Jana - Marked for Life

I watched it all and more fool me.

Just the premisses we are expected to swallow are unbelievable. Chief prosecutors break the law, eminent psychiatrists prescribe illegal medicines, trainee prosecutors break into private and commercial properties. All this is against a backdrop of a Svengali figure training and controlling an army of Bene Gesserit-like fighting children.

One might say these kids were hidden in plain sight but their base is just about the most ridiculous one imaginable. Where would their food have come from in this industrial wasteland?

Contrived climaxes and discoveries abound. There's no actual detective work at all. Lucky coincidences lead to the next episode of ridiculousness. Horrifyingly, there's a semi cliffhanger at the end. We might be subjected to more of this nonsense.

When a high-ranking head of the Swedish Migration Agency is found murdered in his home, the list of suspects is long. As assistant prosecutor, Jana Berzelius steps into the investigation. She is young and brilliant but struggles against terrible nightmares due to her childhood as a war refugee. When the suspect's body is found, Jana recognizes something on his scarred body. The further into the investigation she gets, the more she realizes that it has to do with herself. Sometimes I can feel that the filming feels too dark. Don't know if it's deliberate but it feels barren? The acting from Johan Ulveson is not good at all. Reacted several times already in the first episode that he acts like a beginner in front of the camera! The series is not the best I've seen, but not the worst either. Like that..

This Swedish crime drama is centred on Jana Berzelius, a young woman who is just starting out as an assistant public prosecutor in the town of Norrköping. Her first case proves to be rather personal; Hans Juhlén, the head of the immigration board has been murdered shortly after he had approached her for help. Not just that he helped her get adopted by a prominent family when she was found by the harbour as a child. The investigation will open old wounds and expose decades old secrets.

I thought this was a solid enough addition to the Nordic Noir genre. The story is suitably gripping with some decent twists and turns... as well as quite a few genre clichés. The cast does a solid job bringing their characters to life. I know 'noir' means black but things are often a bit too dark as rooms are under-lit. On the plus side there is plenty of tension, especially towards the end. Talking of the ending; many details are wrapped up but a few are left open suggesting we might get more seasons; if we do I'll certainly be watching. Overall I'd say that this isn't a must see but is still an enjoyable watch.

These comments are based on watching the series in Swedish with English subtitles.

As always with Swedish police thriller productions the writing is lazy and technically wrong. Appalling acting and cringy. A series trying to be tuff and Hollywoody but falls flatter than an extras paycheck.

The scenery from the town if Norrköping is beautiful though, and the photos between scenes are excellent. The series has a dark image during the harsh Swedish winter, with dark scenery ivy snow in a mix.

The series is predictable and boring, flat characters and above all: the lead roll is extremely boring with total lack of acting. Is rather see Plan 9 from outer space than watch this travesty again.

Jana Markta för livet is basically about facing the ghosts of the past. It is based on the first book of Emeli Schepp's Jana Berzelius novels. Jana Berzelius is the leading character portrayed by Swedish actress Madeleine Martin. I liked the way how Madeleine Martin is acting and she does not make you irritated. Norrköping is beautiful and it is fascinating to watch the dark atmosphere. August Wittgenstein is great as usual. His performance was great at the Das Boot series. Although there are some plot holes, the series is worth watching. I assume that there may be a second season. I will certainly watch it. Finally, I do not think that Madeline Martin needs too much makeup. They should reserve her natural beauty.