Amelia's Children

For some reason, I was really excited to see this, even though I had no idea what the movie was about going into it. We follow Edward, who is searching for his biological family in Portugal. Along with him is his girlfriend, Riley, and soon they arrive at Edward's long-lost mother Amelia's villa. While Edward seems to adjust to his new family, Riley starts noticing questionable things and begins digging deeper into Amelia's history.

The movie has a rather simple setup, and it chooses to stick to that path. There are no real surprises, as it's clear early on that either something is wrong with Amelia, or Riley is worrying for no reason at all. The narrative just drags on, and while the production value looks solid and the movie looks fine in a technical sense, it's simply dull. If you're a seasoned horror fan, you've likely seen movies like this a hundred times. This one doesn't do much to stand out in the pile of average horror films, which is disappointing because I was expecting more.

There's not much else to say, except that the result turned out average at best. While it's not a complete disaster, you could easily skip this one. [4.8/10]

=== Disclaimer! This is not a serious review. ===

Watched purely because crushing on Carloto Cotta :- )

Well, the wig and the w__ker hipster accent was quite funny. A lot of things seemed funny but I genuinely couldn't tell you where to draw the line on how much of it was intentional. I'm also easily scared so all in all, I was watching it like, okay, this is ridiculous but scary.

So the premise that it can be um.. tricky to get on with your family is nothing new - I do indeed have relatives, duh. But the film offered me another perspective: dealing not only with my own family but the family of my (hypothetical) partner. Currently single, I sometimes imagine what it'd be like in a new relationship. You know, you get a nice boyfriend (not with *that* accent but anyway). And he's good-looking, of Portuguese descent, and everything's fine but then, his weird bloody relatives enter the stage... And there you are, complaining to your friend on the phone how you're having trouble cos' they have too much influence over him, etc, etc. Say what you want, that IS scary to me!

Overall, if you don't take it too seriously it's a fun film for a one-time watch. Consider it a horror with the elements of comedy.

P. S. The accent is not real, as in they used a voice-over actor for it. And somehow the thought that my fave Carloto couldn't physically sound like that gives me comfort <3.

After the crazy "Diamantino," Gabriel Abrantes opted for a conventional horror film. Kind of. As a horror fan, I can only thank him. And for a first work... it's not bad at all to start with one of the best works of the genre in the Portuguese language.

In the story, in New York, Edward (Carloto Cotta) lives peacefully with his girlfriend, Ryley (Bridgette Lindy-Paine). In search of his biological family, Edward ends up discovering he has a brother and a mother in Portugal, but soon realizes that uncovering his origins can be quite dangerous.

There's some excellent work here in introducing the plot and creating mystery. The film begins with a strong opening scene in the past (with Alba Baptista as the young mother) and then transitions to the present, initially presenting us with the main couple in a comprehensive yet not overly expository manner. These are the two best-developed, most well-rounded characters, greatly aided by the excellent performances of Carloto Cotta (who plays two very distinct roles) and Bridgette Lindy-Paine. Lindy-Paine, in particular, carries the film more than expected, always being the character who pieces together the plot. Anabela Moreira's outstanding work should also be highlighted; even covered in makeup, she manages to shine in the role of the most enigmatic character, the mother of the brothers.

The way Abrantes handles the genre is quite interesting, adding some dashes of humour (although some of the audience seemed to think it was purely a comedy) and blending in elements of traditional Portuguese folklore, as well as incorporating social commentary related to family and romantic relationships with a good dose of madness.

The soundtrack is excellent, as is all the work on the sound effects heightening the tension of the movie. From a visual perspective, the outstanding production design stands out (the interior spaces look like works of art), and the cinematography, especially in the darker scenes, is noteworthy. At times, the film leans into some genre clichés-several characters following voices in the dark, dreams within dreams, and more dreams-but it manages to rise above them by always keeping us entertained and engaged, concluding with a very strong third act.

First of all, this movie is mostly in English so don't get scared off by it being Portuguese. The leads both do a commendable job with average dialogue and plot.

Those things really aren't the main reason to watch. It's the creep factor for me. Super freaky mother character with really good prosthetic make-up that steals the show.

The story is also very creepy and I believe is Portuguese folklore. About the witch mother - no more details here you'll have to watch it. You'll find out pretty quick that the house is not going to be a fun place to visit.

Overall it's a good film, not great. Enjoyable horror and well acted. 6.4/10.

How people don't love this film is beyond me.

Because, for a year that saw When Evil Lurks pop off...I just don't understand how this ultra creepy, explosive, darkly magical, wild ride hasn't done the same.

Because it is definitely wild.

The whole thing starts off with a child snatching...that has you questioning the intentions of the snatchers...when you see that they have left the child abandoned on the steps of a church.

At first, you think it has something to do with a cult...and, well...maybe it does in a sense...but not remotely in the way you are led to believe.

Because what ensues delves deep in the taboo, in the way that films like Max Mon Amour, The Baby, and Last Stop On The Night Train have in the past...in that they exploit dark and bizarre fetishes that some people clearly can't handle engaging with.

With the plot of this film revolving around mother-son incest.

In a way, you can't help but think about it's affinity with Barbarian...though, in reality, it is a different sort of animal entirely.

Whose truth is unlocked via an engagement with the obsessive art of Spanish painter Francisco De Goya.

Who is considered to be the "Last of the Old Masters, and First of the Moderns"...which, one might argue, acts as a metaphor for this film as a whole.

As we watch the "stolen son" track down his long lost family, in Portugal, after having been raised as an adoptee in America.

He travels, with his girlfriend, to the stately mansion of his forebearers, to meet his aging mother, and the brother he never knew.

Only for things to get, well...quickly weird...to say the least.

As he gets, unwillingly, sucked into a world he never wished for.

While his girlfriend tries to help them escape from a situation she senses isn't quite "right".

With, what ensues being as weird, creepy, and explosive as you could want in a slow burn horror film.

I don't want to give too much away here...because...unlocking it's secrets, yourself, is half the fun!

But I assure you, you won't be disappointed.

That is, unless you have an aversion to the taboo.

But then...why are you even watching horror movies, anyways!?

This is such an underrated film.

And certainly one of the best horror films that 2023 had to offer.

8 out of 10.