When Love Springs

One more take on the "fake boyfriend" scheme. Rhiannon Fish plays Rory who, with her dorky-adorable sister Cleo, joins their parents, in a renewal of their vows at the very B&B where they fell in love. This is, definitely, not one of Rhiannon's better performances. There, she unexpectedly finds her ex and his new love interest, and becomes unglued. Impulsively, she convinces the B&B owner, Noah, played by James William O'Halloran, to pose as her new boyfriend. The rest of the plot develops along predictable lines. At first, Noah appears almost like a hapless klutz. Yet, he soon proves to have appreciable human dimensions and turns out to be a real "prince". Rory's family are very warm and pleasant people with captivating qualities. The problem with the show is Rory's character. Her embarrassment and discomfort are so enormously overplayed that she appears childish, emotionally disturbed, if not semi-hysterical for a good half of the movie. Honestly, I felt uncomfortable, just watching it all. Happily, she tones down in the second half. From there, the movie offers some sweet moments and glimpses of family values and sensible romance, as one would have expected. While this may reassure that a usually endearing actress has not totally lost it, it is not enough to completely salvage the production.

The first time I tried to watch "When Love Springs" the first half hour was so bad I quit and rated it 1 star. As others have noted, Act I is truly bad: Rhiannon Fish's hyperactivity, her boss' robotic gruffness, the recent ex-'s arrival with a new (mostly mute) girlfriend, etc.

I gave it another chance recently. That start hasn't improved with age, but the rest was a pleasant improvement ... and worth the wait if only for the introduction of a hidden gem: Renee Herbert. As the lead's sister, she could have been a trope: a sounding board with words of wisdom about what the lead's best life is missing. But she was a true presence on screen (ok, after her goofy elevator intro), and her style was endearing and easy. Just her facial expressions stole several scenes. She is an ethereal beauty. I hope that Hallmark gives Renee more roles soon, and a well-deserved lead. She's a discovery!

Renee Herbert stole every scene she was in. She was a breath of fresh air in an otherwise sometimes awkward story.

The story line is your typical fake relationship that grows into a real one, with the ever present miscommunication and misunderstanding right before they realize they belong together.

It's not the acting I have an issue with, it's the stale plot lines that keep getting regurgitated on The Hallmark Channel and other channels that are simply cookie cutters of the same thing. It would be nice if someone could come up with something new. Perhaps look at the Pride community more and leave the boring same ole in the past.

Awkward.

Unrealistic.

Cringeworthy.

At least at the beginning.

But then there is some fun banter and some nice getting to know you moments between the two leads. And the Lily Lake B&B is located in a lovely setting near some beautiful waterfalls cleverly known as "The Falls". The movie also uses a lot of split screens in a way I found to be (mostly) effective. And the background music is quite good.

Still, a B&B with no WiFi?

No TVs in the rooms?

A front desk with no computer?

A front desk person who goes into another room, puts on headphones, and dances obliviously right when guests are expected to be checking in at 4pm?

Rhiannon Fish is not for everyone, but I enjoyed her in this movie and in the recent A Picture of Her. She's quirky, fun, spirited and engaging. And a little silly. And she looked great in this movie, especially in that white hat. Unfortunately, I didn't like how her role was written in the scenes involving her ex, Jason, who dumped her back in NYC, but just happened to be checking into the same B&B where Rory and her family were staying. I would have preferred it if her character had been written with more of a backbone.

James Williams O'Halloran was solid as Noah. Frankie Savige was savage as Rory's heartless boss Melody. Erin Connor had some lovely moments playing Rory's mother, and Renee Herbert was sweet and enthusiastic as Rory's sister Cleo.

Bottom line, it was worth watching.

"You'll look back one day and you'll realize that all the little things, they add up to be the big things in life. And that makes every moment so much more precious."

"There are two moments in life, those you miss and those you seize."

Rhiannon Fish's Rory is a contradiction but I think that is the point. On the one hand she can be a confident mover and shaker, but on the other hand she panics easily. And yes, the scene where she falls apart in front of her ex is definitely cringeworthy. It was way overplayed. Was it supposed to be funny? I might have been tempted to laugh if I hadn't been shuddering over the stupidity of it. I suspect some viewers were laughing at how bad it was. All of that to set up the fake boyfriend act. Fish continues for just a bit longer to spew out a combination of blabber and good advice while she sounds like a voice recording played at double speed. Good luck to Noah trying to figure out which is which. Actually Noah is quick to figure Rory out. He is also a bit of a contradiction where he sees through Rory's facade yet also has insecurities over his position as innkeeper.

If the fake boyfriend isn't enough of a cloud hanging over Rory's peace of mind, we quickly get a hint of another pitfall looming for her down the road.

It was seeing Rhiannon Fish's name in the credits that attracted me to this movie, so I have seen a few of her efforts on Hallmark. This may be the worst of those in terms of acting, or rather it is for almost half the movie. This part of the movie seems completely unnatural for her. Rory's hyperactivity softens a little toward the middle, especially her rate of speaking. The story settles down also as we watch the couple bond. While Act 1 was a silly disaster, Act 2 and beyond is more like a typical Hallmark movie. Both story and acting.

The common stories about one lead being jilted by a selfish ex often have her acting in desperation in the middle of starting something new with someone worthwhile, as is the case here.

Up to a point near the middle I was thinking to myself how unfortunate was Fish's appearance. With her hair up and the professional attire, even outdoors, Rory was almost austere. I knew Fish had a softer, more appealing side to her. Either by accident, or more likely by intention, the director changes all that suddenly. The transformation of Rory, both visually and emotionally, has taken place.

The evil boss pops up and echoes back to cringeworthy Act 1. Once again, overdone. Her scene in itself is important to the story, the problem is the overacting.

Well all stories have a conflict or obstacle. Three things come together to bring that about, one coming out of one of the others. Rory's insecurity temporarily blinds her to the obvious and it makes sense for the Rory we have come to know.

Once you get past Act 1, this movie fits right into the genre and is well done. If Act 1 had been toned down, this could be a very watchable movie. Even with that, the viewers can grit their teeth and persevere. Deduct 1 to 2 stars for the beginning.