AK Srivastava an officer of the Department of Financial Crimes is diagnosed with retrograde amnesia despite which he solves the case of a Chit Fund Scam by listening to different perspective... Read allAK Srivastava an officer of the Department of Financial Crimes is diagnosed with retrograde amnesia despite which he solves the case of a Chit Fund Scam by listening to different perspectives of who he was and how he came to the hospital.AK Srivastava an officer of the Department of Financial Crimes is diagnosed with retrograde amnesia despite which he solves the case of a Chit Fund Scam by listening to different perspectives of who he was and how he came to the hospital.
- Awards
- 2 wins & 17 nominations total
Jain Sanjiv
- Specialist journalists
- (as Sanjeev Kumar Jain)
Featured reviews
The good:
An intriguing premise and interesting treatment where the narrative cuts between the present and the past.
A superb sound track by Shantanu Moitra.
Good performances. Pankaj Tripathi who can do nothing wrong on screen shines as the central character. Parvathy Thiruvothu sparkles in an understated role as the omnipresent nurse. Jaya Ahsan brings her trademark grace and charm to elevate a relatively small role. Varun Buddhadev does a good job as the errant son.
The not so good:
There are way too many threads to be tied up and the director fails to make a neat job. The film could have done with more pace and sharper edits. Sanjana Sanghi flounders in some key emotive scenes.
An intriguing premise and interesting treatment where the narrative cuts between the present and the past.
A superb sound track by Shantanu Moitra.
Good performances. Pankaj Tripathi who can do nothing wrong on screen shines as the central character. Parvathy Thiruvothu sparkles in an understated role as the omnipresent nurse. Jaya Ahsan brings her trademark grace and charm to elevate a relatively small role. Varun Buddhadev does a good job as the errant son.
The not so good:
There are way too many threads to be tied up and the director fails to make a neat job. The film could have done with more pace and sharper edits. Sanjana Sanghi flounders in some key emotive scenes.
As usual amazing performance by Pankaj Tripathi. Jaya and Paresh were great too. Parvathy seemed a bit lost. She needs to do more research on her given character before accepting a role. Overall enjoyed watching this. Rating a solid 7.0.
Also rest of the cast was perfectly chosen for this. What a perfect vibe. The music was also great, with amazing lyrics, and great composition.. somewhat truly quoted "music is emotion" Through this song I hope we all feel it.. wish this song was a little longer .. Taba chake is just a unique gem.
I know this is not a big-budget movie, but utilized the available resources were well met.
Also rest of the cast was perfectly chosen for this. What a perfect vibe. The music was also great, with amazing lyrics, and great composition.. somewhat truly quoted "music is emotion" Through this song I hope we all feel it.. wish this song was a little longer .. Taba chake is just a unique gem.
I know this is not a big-budget movie, but utilized the available resources were well met.
Film Review: Kadak Singh streaming on Zee5
Pankaj Tripathi, an office with the Department of Financial Crimes in Kolkata is investigating a chitfund scam when he is found hanging in his office. What seems like a case of attempted suicide gets more sinister when Pankaj Tripathi survives , however he is diagnosed with retrograde amnesia and retains only bits and pieces of his memory.
Recuperating in his hospital room he listens to different perspectives from colleagues, his daughter, his lover & tries to piece together the details of what exactly happened that night!!
Seems like a very good plot on paper .. doesn't it ?? Unfortunately this film not very well executed. Script falters , narrative is not gripping ... Lacks the punch of what cudve been an edge of the seat thriller. I wudnt say that it is a total washout, but the treatment cudve definitely have been better.
Pankaj Tripathi( the protagonist), Bangladeshi actress Jaya Ahsan( his lover) ,Sanjana Sanghi( his daughter ) and Paresh Ahuja ( his protege ) all have performed decently but the script lets them down !!
Starts off pretty well like Manoj Bajpayee's Dial 100, but alas the ending is pretty tame and guessable.
Not a bad film .. thoda better ho sakta tha .
Going with 2.5/5 for this one ... Adios 🙂!!
#KadakSingh #ZEE5 #sanjuzzreviews #KadakSinghOnZEE5 #PankajTripathi #jayaahsan #SanjanaSanghi.
Pankaj Tripathi, an office with the Department of Financial Crimes in Kolkata is investigating a chitfund scam when he is found hanging in his office. What seems like a case of attempted suicide gets more sinister when Pankaj Tripathi survives , however he is diagnosed with retrograde amnesia and retains only bits and pieces of his memory.
Recuperating in his hospital room he listens to different perspectives from colleagues, his daughter, his lover & tries to piece together the details of what exactly happened that night!!
Seems like a very good plot on paper .. doesn't it ?? Unfortunately this film not very well executed. Script falters , narrative is not gripping ... Lacks the punch of what cudve been an edge of the seat thriller. I wudnt say that it is a total washout, but the treatment cudve definitely have been better.
Pankaj Tripathi( the protagonist), Bangladeshi actress Jaya Ahsan( his lover) ,Sanjana Sanghi( his daughter ) and Paresh Ahuja ( his protege ) all have performed decently but the script lets them down !!
Starts off pretty well like Manoj Bajpayee's Dial 100, but alas the ending is pretty tame and guessable.
Not a bad film .. thoda better ho sakta tha .
Going with 2.5/5 for this one ... Adios 🙂!!
