The continuation of Joe's sexually dictated life delves into the darker aspects of her adulthood, obsessions and what led to her being in Seligman's care.The continuation of Joe's sexually dictated life delves into the darker aspects of her adulthood, obsessions and what led to her being in Seligman's care.The continuation of Joe's sexually dictated life delves into the darker aspects of her adulthood, obsessions and what led to her being in Seligman's care.
- Awards
- 14 wins & 31 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCharlotte Gainsbourg stated in an interview with the Washington Post that Lars von Trier personally asked her to record a version of the song "Hey Joe" for the end credits after he was unable to secure the rights to Jimi Hendrix's version, something she immediately accepted.
- GoofsIn the director's cut, during the opening of the chapter The Mirror, after Seligman explains that the top of the diamond is called a mirror in some languages and Joe mentions he has a mirror on the wall, you can clearly see the camera and crew members reflected in it. You even see the camera move as it pans right.
- Quotes
Joe: Nobody knew his secret. Most probably not even himself. He sat there with his shame. I suppose I sucked him off, is a kind of apology.
Seligman: That's unbelievable!
Joe: Listen to me. This is a man who had succeeded in repressing his own desire, who had never before given into it right up until I forced it out. He had lived a life full of denial and had never hurt a soul. I think that's laudable.
Seligman: No matter how much I try, I can't find anything laudable in pedophilia.
Joe: That's because you think about the, perhaps 5% who actually hurt children. The remaining 95% never live out their fantasies. Think about their suffering. Sexuality is the strongest force in human beings. To be born with a forbidden sexuality must be agonizing. The pedophile who manages to get through life with the shame of his desire, while never acting on it, deserves a bloody medal.
- Crazy creditsNear the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes were performed by body doubles."
- Alternate versionsThe director's cut adds roughly 57 minutes of footage, expanding some of the subplots.
- ConnectionsFeatured in Film '72: Episode dated 19 February 2014 (2014)
- SoundtracksThe Little Organ Book: Ich ruf zu Dir, Herr Jesu Christ
Performed by Mads Hock
Written by Johann Sebastian Bach
Arranged by Kristian Eidnes Andersen (as Kristian Selin Eidnes Andersen)
© Zentropa Music
There are still some oddly gripping moments here, but they're more disturbing than ever. Jamie Bell is a real surprise, playing a completely different character to that than you'd expect and doing very well with it too. I'm surprised that I found Charlotte Gainsbourg less sympathetic than the actress playing the younger version of her character. By the time Willem Dafoe enters the frame, the movie seems to have lost its way and become a bizarre, slow-paced thriller instead. And don't get me started on the Mia Goth stuff.
As before, this is a beautifully shot movie with a lot of fragility and artiness contained within its shots. But Lars von Trier can only keep the audience's interest for so long, and by now his tale is beginning to drag, leaving a film that is only so-so rather than profound. And that 'twist' ending is ludicrous more than anything else.
- Leofwine_draca
- Jun 19, 2016
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Ninfomanía (vol. 2)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $327,167
- Opening weekend US & Canada
- $74,978
- Apr 6, 2014
- Gross worldwide
- $4,934,965
- Runtime2 hours 4 minutes
- Color
- Aspect ratio
- 2.35 : 1