Through a hidden path, a lone rider reaches a little town high up in the Alps. Nobody knows where the stranger comes from, nor what he wants there. But everyone knows that they don't want hi... Read allThrough a hidden path, a lone rider reaches a little town high up in the Alps. Nobody knows where the stranger comes from, nor what he wants there. But everyone knows that they don't want him to stay.Through a hidden path, a lone rider reaches a little town high up in the Alps. Nobody knows where the stranger comes from, nor what he wants there. But everyone knows that they don't want him to stay.
- Director
- Writers
- Stars
- Awards
- 30 wins & 5 nominations total
Helmuth Häusler
- Hubert Brenner
- (as Helmuth A. Hausler)
Johannes Nikolussi
- Rudolf Brenner
- (as Johann Nikolussi)
Josef Griesser
- Wirt
- (as Pepi Griesser)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Great! The "Western" genre works surprisingly well in the alpine setting. The slow pace of the movie fits the gritty mood perfectly. What starts off like a "Whodunit?" quickly turns into a vendetta as the underlying plot is slowly revealed. Visually the film is expertly done and on par with any triple-A Hollywood movie. The acting is top notch by the whole cast. Some critics have complained that the movie takes itself too seriously and lacks humor. I think this is completely missing the point: a movie called "The Dark Valley" is clearly not angled like a dark comedy. Furthermore, nineteenth century winter life in an isolated mountain town is anything but fun, lending credibility to the concise dialogue and harshness of expression of the characters. The immersion is great, the story works well and thus the movie is definitely a must see in my opinion.
This is one hard revenge film. My gosh.
The characters are stolid. As the town's secret unravels, and they push it in your view very closely, the energy builds to the culmination.
I will say I really like this film and it is reminiscent of old Eastwood flicks or even newer ones like Django, which are really throwbacks too. Tarantino is a bit more garish but Prochaska keeps it pretty vivid too.
Honestly, the film appears a bit too edited down and my guess is with the language difference it'd been nice if there were more scenes to explain things in certain sections. I noted a lot of other reviews include speculation of why this or that occurred because the story wasn't quite clear in a couple of spots.
IF you like old westerns, you don't mind a bit of graphic violence, this film is probably for you.
The characters are stolid. As the town's secret unravels, and they push it in your view very closely, the energy builds to the culmination.
I will say I really like this film and it is reminiscent of old Eastwood flicks or even newer ones like Django, which are really throwbacks too. Tarantino is a bit more garish but Prochaska keeps it pretty vivid too.
Honestly, the film appears a bit too edited down and my guess is with the language difference it'd been nice if there were more scenes to explain things in certain sections. I noted a lot of other reviews include speculation of why this or that occurred because the story wasn't quite clear in a couple of spots.
IF you like old westerns, you don't mind a bit of graphic violence, this film is probably for you.
Another reviewer mentioned "The Great Silence" - exactly, that's the best comparison. It's a very condensed western without any frills, using little dialogue and less colour and relying on the character faces (congratulations, good casting and make-up here). In fact, the reduced colour palette gets a bit grating after a while; during the whole winter sequence (about 90% of the movie) there's not a single spot of green on the screen; everything is black, blueish-white and sepia tones. Even the shootout was shot in this muted palette - come on, blood on snow makes for such a nice contrast! And we never see a blue sky. I liked how they went for "different" when shooting those landscapes; it's rare that the mountains look that dreary, cold and inhibiting on the screen - but some scenes really could have used some colour.
Besides the dull palette, there were also some questionable (read: ridiculous) choices for music/soundtrack. And, really, there was not much tension since the story unfolds along well-trodden lines with not a single surprise anywhere. Otherwise, I can recommend this to anyone who likes a tight western. In Germany/Austria's world of streamlined TV-coproductions, this is a nice exception with its uncompromising look and story and the use of local idioms and dialect.
Besides the dull palette, there were also some questionable (read: ridiculous) choices for music/soundtrack. And, really, there was not much tension since the story unfolds along well-trodden lines with not a single surprise anywhere. Otherwise, I can recommend this to anyone who likes a tight western. In Germany/Austria's world of streamlined TV-coproductions, this is a nice exception with its uncompromising look and story and the use of local idioms and dialect.
A revenge western movie in the Alps. How cool sounds that!? The Dark Valley got finest cinematography, a never old growing story about revenge, rough characters living a rough life in some very remote place in the Alps, beautiful landscapes, on top we get a top production + excellent acting performed by Sam Riley and the whole cast. Thumbs up for this fine and exceptional addition to the genre of western and drama. Watch. Pronto.
To begin with, one should emphasize how great the cinematography was in this movie. Filled with the beautiful imagery of the Alps and an isolated town covered in snow along with the unique Western-Alp type of harsh reality, it truly amazes and captivates the viewer by the heart. The plot was smooth and gripping. Sam Riley, with all his western-style cowboy boots and spurs, was absolutely great in the movie, and he did his best at delivering a very solid performance of a very 'cool' stranger. For me he was a bit too cool, his character could surely be more interactive and talkative but nevertheless it was indubitably more than satisfying. He says that not talking to much, owing to the fact that his German is not that perfect, adds to the coolness of his Eastwood type of cowboy. I should say that some of the songs that are chosen for certain parts of the movie made movie look a bit strange for an Western-Alp flick, if such genre exists. Overall it was beautiful and thus definitely worth watching. If you are looking for something unique, just see this movie, you won't be disappointed.
Did you know
- TriviaOfficial submission of Austria to the best foreign language film category of the 87th Academy Awards 2015.
- GoofsWhen Greider shoots one of the Brenner brothers, it's obvious that he's wearing a boot with plastic injection tread.
- ConnectionsFeatured in La noche de...: La noche de... El valle oscuro (2018)
- SoundtracksSinner Man
Traditional
Arrangement/Interpretation: Clara Luzia & Katharina Priemar
Performed by Clara Luzia
Recording & mix: Philipp Nikodem-Eichenhardt
Allegrofilm
- How long is The Dark Valley?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El valle oscuro
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €6,350,000 (estimated)
- Gross worldwide
- $2,390,284
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content