I'll Be Right There

Home nursing an illness, came across this little gem. Free on Prime, fairly recent, and Edie Falco, why not? I had not previously heard of it.

Edie, flawless as usual, plays a put-upon working-class Mom divorcee. She manages her family of misfits with undying devotion and unconditional love. The actress playing daughter Sarah is hilarious, kudos to the grandma too.

The film is at times very funny, poignant, and heartfelt. I truly enjoyed it. Michael Beach was a special treat!

I'm not sure why this needs 600 minimum charcters. I see many other reviews that are very much shorter. Do a portion of reviews fit a certain criteria? Wish I knew!!!

Just saw this at Annapolis Film Festival and want to watch again immediately. This intelligent, witty, and pitch-perfect character study follows Wanda (Edie Falco), a woman who will drop everything to help out a family member... And lately, they just all seem to need way too much help. The title, "I'll Be Right There" perfectly sums up her character. Impressively, the film does not seek to reduce this type of person, and we all know someone like this, or ARE this person.

This film will give you a lot to reflect on, no matter where you fall on the scale of being a 'Giver' (If you're a 10, chances are you're not only neglecting yourself but also enabling bad behavior and making other people more dependent on you... If you're a 1, chances are you are so afraid of getting used that your relationships suffer).

This is a movie for adults, putting this question of "How much helping is too much?" at center stage. Edie Falco makes you feel the exhaustion and the worry, and keeps the audience from judging her choices, which constantly surprise. She is not an idea. Her character has layers of specificity and many sides that aren't apparent right from the start. This kind of storytelling is a delicate soufflé - and it flies in the face of a lot of pressure for screenwriters to amp up conflict and and give the audience big emotional signposts.

Based on reading the summary, I was expecting a different kind of film, one that had an agenda to criticize this kind of helicopter parenting and the way it can yield floundering, helpless adult children.

This is certainly a subtext of the story - How does Wanda's enabling behavior affect those around her? But Jim Beggarly's script in the hands of director Brendan Walsh has so much more on it's mind.

There were times early on where I felt resltess - "Where is this movie going?" A few scenes, including an amazing monologue by Jeannie Berlin as Wanda's mother, seem take their time and don't have a clear impact on the scenes that follow. By the end, it's clear that every lived-in moment, all the random details of Wanda's chaotic week, have created a tapestry so rich that it invites true reflection of very adult problems that we often never vocalize to people around us, even though they are central to our daily ups and downs.

I can imagine some people having life-changing conversations if they were to watch this movie with a sibling, a parent, or their own adult children.

Truly sublime filmmaking. It doesn't announce itself as important, or push buttons to get your emotions flowing. I hope it finds a devoted fans regardless. I count myself as one.

This is a family drama with much humor. IMDb page doesn't specify where it was filmed but in one street scene we see the sign for "Quinn Podiatry" and that is in Pearl River, NY, just near the NY/NJ state line. And, I suppose, in other smaller communities in NJ and NY just upstream from New York city.

The cast contain a number of good, experienced actors and each creates an interesting character. The story revolves around Edie Falco as Wanda. She works as a bookkeeper for several small businesses in her area.

She has a pregnant daughter who is planning her wedding. She has a young adult son who never seems to be on a good track in life. Trouble seems to follow him.

She also has an ex-husband who, with his new family, may not be able to pay half of their daughter's wedding. Plus she is being pursued romantically by two different people, a man and a woman.

In essence the whole story is about Wanda coming to grips with her own life and happiness and it is a good ride.

My wife and I watched it at home, after our usual Saturday evening steak and red wine dinner, streaming on Peacock.

I just have to say WOW. Found this by chance and decided to give it a watch bc I LOVE Edie Falco and the trailer sucked me in. I love finding hidden gem movies but honestly, this movie REALLY deserves proper advertising. I'm not here to give a breakdown of the movie as the trailer does it justice. I'm here to say that REGARDLESS of your age, what you've gone through or are going through, this movie hits home. It's funny, "real life" LOL funny, sweet, REAL, beautiful. Very full circle of emotions. I don't want to give to much away. If you are close with your family, functional OR dysfunctional, this is a treat.

Hey folks, I'm adding my voice to the chorus of positive shout outs because this movie is special. I caught it at last year's NBFF and it was a standout. Quirky and funny, leavened with real moments of parental angst and regret. This is a really original piece of filmmaking that's a touching tribute to all those single moms desperately trying to hold a family together. It's about when to hold on and when to let go and how hard it is to do both. Edie Falco really lets it all hang out as Wanda, the mom who gives and gives and gives with no boundaries. You all know someone like this. (My 2nd eldest cousin is soooo like Wanda.) And this movie gives Wanda the room to show how you get to a place like this with her son Mark (Charlie Tahan) and daughter Sarah (Kayli Carter), both "takers" who don't seem to know better, but really do. Mark is especially angst-inducing, especially if you're a parent whose dealt with someone like him. (No spoilers, but I'll let you guess what his issue is.) Matching Edie Falco in the "letting it all hang out" dept. Is Michael Rappaport as Marshall, one of Wanda's admirers who is goofily self-aware and gives the film a honest edge. I could go on about this movie, but suffice to say, this film fits like a well-worn pair of stained sweat pants and will get you right in the feels. Kudos to writer Jim Beggarly, director Brendan Walsh, producer Peter Block, editor Aron Orton, composer James Righton, DP Aaron Medick. Plus costumes, prod design/set decor. Go see it when it finally comes to an art house near you.