The Bridge

People involved in creation of remakes or based on series / movies often forget that they don't have or need to do it in the first place if they don't possess the true material and right script / storylines for doing so, being capable to do justice to the often bright original version and its exclusive and right atmosphere.

We have a series that fails on all accounts in regard to the original, shouldn't have been named The Bridge and shouldn't have been (falsely) based on the awesomly successful Swedish-Danish version and production.

• It lacks the cold, rightly done, grimmy, menacing and dark atmosphere and vibe of the original
• It lacks the brilliant diamond-like play and portrayal of the original female lead investigator that won't be mimicked or surpassed for a long long time. With all respect, Diane Kruger doesn't pull off an epsilone of that.
• It lacks the very good cast and acting of the original
• It has an awful and bizarre opening sequence soundtrack, not being of interest and not contributing to the show
• It has a messed up script and story with lots of fillers, blood and (unsuccessful) violence depicting the American-Mexican mishmash
• To its credit: It has some good acting, mainly by Demián Bichir (Marco Ruiz) and Eric Lange (Kenneth Hastings)
• To its credit: It has some entertaining values letting it flow mindlessly before your eyes, episode by episode, until its jumbled ending
• To its credit: Very good for practising the Spanish language and idioms

To wrap it up in one sentence, a forgettable series with latin vibes and culture, best put back on the shelves and have a restart of the nostalgic Bron/Broen.

Geez. Most people clearly have no clue what people on the autism spectrum are like. Sonia cross has what is formerly known as aspergers-now it's reclassified as a form of ASD-autism spectrum disorder. As someone who deals with this, I can say that Diane's performance is SPOT on. The first episode may have been a little shaky-but after that it's all good. I also want to point out that further in the series you do see her character get emotional-and I've seen people complain about that, because they claim it's "innacurate". It's not. People on the spectrum are prone to meltdowns and sometimes innapropriate emotional reactions. This can easily happen when it's something that's emotionally connected to them. Diane does a great job with this role.

Although it's an acquired taste, any fan of AMC's "The Killing" will quickly pick up on the parallels in this unusual murder mystery. It features two oddly paired police detectives, one from the El Paso police and another from Ciudad Juarez. As in the killing, the female detective is dedicated but personally challenged by an imbalanced personality and a singular drive to follow her leads to the bitter end. Unlike other viewers, I like Diane Kruger in the role and think we're only seeing the beginning of her personality development: I do believe she is an Asperger's sufferer and captures the traits of one afflicted with this quite well. There are many high-functioning and accomplished individuals with these symptoms all around the country, and in many ways, her focus on the details and minutiae of this case will help rather than hinder her along the way.

As her mismatched Mexican partner in the investigation, Demian Bechir possesses all the odd charm of his counterpart in "The Killing," the streetwise and pragmatic Detective Holder.

I've never seen a TV program that focuses on a sensitive border issue or the tragedy of so many murdered girls in Juarez, so I applaud FX for giving us something truly original. "The Killing" is the only thing remotely comparable to it, and I actually like the same type of slow unraveling of a gripping mystery we're being drawn into. I'm so weary of the CSI and Law and Order one-hour quick kill and wrap-up compacted into one hour of predictable procedural. I'll definitely keep watching!

People seem to be split over "The Bridge" which makes sense for a TV show that probes the dialectic between North and South, white and brown, rich and poor. On the positive side we have an important contemporary topic (the slaughter of young girls in Mexico), some really interesting photography, and a lead character who is struggling with a mental health problem (think "Monk" as another of those rare TV shows that deal with this). Then there is some good acting, from Demian Bichir (he played Castro in "Che" and was nominated for an Oscar for "A Better Life") who plays a Mexican detective, Diana Maria Riva who plays receptionist Kitty, Ted Levine (the serial killer from "Silence of the Lambs") as the haggard Police Lieutenant, and Annabelle Gish (from "The Brotherhood") who plays a widow just learning about her life.

On the negative side, some of the scenes are a little gruesome to say the least, there is a lot of sex which may turn off some viewers (even while it turns on others), and the plot is complex, with multiple story lines that I suspect will ultimately intersect, but which can be burdensome to keep up with at this early stage. And of course, many people find Diane Kruger's Detective Cross a little disconcerting.

Personally I like the discomfort this show brings. I also like not having another one in an endless stream of attractive bouncy policewomen detectives. Co-creators Meredith Stiehm and Elwood Reid gave us another unusual female series star in Kathryn Morris's work in "Cold Case" (2003-2010), and that show was very memorable. So I'm prepared to stick with this one too. I give it an 8, which is probably more than it deserves at this point, but I think it has the potential to develop into a 10.

FWIW - If the multiple story lines confuse you, I suggest you record 3 or more shows before you watch them, and then have a marathon session in which you watch several in a row. This will make the multiple story lines easier to understand.

Matthew Lilliard makes this series worth watching. Not since the character Jeff Spiccoli has there been a more hilarious druggie. Aside from the tons of humor created by Lilliard, the story itself is riveting and gives a close-up look at Mexican cartels and American corruption. The many death scenes are not for the weak-minded, reminding one of Criminal Minds (but not as weird).