#KadakSingh #ZEE5 #sanjuzzreviews #KadakSinghOnZEE5 #PankajTripathi #jayaahsan #SanjanaSanghi.
In cinematic storytelling, the depiction of the main criminal isn't always straightforward. Directors use various techniques to create ambiguity, leaving viewers in suspense or confusion about the true identity of the antagonist. This deliberate ambiguity heightens suspense, engages the audience, and encourages them to pay closer attention to details throughout the movie.
One method used to obscure the main criminal's identity involves introducing multiple characters who seem equally suspicious or potentially guilty. These characters may possess conflicting motives or behave in ways that suggest their involvement in criminal activities, leaving viewers unsure about whom to consider as the main antagonist. Such storytelling techniques often keep viewers guessing until the movie's climax or final revelation.
Another strategy directors employ is the use of unreliable narrators or perspectives. Sometimes, the story unfolds through the eyes of a character with a subjective or biased viewpoint, clouding the audience's ability to discern the true antagonist. This narrative technique intentionally manipulates perceptions, leading viewers down different paths of suspicion and creating a sense of uncertainty about the main criminal's identity.
Additionally, some movies deliberately withhold crucial information until the very end. Clues, hints, or critical plot details necessary to identify the main antagonist might be strategically revealed only in the movie's closing scenes. This delayed disclosure challenges viewers to piece together information from earlier scenes retrospectively, reshaping their understanding of the characters and the unfolding events.
Furthermore, certain films explore the concept of moral ambiguity, blurring the lines between good and evil. In such narratives, multiple characters might exhibit shades of grey, making it difficult to categorize any one individual as the definitive main criminal. This deliberate blurring of moral boundaries adds complexity to the storytelling, forcing audiences to contemplate various perspectives and motivations.
Movies that intentionally leave the main criminal's identity ambiguous often aim to create an immersive and intellectually stimulating viewing experience. They prompt audiences to engage in active interpretation, discussion, and speculation, fostering a deeper connection to the storyline and its characters.
Ultimately, the deliberate ambiguity surrounding the main criminal's identity serves to challenge traditional storytelling conventions. It encourages viewers to embrace uncertainty, consider multiple possibilities, and actively participate in deciphering the intricacies of the plot. By leaving room for interpretation and debate, these films invite audiences to become more involved in the narrative, fostering a more immersive and thought-provoking cinematic experienc.
One method used to obscure the main criminal's identity involves introducing multiple characters who seem equally suspicious or potentially guilty. These characters may possess conflicting motives or behave in ways that suggest their involvement in criminal activities, leaving viewers unsure about whom to consider as the main antagonist. Such storytelling techniques often keep viewers guessing until the movie's climax or final revelation.
Another strategy directors employ is the use of unreliable narrators or perspectives. Sometimes, the story unfolds through the eyes of a character with a subjective or biased viewpoint, clouding the audience's ability to discern the true antagonist. This narrative technique intentionally manipulates perceptions, leading viewers down different paths of suspicion and creating a sense of uncertainty about the main criminal's identity.
Additionally, some movies deliberately withhold crucial information until the very end. Clues, hints, or critical plot details necessary to identify the main antagonist might be strategically revealed only in the movie's closing scenes. This delayed disclosure challenges viewers to piece together information from earlier scenes retrospectively, reshaping their understanding of the characters and the unfolding events.
Furthermore, certain films explore the concept of moral ambiguity, blurring the lines between good and evil. In such narratives, multiple characters might exhibit shades of grey, making it difficult to categorize any one individual as the definitive main criminal. This deliberate blurring of moral boundaries adds complexity to the storytelling, forcing audiences to contemplate various perspectives and motivations.
Movies that intentionally leave the main criminal's identity ambiguous often aim to create an immersive and intellectually stimulating viewing experience. They prompt audiences to engage in active interpretation, discussion, and speculation, fostering a deeper connection to the storyline and its characters.
Ultimately, the deliberate ambiguity surrounding the main criminal's identity serves to challenge traditional storytelling conventions. It encourages viewers to embrace uncertainty, consider multiple possibilities, and actively participate in deciphering the intricacies of the plot. By leaving room for interpretation and debate, these films invite audiences to become more involved in the narrative, fostering a more immersive and thought-provoking cinematic experienc.
The only reason I started watching the movie was because the lead actor is one of the few whose acting I respect.
The movie keeps you grasped till the end (not the Breaking Bad kind, but fairly) although the end was done all of the sudden. It felt like they went short of funds, or realised that its already reached two hours and needed to end :)
Pankaj Tripathi kept his promise and lead the movie decently, the script could definitely have been better. Thankfully it was not the Hero, Heroine, Romance, Villan kind (I usually don't watch the trailers of a movie).
Definitely one time watch, when you have time to kill.
The movie keeps you grasped till the end (not the Breaking Bad kind, but fairly) although the end was done all of the sudden. It felt like they went short of funds, or realised that its already reached two hours and needed to end :)
Pankaj Tripathi kept his promise and lead the movie decently, the script could definitely have been better. Thankfully it was not the Hero, Heroine, Romance, Villan kind (I usually don't watch the trailers of a movie).
Definitely one time watch, when you have time to kill.
- How long is Kadak Singh?Powered by Alexa
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- Runtime2 hours 8 minutes
- Color
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