The theater "We're Lost-Minded" by Arman Shirali and Sobhan Babaei is currently on stage at Shahrazad Theater campus. Arman Tayaran, writer, director and theater teacher, provided a note about the show "MokhTalafim" to HonarOnline, the text of which is as follows:
"The basis of the meeting and dialogue in the theater of "Different" has critical aspects that are based on a technical structure and a balance of communication and a link arising from today's aesthetics, which shows a genealogical nature of language and the function of domination. The performance is sufficient, capable and worthy, and in the mise-en-scène, light and music are commendable. The characters of the show are perfect in their sizes, even if they are presented as thin, wounded and nervous in the prologue, they go through the stages of their evolution in the same world of narration of the text and performance.
The audience does not need to leave their present and go to the past to accompany them; The same thing means that the issue of the text is universal. The invitation to this objectivity and the now arising from an intellectual apparatus reassuring the argument that the origin of the ideological view and its motivations to introduce the display of the sense of supreme and infallible consciousness of the desire to play the role of an omniscient God, which throws man into the abyss of destruction and terrible achievements in the presence It has itself, to the extent, included in the show and is obvious.
"We're Lost-Minded" is a critique of the broad and inclusive globalist project that brings everything to vulgarity and ruin in the denial of democracy with an ideological image and shows that in order to obtain maximum profit, the cycle of perverting man and exploiting him and the deterioration of personality and individual, How is the destruction, collapse and destruction of the moral system used? Will be
Man alienated from himself provides the ground for ideological legitimacy. This illegitimate person is a tool in the hands of the authoritarian force to act according to his will and to reproduce a set of pre-prepared and multiplied thoughts in a massive volume that fuels this legitimacy; Legitimacy arising from the presence and choice of a given, manipulated, fake and unacceptable direction.
Ideology tries to express a truth. The truth that is made, finds the possibility of being considered pure truth. Ultimately, this ideology demands the presence of human beings to believe its pure truth.
The man/soldier in this work lacks the power of foresight and does not have the ability to analyze the situation better.
Separation from the ability to know is the most tragic description of these people, and the owner of ideological propaganda that uses God, thus removes humanity and morality from the composition and body of existence. The paradoxical nature of being understood in such a world is the result of a person's struggles and interactions and lived experience in it; A reflection of the dialectic of fear and madness.
In this performance, the living body is a monument that is purified by the violence of war. Here, man is formed as a collection of small individuals by different aspects and devices of power, and reproduces and reflects the thoughts of the same power.
The relationship between the icons of this theater and the life represented in it has made it potentially one of the areas of reflection and representation of power and domination systems in our time.
