Being Mary Tyler Moore

It was more than just her smile that did it for me, and I was probably about 7 years old at the time. This special includes a clip from "The Dick Van Dyke Show" 1st season episode, "Washington vs. The Bunny". The "costume" Mary Tyler Moore's character, Laura Petrie, wears during Rob Petrie's dream sequence is simply ever so lovely. Most certainly an inspiration for the "dream sequences" of young boys across the ages.

This is a wonderful glance at the life and amazing career of an incredibly talented and obviously very special woman - Daughter, Wife, Mother, Actress, Producer and Friend. So many lives this woman touched or perhaps, truly graced. This special also makes it quite clear that Mary Tyler Moore was very much simply, a human being.

Included are countless clips from TV shows, films and plays she starred in. A surprise, and something I had never seen before, is a clip from a camera rehearsal of the pilot episode of "The Mary Tyler Moore Show". My goodness, this woman had spunk!

An incredibly wonderful inclusion is that of home videos. No, they are not exactly "TV-Ready" clips. They're unprofessional, fuzzy and don't have the best sound quality. And they are amazing to watch. That these personal moments are being shared with her adoring fans here in this presentation... Well, all I can really say is, Thank You.

10 Stars, A+, 100/100. I would hope to see biographies like this of other Major Stars like this from these same Producers, etc.

Greetings again from the darkness. It's borderline unfathomable that someone who has worked for almost 20 years as a cinematographer and a decade as a TV director could be "unfamiliar" with the work and career of one of the industry giants, yet that's the claim of director James Adolphus ("Soul of a Nation" mini-series) when it comes to Mary Tyler Moore. His film does play a bit as if he's opening a Christmas present that everyone else in the room knows what's under the wrapping, and it's because of this, the film works as not just a retrospective of her career, but also a tribute to a woman who influenced so many.

"The Dick Van Dyke Show" ran for 158 episodes between 1961 and 1966, and "The Mary Tyler Moore Show" ran for 168 episodes between 1970 and 1977. These were two immensely popular shows during their respective eras, and because of her characters in each, Mary Tyler Moore spent time as both America's favorite wife and America's favorite single woman. These characters were cutting edge (for different reasons) for their time. Director Adolphus also provides insight into her childhood and early career. Mary was first married in 1954, not long after high school graduation. She found work as 'Happy Hotpoint', the dancer on Hotpoint advertisements, and clips of the ads are included here. Even after she became a world-famous actor, she remained a dancer at heart.

Betty Friedan and "The Feminine Mystique" are referenced a few times, and the point is made, even if it's in a subtle manner, that Mary's impact on feminism has long been overlooked. We hear from such industry folks as Julia Louis-Dreyfus, Ed Asner, James L Brooks, and Treva Silverman, as well as friends and family, but it's really Mary herself that we see on screen for the vast majority of the two-hour run time. In particular, a loose structure is formed from clips of her appearances on "The David Susskind Show" and an interview with Rona Barrett. These segments allow for some rare personal insight into Mary Tyler Moore as a person.

So many rare pictures, clips, and home movies are included that we easily follow a career that spanned 50 years ... and three marriages. The first marriage produced her only child. The second marriage, to Grant Tinker, resulted in MTM Productions and her greatest professional success. However, it was the third marriage to Dr. Robert Levine, where she found true and long-lasting love, as well as the motivation to find herself with a stint at the Betty Ford Clinic for rehab in 1984. We learn of her Broadway redemption with "Whose Life is it, anyway?", after her setback on stage many years earlier with a musical "Breakfast at Tiffany's". Probably the most surprising segment here revolves around the original pilot for "The Mary Tyler Moore Show" ... it has great video and behind-the- scenes scoop.

Given her comedic chops displayed in her two most famous sitcoms, many of us were caught off guard with her Oscar nominated performance in Robert Redford's ORDINARY PEOPLE (1980). What we discover here is that Mary's personal life was nearly as rosy as Laura Petrie's or Mary Richards', and many real-life personal losses allowed her to reveal a bit more of her true self on screen. Most of us know that Mary was the female lead in Elvis Presley's final feature film, CHANGE OF HABIT (1969), but we might not have known that Carl Reiner was her comedy hero, or that her own struggles with diabetes (over decades) led her to become International Chairperson of the Juvenile Diabetes Research Foundation (JDRF). For one who seemed to constantly define the contemporary woman, Mary Tyler Moore's story is impressive, and her personal archives bring more meaning to "Love is All Around."

Beginning May 26, 2023, the documentary will air on HBO and stream on MAX.

I loved the actress Mary Tyler Moore. I have watched the Dick Van Dyke Shoe, The Mary Tyler Moore Show and the film Ordinary People. On screen she was a wonderful actress and performer.

I only have to say that that the documentary did not get deep enough into Ms Tyler Moore's private life.

I loved everything I saw but I wished there was more. I just didn't learn enough about her that I didn't already know.

I saw that Ms Moore's sister and son died young but I wanted to learn more about Ms Moore's background.

She had a happy marriage. But she was a political conservative.

I just wanted to learn about her last years. She was let go by Neil Simon while preparing for a role on Broadway.it would have been interesting to understand what occurred as she was suffering Ming from diabetes.

As "Being Mary Tyler Moore" (2023 release; 120 min) opens, she is interviewed on the David Susskind Show in 1966, where she is being interviewed as one of the major breakout stars of The Dick Van Dyke show. We then go back in time to "Brooklyn, 1936" where MTM was borne and raised... At this point we are less than 10 minutes into the documentary.

Couple of comments: this is the latest from director James Adolphus. I read somewhere that supposedly he had no knowledge of Mary Tyler Moore before being hired for this project. Is that believable or even possible? In any event, Adolphus does ok, but to me it felt like it was all super-straight-forward. Yes, all the highlights are there. But where are the new insights? Maybe it is not possible to provide new insights on this TV icon. And at 2 hours, the documentary runs a bit long for its own good. Does this make it a "bad" documentary? Of course not. But it lacks the element of surprise or new insights.

"Being Mary Tyler Moore" recently started airing on HBO and streaming on Max (where I caught it). If you are a fan of MTM (as I am myself), I'd readily suggest you check this out, and draw your own conclusion.

A fine bio/doc of, in my opinion, the best sit com actress of the twentieth century, and a damn fine dramatic actor as well. I especially admired how director James Adolphus avoided the Talking Head Trap by having voices over clips rather than cutting away from clips to shots of talking heads talking, as most docs do. Bravo. Also, I found the voices generally well chosen, mostly interested in imparting info and perceptions about Ms. Moore rather than pushing themselves. Again, I would credit the fact that the speakers were not shown on camera for this felicitousness.

As for the tone of this documentary, it's fairly doleful, wouldn't you say? Certainly, Ms. Moore's life had its share of sadnesses, what with a cold fish dad, possibly suicidal sister and son, and alcoholic brother. But there is a core of melancholy present in all her interviews, even at their most comic. Maybe all professional funny folks are subject to this trait, but it sure is present in this gal.

My only criticism is that there is too much time spent on act three (Moore's long decline after she moved to upstate NY) and not enough on act one (her early life with her parents, and first marriage). Act two, however, cannot be improved on, especially the treatment of The Mary Tyler Moore Show's influence on American popular culture in the 70s and even more especially that culture's changing views on women and the workplace. Let's just say that this doc effectively eviscerates Gloria Steinem's monumentally dumb remark that TMTMS was "anti woman". Give it an A minus.

PS...Forgot what a pompous bore David Susskind was.