is sure to leave a lasting impression on audiences everywhere.

Nonsensical plot, second rate production....what was with all the water at every scene change? Amateurish. Lost count of the holes in the story, more frequent and bigger than our local potholes.

Acting was often clunky and unnatural. My credulity was strained too many times;Jana should have been removed from any investigation early on as she was clearly a disturbed and damaged character. I blame myself for wasting so many hours hoping that it might get better.!

Not deserving of the category scandinoir; please, do not consider making series 2 or more!

There is only so much drivel a person can absorb in one lifetime!

As always with Swedish police thriller productions the writing is lazy and technically wrong. Appalling acting and cringy. A series trying to be tuff and Hollywoody but falls flatter than an extras paycheck.

The scenery from the town if Norrköping is beautiful though, and the photos between scenes are excellent. The series has a dark image during the harsh Swedish winter, with dark scenery ivy snow in a mix.

The series is predictable and boring, flat characters and above all: the lead roll is extremely boring with total lack of acting. Is rather see Plan 9 from outer space than watch this travesty again.

It's billed as a ( sort of ) detective series ? It's absolutely nothing of the sort ! What annoyed me the most ( there is a lot of it that's annoying, sadly ) Is the lighting , the direction around it and a lot of mumbled dialogue . It tries from the very outset to be edgy and atmospheric, but fails lamentably . The acting is some of the poorest I've seen in an age ; Madeleine Martin ( try as she might ) is no Sofie Grabol , not even close and there are several other peripheral characters who are just as inept . Will we ever get another fantastic Scandi noir again ? The days of The Bridge and The Killing seem very distant indeed.