A woman returns to her childhood home to discover that the imaginary friend she left behind is very real and unhappy that she abandoned him.A woman returns to her childhood home to discover that the imaginary friend she left behind is very real and unhappy that she abandoned him.A woman returns to her childhood home to discover that the imaginary friend she left behind is very real and unhappy that she abandoned him.
Lawrence Weber Jr.
- Orderly
- (as Lawrence J. Weber Jr.)
Eduardo Campirano
- Boy
- (as Eduardo Campirano Iii)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Really terrible on all fronts from the acting, shoddy editing, weird production design and bad writing. I used to have so much respect for Dewanda Wise but this movie made her look really bad. Felt like she just showed up and learned her lines that morning, random emotional scenes that felt out of place and acting on par with melodramatic lifetime movies. There was zero chemistry between all the actors. Worst casting was the father who kept falling in and out of his accent from American to Australian. I did not buy him as a father at all, and the age difference did not feel authentic. Dewanda just felt like she was showing up for her check, she needs to fire her agent. The cinematography felt too much like a TV movie with special effects that looked like a 90's Disney film like "Don't Look Under the Bed." I got whiplash from the dark scenes transitioning straight to bright sunlight. The film was laughably bad, I'm shocked it made it into theaters. There was not a single good performance in this film. Teenagers in the theatre kept chatting and playing on their phones and laughing, which tells me even more that nobody was invested in this mediocre film.
I didn't buy for a second that any of the characters ever cared about one another. Teenage daughter was a clichè stereotype I've seen so many times, nothing fresh or intriguing. I did not buy for a second Dewanda cared about those kids and there was zero chemistry akin to actors talking to a pillow because nothing genuine bounced between them. Just flat and forced emotion that was never earned.
I didn't buy for a second that any of the characters ever cared about one another. Teenage daughter was a clichè stereotype I've seen so many times, nothing fresh or intriguing. I did not buy for a second Dewanda cared about those kids and there was zero chemistry akin to actors talking to a pillow because nothing genuine bounced between them. Just flat and forced emotion that was never earned.
Ironically, I feel like the movie lacked some imaginative ideas for a movie like this. Also, is it me or is nothing actually that scary anymore? The actors weren't bad, they would only act out what's in front of them but I liked the idea of this movie a lot but not what was delivered, sadly. Also, I didn't see any need for the husband to even be in the movie, that felt like a pointless character to be trimmed out. Additionally, there is always the same kind of family dynamics in these movies with a miserable angsty teenager etc, would have been cool to make the movie stand out and not always follow the samey blueprint.
There are many horror flicks with evil-infested dolls or puppets, but you keep hoping for something different. Alas, this "Imaginary" is as generic and predictable as they come: the little kid in a home with some complicated family-dynamics, the house with a creepy history, the cute doll (here a teddybear) that we at times (oh horror!!) see turn his head and that more and more gets a supernatural hold on the kid, and a climactic finale in which the evil finally shows its true terrifying shape. It's all there.
Well, even predictability doesn't have to be bad, if it's well done, with some decent special effects and a solid story. But unfortunately all this was not the case here. The story is shaky and unnecessary complicated, and direction and editing are disappointing: the whole movie is way too talkative and explanatory (especially from the moment the old neighbor lady steps in), and for a supposed horror movie it's way too low on serious scares. Teddybear Chauncey is definitely no Chucky or Annabelle, until the final showdown he doesn't cause any deaths or destruction, even the obnoxious boyfriend (in most horror movies a number one candidate for a gruesome killing) got away in one piece. There's an inventive plot-twist halfway in time, and the supernatural Escher-like labyrinth, in which the family in the end gets trapped to fight the evil, is well done, but that couldn't save the movie. A pity, since the acting was pretty good. The cast had earned a better vehicle to ride in.
