Birdman or (The Unexpected Virtue of Ignorance)

Despite the near-universal acclaim from critics, 'Birdman' very much divided audiences to a quite extreme degree. This division is very much understandable, 'Birdman' has a great many merits but not everything will work for everybody.

To me 'Birdman' was an excellent film. Maybe not quite as good as the hype suggests, but nowhere near deserving of the many 1/10 votes when its merits are a great many that some people seem to have not acknowledged. Although, from personal opinion, a little over-hyped, 'Birdman' ('Gone Girl', 'The Grand Budapest Hotel' and 'Whiplash' were also personal favourites, and 'Boyhood' was also better than given credit for considering the amount of hate it's garnered) was a 2014 highlight and a worthy Best Picture winner.

Not everything in 'Birdman' works. Some of the pace is a touch frenetic in parts of the second half and not everything feels quite as tied up as ought with things left a little loose.

However, 'Birdman' is an exceptionally well made film, with some of the best and cleverest cinematography of the year, some of the cinematography and editing is so dazzling it's enough to take the breath away. The special effects are also tremendous. Directed by Alejandro González Iñárritu (in the first of his deserved director wins, the best being 2015's 'The Revenant), 'Birdman' is one of the best directed films of 2014 too and shows Iñárritu's immense talent as a director, with breath-taking vision, sense of mood and the ability to make the story as gripping as possible.

The script is fun, thought-provoking and at times touchingly profound. The story mostly, while sometimes thin, is gripping and the characters engage.

Michael Keaton gives his best performance in years, an outstanding performance and perhaps a career-best. Edward Norton is similarly superb, his performance also ranking among his best. Emma Stones charms and delights too.

Overall, very much divisive, with some people adoring or admiring it and others hating it, personally was one of the people who loved it while acknowledging its imperfections. 9/10 Bethany Cox

Birdman swoops in with daring flair, plunging you into the chaotic backstage of a Broadway show where nothing is quite what it seems. Michael Keaton is magnetic as Riggan, juggling ego, art, and the nagging whispers of his past glory. The movie's seamless, single-shot illusion keeps you glued to the unfolding madness-every sweaty corner of that theater feels alive.

Behind the curtain, Alejandro G. Iñárritu serves up a wickedly smart satire of Hollywood fame. It's razor-sharp one moment-riffing on celebrity culture-and deeply human the next, as Riggan grapples with relevance and redemption. Antonio Sánchez's drum score pulses like a heartbeat, driving the tension without a single violin in sight.

Sure, some of the lofty metaphors hover a little too long, and a subplot or two might leave you with questions. But by the time the final curtain falls, you'll be marveling at the technical wizardry and Keaton's raw vulnerability. Birdman isn't just a show about a man seeking a comeback-it's a full-throttle ride that'll keep you talking long after the lights go down.

With all due respect to Eastwood's American Sniper, the academy actually got it right with this pick for best picture. Every actor and actress in this given the space to breathe life into characters, every monologue and dialogue hits like a ton of bricks, every scene tries to get towards some fundamental truth of human nature only to have the next scene undermine that character and that purported truth. It's amazing that in the era of comic book universe movies that something like this can get made at all. An absolute must see before you die movie.

I'm not exaggerating when I rate this movie a 10/10. From the first minute it's intriguing, you want to keep watching, not just for the impeccable performances, but for the incredible montage of scenes and the quality of the script. And best of all, as time goes on, the movie gets better in every way. Without a doubt, it is one of the best films in the history of cinema.

A washed-up ex-superhero actor is trying to make a mark on Broadway. Unfortunately, his new found want to make 'something serious', as opposed to superhero films, is challenged by the inability to shake his old persona.

It's a film about Hollywood and its many personalities - the drug-addicted, the mentally unwell, the sexual abusers, the egotistical, the scathing critics, the stars and the has-beens. It's not a topic I particularly care for and I didn't enjoy Tarantino's 'Once Upon a Time in Hollywood' or Alma Har'el/Shia Lebeouf's 'Honey Boy'.

Birdman, however, hypnotised me. You're greeted by snaking, daydream-like single shots that seem stretch forever, one scene flowing effortlessly into another through a combination of clever camera work, editing, and special effects. In short, it's a cinematographic dream. The high-conflict scenes, action, script, and larger than life characters glue your eyes to the screen in this rollercoaster that's effortless to watch. For a film about Hollywood, you'd expect good acting, and it certainly didn't disappoint, whether from Michael Keaton, Edward Norton, or the rest of the talented cast.

Birdman thrusts you into supernaturalism briefly, before thrusting you back to reality. It leaves it up to you how to interpret some key events and this creates division within the audience.

I understand why some dislike the film. I didn't find it meaningful, deep, or clear to what its message was. However, its punchy style was refreshingly new, worked perfectly, and is reason alone for cinephiles to delve into this engaging whirlwind of a film.