Jug Face

Yep, that's about it. After I finished watching the film and I came here to check out the rating, I was not surprised at all that it was a mere 5.2. And deservedly so...

The great writer Charlie Kaufman in his brilliant film 'ADAPTATION' had the experienced filmmaker tell his character that 'Rule #1' in writing was to make sure to give the audience a 'Slam-Bang' ending. Well, this is precisely, in my lowly and wretched opinion, where the filmmakers here fell far short.

The reason why this movie currently only has a '5.2' rating isn't because it wasn't made well. It isn't because it wasn't acted well, because the acting was superb. It wasn't because technically it wasn't down well, because the writing, direction, pacing, and above all 'Mood' was excellent. It it certainly wasn't because the story was poor; the idea was frigg'n BRILLIANT!

The reason, as clearly stated in my title above is because of the ending. And, without giving too much away, I do not mind 'Dark' endings. I do not mind endings that might give you a shock. BUT... in my lowly and wretched opinion, one thing I feel that a director should never, NEVER do, is put the audience through such a grueling and fascinating and creative journey and then just end it with a completely pointless, and I mean POINTLESS letdown.

Inexcusable...

And, thus, the deserved 5.2 rating. IF, and I really mean this, IF the filmmakers had just given the bloody ending a BIT more thought so that the audience either felt rewarded for going through all that they had, or given it some kind of nice twist, or at least given us some irony, just bloody SOMETHING, ANYTHING instead of the paltry nothing, meaningless ending that in my opinion did absolutely NOTHING for the audience, I feel quite honestly that it would have been a truly great film. But, sadly, It simply didn't leave us with a feeling of satisfaction. It didn't leave us with a sense of Mystery. It didn't even leave us with a true sense of Horror. The audience is left sitting there going, 'Is that it...?'

It just left us with a mindlessly STUPID non-ending that did nothing for us in any way at all...

Described as a horror film, Jug Face isn't the traditional horror film but more so the kind with creepy and disturbing scenes spread out, with a supernatural theme, and several spiritual ghost like flashbacks and spooks.

This is an independent film which may be a little slower paced and slightly confusing for the casual audience. At times it was difficult in understanding the characters due to their accents and slurred speech. The dialogue is very important here and if you aren't fully hearing what they are saying, you miss a lot.

It is most definitely a bizarre film, though in a way somewhat original. Reminded somewhat of the Witch (2015)- slower paced supernatural horror/thriller.

Most definitely a film which requires close paying attention because there are slight details which may be confusing if you are half paying attention. Not everything is spoon fed.

The entire "jug face" and "sacrifice into the pit" was something did not fully understand at first, yet after rewatching parts of the beginning, it was made more clear.

The performance by lead actress is definitely the highlight (baring a resemblance to Maisie Williams and in some scenes at times Kristen Stewart). The sculpture "jug face" maker Dawai who comes along greatly steals his scenes in the second half was another highlight. As well as Sean Young playing the aggressive, abusive and firm mother. The scenery looks nice in the woods/out doors.

What wasn't exactly clear or mentioned is what time period the film takes place. The characters are from a weird cult like community with firm weird beliefs, and they have very non-present day names (Ada, Dawai, Loriss, Jessaby). Though there is a scene where our protagonist Ada goes into a pharmacy and the store looks quite present dated.

Also there is a slight theme of incest. This was brief and only really shown in the opening but does end up being a storyline. We last see the brother being "sacrificed" by the father in the pit for claiming to being sick. Apparently the pit swallows people and kills them (off screen shown- nothing graphic shown).

The film could have been expanded a little more as the ending is entirely depressing and felt quite rushed. It wasn't exactly predictable but there could have been a twist thrown in.

Jug Face certainly isn't a film for everyone as people may be creeped out and disturbed by some of its themes, though from an independent film standpoint. It is quite a nice hidden gem, and a film in which have enjoyed the more having thought about after its viewing. It is more layered than initially thought of.

Solid acting, a quite original concept, and a well woven tapestry of a... shall we say, alternative culture, make this into quite a strong movie. I found myself invested in the main character enough to care about the outcome, and intrigued enough in the "elder power" around which the community revolves to want to know more about it. I will say it is not a conventional horror movie, so those who hope to get jump scares and loads of blood are better off looking elsewhere, but if you want a thoughtful little film that still has an element of supernatural, this might be a good one for you. Definitely worth watching, and all the better considering what an expanse of recent garbage this little gem shines out on.

Addendum: I saw some criticisms of this movie and they mostly seemed to center around the idea that it left too many questions unanswered, that it didn't have enough of a story, or that it didn't wrap up to a particular viewers satisfaction. I could not disagree more. The premise is that there is an entity whose older than man whose thinking is unfathomable. To answer the nature of such a creature in your narrative would destroy that property of it... wouldn't it? Personally, I like the unfathomable aspect of it. I like wondering about it but never being given an answer. As to the ending and the lack of a story, without giving anything away, well, a group such as this would have developed a kind of relationship with the entity which would have become very entrenched over time. This tale is a slice of time... not a closed end, and I think the ending we are presented with is the perfect one for the, shall we say, nature of the beast. It is precisely these kinds of things that make the story a bit more innovative and not just another Hollywood style tale designed to satisfy the person who prefers things to be more predigested.

A weird thing here. At first dark, textured about hillbilly life, promising some novelty. The handpainted credits bespeak of more personal work, that this comes to us from people who wanted to be creative and not some Hollywood office.

A girl in a repressive backwoods village becomes pregnant just as her parents have arranged marriage and then a mysterious force in the woods (centered in a pit that the people venerate) that seemingly can divine these things, demands blood sacrifice in return for healing and grants visions.

All the tension and strangeness in us being called to parse these wrathful metaphysics through the eyes of people that genuinely believe in them and allow them to dictate life while independent of them having to juggle the possibility that it's all a backwards hallucination, possibly invented: that the imbecile potter merely sculpts faces from a stupor or thin air but does that make the hold of evil less real?

It's clear that they only had a small sketch of the idea as they set to work, interesting at first but goes nowhere, never deeper than something in the earth has to be appeased and the madness of being unable to fathom order; it's still more textured than all the Texas Chainsaw clones, more unusual, but it just smears around with the mythology it creates. A complete loss by the end. Sad.

Ada is a young girl who lives with her backwoods hillbilly moonshinin' clan. A close knit community, they all share a rather arcane religion. Every so often, The Potter makes a ceramic jug adorned by a face. Every face that appears on the jug is a member of the clan and any face that appears must be sacrificed for the good of the community. Sacrificed to The Pit, which lies in the woods. Because The Pit wants what it wants and The Pit must be sated as this is how it's always been. If The Pit doesn't get what it wants then whatever dwells within it gets angry. And when The Pit gets angry, the community will be punished.

One day, while exploring The Potter's shed, Ada finds the latest jug face. It's her own...

Will she allow herself to be sacrificed, for the good of the clan? or will she set in motion a plan to spare her own life?

Jug Face is a straightforward but pleasantly offbeat horror that puts an interesting and unusual spin on the hillbilly horror/hicksploitation sub genre, with a nice turn by Larry Fessenden as the clan leader and a surprisingly great turn from Sean Young as the overbearing matriarch.

Executively produced by Lucky Mckee and with FX by Robert Kurtzman, it's a satisfying and solid horror that's well worth checking out overall, for fans looking for something just a little bit different.

7/10, decent little film and recommended.