IMDb RATING
5.2/10
3.5K
YOUR RATING
Loyalties and morals collide when a getaway driver transports a passenger to an uncertain fate.Loyalties and morals collide when a getaway driver transports a passenger to an uncertain fate.Loyalties and morals collide when a getaway driver transports a passenger to an uncertain fate.
- Awards
- 1 win total
Marcus Johnson
- C. Morales.
- (credit only)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
As in the saying that tells us that if one does not go to the other ... well you have heard of it I assume, so let's skip it, not forgetting to remind you that no pun(s) is intended ... and we (me) are on the safe side after all.
Good actors assemble though I reckon most will especially know Barry Pepper - he really relishes in his role, even when the story (well if you can call it that, there is not much there of course) is really challenging ... and not really giving the viewer a lot of satisfying conclusions ... it does give you some action scenes and there is tension (and thrill(er) moments) of course. A b-movie ... you should be aware what this offers and it does mostly deliver on it ..
Good actors assemble though I reckon most will especially know Barry Pepper - he really relishes in his role, even when the story (well if you can call it that, there is not much there of course) is really challenging ... and not really giving the viewer a lot of satisfying conclusions ... it does give you some action scenes and there is tension (and thrill(er) moments) of course. A b-movie ... you should be aware what this offers and it does mostly deliver on it ..
Terrible script. Awful accents. Nice lighting though!
Clearly an Australian-shot film trying to be American, but failing badly. Why do this? Australian crime dramas are perfectly fine, no need to USA-it at all?
So funny to see them drive on the right-hand side of the road, but then to see other cars parked on the left.
Rachel Griffiths' accent was the worst - she'd be embarrassed. Was she from Boston or Queensland? Maybe born in one but raised in the other?
It tried so hard to be moody, but the random insertion of 'deep' dialogue made it comical.
The worst movie I've seen in a long, long time.
Clearly an Australian-shot film trying to be American, but failing badly. Why do this? Australian crime dramas are perfectly fine, no need to USA-it at all?
So funny to see them drive on the right-hand side of the road, but then to see other cars parked on the left.
Rachel Griffiths' accent was the worst - she'd be embarrassed. Was she from Boston or Queensland? Maybe born in one but raised in the other?
It tried so hard to be moody, but the random insertion of 'deep' dialogue made it comical.
The worst movie I've seen in a long, long time.
Boring, storyline all over the place, the story uninteresting, basically 2 guys in a car driving and talking for a majority of the movie. 2 American leads, primarily an Aussie cast and filmed in Queensland Australia.. why bother making it set in America?! I can't tell what accent Rachel Griffiths was going for, Boston? Cause it sounded more Australian if anything. Its just a meh, forgettable movie. Not sure the other reviewers saw the same movie then I did. Don't know, just did nothing for me. Thankfully it was only 96 minutes. And what was with that ending?! It just stops! Don't see this in the cinema, lol.. I had no one else in my theatre.
Worth a look just for Barry peppers performance alone.
Slow burn with satisfying ending, filmed in my local town so I enjoyed it on another level.
Movie tell of a heist gone wrong and the price you pay pay for your actions and inactions. Don't be fooled this film doesn't shy away from the hard reality of life and crime.
Supporting cast from the always reliable Sam neil and racheal Griffith but the true star is Barry pepper the man as a face for this and could easy replace as the new Clint Eastwood for our time.
Story may not be new but it's never dull or lazy.
And the action for a low budget product was effective and brutal, what we come to expect these days.
Slow burn with satisfying ending, filmed in my local town so I enjoyed it on another level.
Movie tell of a heist gone wrong and the price you pay pay for your actions and inactions. Don't be fooled this film doesn't shy away from the hard reality of life and crime.
Supporting cast from the always reliable Sam neil and racheal Griffith but the true star is Barry pepper the man as a face for this and could easy replace as the new Clint Eastwood for our time.
Story may not be new but it's never dull or lazy.
And the action for a low budget product was effective and brutal, what we come to expect these days.
Trailer looked like a lean and mean noir and right up my alley.
I guess the trailer showed me too much or the script was AI generated (I kid?). Let's start with cinematography. It does pay homage to Mann's style but when the scriptwriting is weak, and when you're looking at the cinematography for a redemptive need or want to finish the film, then well, I can see why some would just shut this off and go outside for a walk for the last hour.
It's a formulaic crime "thriller" shrouded in finger pointing with the weight of the red herring in the room (and every scene) as you can feel the familiar twist just waiting to divulge itself. It finally does and it really has lost most of its own steam when it does, as it was more of an "ah" moment versus an enthusiastic "AHA!"
It's not a terrible film, it's just a straight line operation, no one to route for, no single character stands out, the crusty ole veteran criminal, the young prodigy trying to earn a living the wrong way, and a garage full of criminality lead by a strangely accented woman...is that a comedic take on a Boston accent from a film made in Australia?
Yikes.
Boring, derivative, and just suffers a serious case of low energy.
I guess the trailer showed me too much or the script was AI generated (I kid?). Let's start with cinematography. It does pay homage to Mann's style but when the scriptwriting is weak, and when you're looking at the cinematography for a redemptive need or want to finish the film, then well, I can see why some would just shut this off and go outside for a walk for the last hour.
It's a formulaic crime "thriller" shrouded in finger pointing with the weight of the red herring in the room (and every scene) as you can feel the familiar twist just waiting to divulge itself. It finally does and it really has lost most of its own steam when it does, as it was more of an "ah" moment versus an enthusiastic "AHA!"
It's not a terrible film, it's just a straight line operation, no one to route for, no single character stands out, the crusty ole veteran criminal, the young prodigy trying to earn a living the wrong way, and a garage full of criminality lead by a strangely accented woman...is that a comedic take on a Boston accent from a film made in Australia?
Yikes.
Boring, derivative, and just suffers a serious case of low energy.
Did you know
- TriviaTom Evans' screenplay was inspired by the death scene of Nicky Santoro (played by Joe Pesci) in the Martin Scorsese film Casino (1995).
- GoofsAt roughly 12 minutes in, the passenger is complimenting the driver about his car and asks what year it is. the driver says it's a 1970. this is wrong. the Chevy Chevelle in the movie has two round tail lights on each side making it a 1971. the 1970 Chevelle had one square (ish) tail light on each side.
- SoundtracksAuburn Skies
written by Kevin Qian
- How long is Bring Him to Me?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Onu Bana Getirin
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,301
- Opening weekend US & Canada
- $1,475
- Feb 25, 2024
- Gross worldwide
- $65,492
- Runtime
- 1h 36m(96 min)
- Color
- Aspect ratio
- 2.35 : 1
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