Follows a world of even deeper intrigue and subterfuge, with characters fighting their own battles as they grapple with existential threats to the nation and the world.Follows a world of even deeper intrigue and subterfuge, with characters fighting their own battles as they grapple with existential threats to the nation and the world.Follows a world of even deeper intrigue and subterfuge, with characters fighting their own battles as they grapple with existential threats to the nation and the world.
- Awards
- 1 nomination total
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Summary
Reviewers say 'The Agency' garners mixed reactions. Many commend the strong cast, especially Michael Fassbender, and the intriguing spy plot. However, critics argue it falls short as a remake of the French series 'Le Bureau des Légendes,' lacking depth and authenticity. Some cite writing and pacing issues, while others appreciate complex characters and political intrigue. Production values and cinematography receive praise, but the overall reception is divided, with many recommending the original series.
Featured reviews
Great cast makes this worth watching
The Agency: Central Intelligence is a must watch for anyone a fan of spy thrillers. First of all, the cast is absolutely amazing. It stars Michael Fassbender, Jeffery Wright, Richard Gere and Katherine Waterston. That cast right there is reason enough to five this a try and on top of that it's a really good show too. I won't be surprised to see this show and most of the cast nominated for some awards come award season. The series is about a covert CIA agent (Fassbender) who is ordered to leave his undercover life and return to the field with his ex lover (Waterston) who he's still in love with. His love for her starts to interfere with his real life and the mission. If you're a fan of spy thrillers or a good mystery series then give this a try. You won't be disappointed.
The Agency deserves your attention
In an era where many quality series seem to be lost in the streaming void-blinded by our own questionable viewing habits-The Agency stands out as a stylish, under-the-radar gem. The series is as strongly acted as it is elegantly shot, building tension at a deliberately measured pace before unleashing it with a cinematic bang.
This is a spy thriller that doesn't just rely on flashy gadgetry and overblown plot twists. Its narrative demands your full attention, weaving together coherent yet unpredictable turns that even manage to keep pace with the relentless churn of modern politics. Michael Fassbender is, as always, a tour de force, effortlessly anchoring the narrative, while the rest of the cast delivers performances that shine from the opening scene to the final credit roll. And yes-Richard Gere proves even Hollywood's golden oldies can still steal the spotlight.
However, not all is smooth espionage. The screenplay occasionally appears to be juggling on too many storylines, with the "Teheran" arc feeling like an unnecessary detour that could have been trimmed without sacrificing the overall impact. Despite this minor misstep, The Agency remains a high-caliber piece of entertainment that challenges its viewers and merits attention well beyond the confines of the Netflix bubble (and I'm glad that it has earned a lot of viewers!)
This is a spy thriller that doesn't just rely on flashy gadgetry and overblown plot twists. Its narrative demands your full attention, weaving together coherent yet unpredictable turns that even manage to keep pace with the relentless churn of modern politics. Michael Fassbender is, as always, a tour de force, effortlessly anchoring the narrative, while the rest of the cast delivers performances that shine from the opening scene to the final credit roll. And yes-Richard Gere proves even Hollywood's golden oldies can still steal the spotlight.
However, not all is smooth espionage. The screenplay occasionally appears to be juggling on too many storylines, with the "Teheran" arc feeling like an unnecessary detour that could have been trimmed without sacrificing the overall impact. Despite this minor misstep, The Agency remains a high-caliber piece of entertainment that challenges its viewers and merits attention well beyond the confines of the Netflix bubble (and I'm glad that it has earned a lot of viewers!)
Don't believe the reviews
Don't believe the reviews that claim this is masterpiece nor those that claim this is bad. This is thoroughly engaging drama that meanders into the psychological stresses of being an agent more often than not. If you are looking for shoot 'em ups, you're on the wrong train. There is action mind you but that is second to storyline which is as it should be. This is more along the lines of Tinker Taylor rather than James Bond. If that is your cup of tea you will enjoy it.
As others have said the cast is quite good with nary a weak link. There are some traditional tropes throughout relating to the spy game and its role in international intrigue but you can't have it all.
As others have said the cast is quite good with nary a weak link. There are some traditional tropes throughout relating to the spy game and its role in international intrigue but you can't have it all.
Slow burn but worth it
I have not seen the original to compare. However, knowing it was a remake of a French original I approached this with some trepidation as US remakes are usually pretty poor on the whole.
