DeAr

Well well well, movie just shifts from one place to another.its all over the place. Except heroine character everyone is wrong in this movie. Director should have come up with something better. One more movie with nothing to learn.

One more movie to showcase how Indian laws are so biased towards women even if it's genuine case. Lying , cheating and escaping. No support for ending, some random things. I mean common show real case scenarios instead of emotion and music making hero bad in the end. The ending is really sad to begin with. Female character has no responsibility/ accountability for making hero life hell. Pathetic.

DeAr movie A strong content A good story and screenplay by Director AnandRavichandran

Stars Super natural acting both by Gv Prakash, AishwaryaRajesh made justice to role

Supporting Actor & Actress Kaali Venkat, Geetha Kailasam, Rohini all characters are perfect acted

Music of melodies very sweet with old melodies Cinemotography made technical shown wonders

Art Direction and costumes very good

The concept of movie within family, emotions and family shown beautifully, heart melting

It made provoke thoughts, and engage us at a deeper level.

Well made movie All must watch movie with family Congrats to #DeAr team.

Meticulously crafted, emotionally meaningful, experience that portrays understand others, be empathetic, value family, ...no masala, no hype, no big stars, no muscled or fabricated dramas... everything and everyone lived it. Don't belittle such movies and if so, you get what you sow. Wonderful movie and a must see if you loking for a melodramatic, educational movie that teaches valuable lessons to hypocritical society. Some gaps there and expect it. Just stop writing some misleading or misguiding reviews. So practical, forgiveness was highlighted, which is rare in India movies. Violence free, gentle breeze..enjoy it.

Dear (2024) earns a 7 out of 10 as a sincere yet uneven romantic drama exploring the complexities of modern communication and emotional vulnerability. The central performances bring earnest charm, and the film's focus on heartfelt conversations and digital-age intimacy offers occasional poignancy. However, its pacing feels sluggish in parts, and some narrative threads-particularly side characters-remain underdeveloped. Dear works best for viewers seeking an intimate, low-key relationship story, even if it doesn't fully rise above its familiar romantic tropes.

Talk about unusual quirky movie plots! A young couple, newly married, all giddy and excited to start their life together with dreams and romance on the horizon; it all looks peachy and promises a sweet mushy love story until the husband discovers his bride's monstrous snoring that doesn't let him sleep for a second! Things would have been still tolerable if the husband was not such an extremely light sleeper too! Marriages are made in heaven, or are they? To be perfectly honest, the plot of DeAr is what got my attention. I wouldn't say the movie had the best acting performances (far from that, actually!) G. V. Prakashan who played Arjun is quite a mediocre actor with no variations in his expressions; although he involuntarily pulled off the suffering husband look throughout which I thought ended up being hilarious. All the supporting actors (except Rohini) were just okay and didn't do much to enhance the overall film. The best parts of the movie were Rohini and Aishwarya Rajesh, easily. Both of them gave excellent performances, their chemistry was beautifully written and executed with finesse.

Sure there were many flaws, one of the biggest ones being the sudden emergence of songs. I can't believe that still works? It's so passé! Wedding song, sad song, love song...seriously, we've had enough. There wasn't any need for them!

Other than those, it's a nice Sunday afternoon watch, when you don't feel like being too critical and have a light watch. Anand Ravichandran wrote it well. I wish he would pay a little more attention to the resolution to make it a complete entertainer.