The Knockout

Good effort from actors and actress, and the original story is facinating enough.

There are 3 chapters in total. The first chapter is definitely the good one. It has emotions, drama, conflict and character development. It's attractive and it gives a good start to the whole story setup.

When it comes to the 2nd chapter, the conflict and character development are still there, but the story pace becomes very unstable. There are certain parts of stories very slow and the ending of chapter no.2 is wrapped up in a storm manner, which makes me feel very disappointed.

The 3rd chapter is totally crap.

In addition, the main cop character has no long term character development. I know there are changes to his life, but I don't feel the description of that makes me feel his changes. So this character is very thin to me, more like a guy who stitches up the story.

Once again, I like how the actors and actresses interpret and perform the whole thing, but the final storyline and directing presented in these 39 eps certainly let down my expectations and their overall effort.

The plot is compact and exciting, that reflects the determination of the government to deal with the problem of official corruption. "Kuang biao" not only restores the clothes, but also the mobile phones and vehicles used by the protagonists. This is a rare phenomenon in early TV dramas. However, the play "Kuang biao" has well balanced this point. It has not only completed the important task of education, but also made the play happy to fly. In the past, I was very curious that China's online Shuangwen has gone to the world, not only can cure depression, but also can help foreign youth detoxify. Why can't such a powerful Shuangwen model be transplanted into TV dramas?

If so, why?

I can't even concentrate on watching the drama, the camera moves a lot and unnecessarily. They used a lot of handheld camera, and felt like without steady camera. The angle of shooting, the framing, the movement of characters are just terrible. I wondered if it was done on purpose, so I tried to watch 2 episodes but I just couldn't finish the 2nd one. I just felt dizzy watching it. I trust the story was excellent as many many people had said, but I wouldn't be able to find out myself. Acting-wise, yes OK, but I still can't sit still to watch it.

One more thing, if the story is good, cast is good, why not invest a bit more in hiring better crew? Editing wasn't good either, it's just sloppy, and no one ever mentioned this on the internet, I really wonder why. Maybe it's just me...

I have to say that this TV drama is one of the best Chinese ones I have ever watched. The topic is about anti-corruption in China, which is rare in this field and attractive to audiences. Its rhythm is suitable and the plots are much realer. It shows the crises about trusting and the efforts on the way to anti-corruption under such a corruptive and dull social environment. When everyone can not be trusted and even determined to hurt you, the courage to stick on fighting is quite valuable. Pretty-designed sharp and wonderful words in communication, and thoughtful decisions they made, all reflect how awful the gangsterdom is and how hard the work is. After watching, I considered about the connection and conflicts between Gao Qiqiang and An Xin, which lets me think of their fates, and also understand the importance to work step by step and stay true to my original self.

The endings of this kind of Chinese TV dramas are all the same. TV dramas only celebrate the correctness and greatness of the government, so there is no need to watch them at all.

Mainland audiences always habitually criticize South Korean TV dramas and the hypocrisy of Korean society. In fact, it is they who are the most ridiculous. Chinese TV dramas either fail to shoot or forcibly perform the main theme at the end.

But it seems that Chinese mainland audiences have no memory, nor do they have enough strong and excellent literary works for them to remember.

They can only sing praises for their government from time to time.