This though I was pleasantly surprised by. It offers something different to the usual spy thrillers focusing more on relationships to agents, colleagues, and loved ones that are often not touched on or rarely developed. Whilst this could still go further than it does those elements are just as important to the story as the main plot line. It's that plot line that is the slow burn as it takes it time to unfold but it is refreshing in a US remake that there is no reliance on action sequences. Action sequences are few and far between and only introduced when necessary. Instead we get a greater focus on the who what and why of the of the various plots and sub plots.
I found it compelling, with Michael Fassbender as Martian/Paul excellent in the main role ably supported by an excellent cast.
There is one thread throughout that seems to have little relevance to everything else that is going on but I suspect it is there because it will become much more important in subsequent series. However, it appears as a little padding to this series, although it is an interesting and watchable side plot. That and the slow burn stop it from becoming a 10/10 series but overall it is well with the watch.
This though I was pleasantly surprised by. It offers something different to the usual spy thrillers focusing more on relationships to agents, colleagues, and loved ones that are often not touched on or rarely developed. Whilst this could still go further than it does those elements are just as important to the story as the main plot line. It's that plot line that is the slow burn as it takes it time to unfold but it is refreshing in a US remake that there is no reliance on action sequences. Action sequences are few and far between and only introduced when necessary. Instead we get a greater focus on the who what and why of the of the various plots and sub plots.
I found it compelling, with Michael Fassbender as Martian/Paul excellent in the main role ably supported by an excellent cast.
There is one thread throughout that seems to have little relevance to everything else that is going on but I suspect it is there because it will become much more important in subsequent series. However, it appears as a little padding to this series, although it is an interesting and watchable side plot. That and the slow burn stop it from becoming a 10/10 series but overall it is well with the watch.
[7.5] Awesome or not, it has guts
A well-made series where Richard Gere and Michael Fassbender are wasted on it and play at 40-55 percent of their abilities and instead of the latter, though playing nicely and convincingly good, I would have liked to see Richard Armitage in his place and rank. The Russian and Ukrainian situations and visuals are mostly good as well as are the scenes with Sami Zahir and Danny.
A little suspension of disbelief here and there and you got yourself ten convincing episodes of high value targets drama.
Please bear in mind that it's mostly done right without stellar realism that are impossible to reach at a fictional level without making fuss, creating conflicts and deteriorating the storylines' plots.
A little suspension of disbelief here and there and you got yourself ten convincing episodes of high value targets drama.
Please bear in mind that it's mostly done right without stellar realism that are impossible to reach at a fictional level without making fuss, creating conflicts and deteriorating the storylines' plots.
- Screenplay/storyline/plots: 7.5
- Production value/impact: 7
- Development: 8
- Realism: 7
- Entertainment: 8
- Acting: 8
- Filming/photography/cinematography: 8.5
- VFX: 8.5
- Music/score/sound: 7
- Depth: 7
- Logic: 6.5
- Flow: 7.5
- Political/Drama/thriller/psychology/sp i: 7
- Ending: 7.
"The Agency" Stars Through the Years
"The Agency" Stars Through the Years
From X-Men: First Class and "The Acolyte" to The Cotton Club, check out the TV and movie roles of "The Agency" stars Michael Fassbender, Jodie Turner-Smith, Richard Gere, and more.
Did you know
- TriviaThe Agency is an American adaption of the French series The Bureau (2015) or the Le Bureau des Légendes.
- GoofsDuring dialog from Martian in a discussion with Dr. Blake, the acronym "OBE" is incorrectly explained as "Overtaken By Events". In US Government agencies, including those in the Intelligence Community and Department Of Defense, the correct/official explanation of the acronym "OBE" is "Overcome By Events".
- Crazy creditsThe opening credits presents the characters and scenes from the series interspersed with mirror panes. The former Director of Counterintelligence at the CIA, James Jesus Angleton, also known as the "poet-spy", described the Intelligence game as the "Wilderness of Mirrors", which was a phrase borrowed from a poem by T.S. Eliot called Gerontion (The title is Greek for "little old man," and the poem is an interior monologue relating the opinions and impressions of an elderly man, which describes Europe after World War I through the eyes of a man who has lived most of his life in the 19th century). In the world of Intelligence, in the the search for truth, it is hard to tell the difference between reality and a reflection thereof, an illusion if you will, as if one were in a "Hall of Mirrors".
Details
- Runtime
- 1h(60 min)
- Color
- Sound mix
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