Bonhoeffer: Pastor. Spy. Assassin.

Having high hopes, I was disappointed in Bonhoeffer. The narrative was choppy, the pace was slow, and the plot felt disjointed. Plus, it was hard to understand the dialogue with the accents, I felt like I should've waited for it to come out on streaming and watched it at home with the captions on. However, the acting was good and the production values were excellent. I love the fact that more and more Christian-themed movies are being made today and wholeheartedly support Angel Studios, I just wish that the movies had better scripts and were more entertaining, beyond being primarily focused on inspiration.

As a "docu-allegory," this is a solid 7; the historicity is woven in pretty well, and the fictionalized account of his death deeply Christian and compelling. But as a biography, basic mistakes (referring to the Eastern Front years before Barbarossa) and moving the ultimate scene of his death from Flossenburg with his co-conspirators to an anonymous isolated farmhouse with a random group of strangers are a bridge too far. Perhaps Germany restricts such things, but to me it was a missed opportunity to not use Flossenburg for those critical scenes, much as Sophie Scholl--the Last Days used the actual guillotine that killed Scholl in the movie. At times, Bonhoeffer simply does not come through as the erudite theologian that he was, but more as a proof-texting Protestant. That said, this is a "must see" if you're willing to accept broad deviations from history, and not anticipate a deep theological journey. Lingering to watch the cavalcade of quotes at the end is more than worth the time. Bonhoeffer reminds us that every generation faces its evil; that every individual must either act, or let evil have its way; and that Christ is the One to guide that choice. And that is truly a timeless message.

"Bonhoeffer" is a movie with an important message for the United States in 2024 -- sadly! The importance of standing up to the forces of evil, repression, hatred, discrimination and fascism cannot be said loudly or often enough.

As a "bio pic," the film takes historical liberties in retelling the life of theologian Dietrich Bonhoeffer, but does a credible job of portraying his deep faith, the fervor of his Christian convictions, and his dedication to the anti-Nazi struggle which ultimately cost him his life. Pastor Bonhoeffer was indeed a mid-century hero, and this film presents him as such.

The movie's biggest shortcoming was in failing to capture and represent the great drama and conflicts that underlaid Bonhoeffer's personal relationships and passionate religious/political commitments. Emotionally the story fell flat (for me) at key junctures, even to the extent of lacking much affect at points of high drama. As a result I didn't feel as connected or engaged to the title character as I wanted to be.

Nonetheless, I recommend this film; it deserves wide viewership.

I agree with other reviews that found two major faults with this movie.

AUTHOR. The movie tells us (in the scripts) that B wrote many many books about faith. Yet the movie itself never shows him writing or publishing or discussing any books. The most we see is B writing his thoughts in a journal.

ASSASSIN. Yes historically there were many failed plots to assassinate Hitler, and in fact the movie shows us such a plot. But there are no facts in the movie to show that B was ever arrested or charged with this. It's a very serious gap in the story.

BOTTOM LINE. I'm sorry, but I think B deserves a better script and a livelier story. The movie Valkarie with Tom Cruise (a non religious story) that depicts a failed assassination attempt on Hitler is a good example.

The Bonhoeffer movie could have used a lot more action to break up what were tedious conversations about faith in the face of evil.

As a date married couple's night movie, it was fine. The imagery was marvelous. The casting was good; some even great.

But the actual story telling was pretty awful in that there were many points in the movie when we looked at each other with "what the heck?" expressions and later discussions. Too much was cued up and left hanging, or even made confusing to the point of unlikely or absurd. It's as if the screenwriter continually wrote himself into a corner, and then just jarringly jumped over an immense plot hole or critical detail, and into the next scene. You shouldn't need such a Deus ex Machina when you've got the real God in the story!

The biggest flaw, though, is that with actual well-documented history like Bonhoeffer's, the emotion should not have come from over-acting, pregnant pauses and close-up tears. It should come from the true story all by itself.

And that part, sorry to say, was mostly missing.