Well, even predictability doesn't have to be bad, if it's well done, with some decent special effects and a solid story. But unfortunately all this was not the case here. The story is shaky and unnecessary complicated, and direction and editing are disappointing: the whole movie is way too talkative and explanatory (especially from the moment the old neighbor lady steps in), and for a supposed horror movie it's way too low on serious scares. Teddybear Chauncey is definitely no Chucky or Annabelle, until the final showdown he doesn't cause any deaths or destruction, even the obnoxious boyfriend (in most horror movies a number one candidate for a gruesome killing) got away in one piece. There's an inventive plot-twist halfway in time, and the supernatural Escher-like labyrinth, in which the family in the end gets trapped to fight the evil, is well done, but that couldn't save the movie. A pity, since the acting was pretty good. The cast had earned a better vehicle to ride in.
I don't know that anything could convince me that AI wasn't heavily involved with writing this. It's offensively bad. It's a boring concept, the bear is the least threatening thing I've ever seen, the plot barely exists, and it's way too long. I'd call it comically bad, but that would imply a "so bad it's good" sort of movie. It's almost insulting that Blumhouse is able to get away with making movies like this into a full theatrical release.
I hate this movie and everything that it represents. This is the laziest, most boring thing I've seen in ages, and there are people somewhere in Hollywood making millions of of it. Bleh.
I hate this movie and everything that it represents. This is the laziest, most boring thing I've seen in ages, and there are people somewhere in Hollywood making millions of of it. Bleh.
Okay. Bear with me here.
If you love "horror" movies where a child all by her lonesome descends stairs into a dark and dirty cellar where creepy noises emanate from, why, oh who cares if no kid would ever do this in like, ever.
If you get creeped out by a Swifty taking a selfie and in the background of that photo, yikes! Lookout! There's some old lady neighbor photobombing, and she's got to be at least in her sixties!
Terrifying!
The acting and writing are tiresome and totally unbelievable. Not only do they not seem like a family, they don't even seem like they know each other at all.
And lastly, if sitting in on child psychology sessions is your bag, get ready to fill that bag full with this film.
This movie should be Teddy Ruxspin spinning out of control.
That's what we're all here for.
But it's not. And never is.
The entire movies plods along at a 3 until the end.
The end is just okay.
Influences of the art of M. C. Escher and much better 1990's horror flicks.
And Betty Buckley. She's always great. But here there's no eight, and she's just not enough.
Not to save this.
That makes this movie a tad more bearable at 4 stars.
If you love "horror" movies where a child all by her lonesome descends stairs into a dark and dirty cellar where creepy noises emanate from, why, oh who cares if no kid would ever do this in like, ever.
If you get creeped out by a Swifty taking a selfie and in the background of that photo, yikes! Lookout! There's some old lady neighbor photobombing, and she's got to be at least in her sixties!
Terrifying!
The acting and writing are tiresome and totally unbelievable. Not only do they not seem like a family, they don't even seem like they know each other at all.
And lastly, if sitting in on child psychology sessions is your bag, get ready to fill that bag full with this film.
This movie should be Teddy Ruxspin spinning out of control.
That's what we're all here for.
But it's not. And never is.
The entire movies plods along at a 3 until the end.
The end is just okay.
Influences of the art of M. C. Escher and much better 1990's horror flicks.
And Betty Buckley. She's always great. But here there's no eight, and she's just not enough.
Not to save this.
That makes this movie a tad more bearable at 4 stars.
Did you know
- TriviaThe movie Taylor and Liam are watching on the TV is Warm Bodies.
- GoofsWhen they use the paint to cover the door, the paint is freshly mixed even though it's been sitting in a basement for several years.
- Crazy creditsAt the end of the credits, the Chauncey "theme song" plays along with lyrics sung by several children.
- SoundtracksYour Kind of Love
Written by Johnnie Adams
Performed by Johnny Adams
Courtesy of Ace Copyrights Ltd (Cosmos Music)
License by arrangement with Fine Gold Music
- How long is Imaginary?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Imaginario: Juguete Diabólico
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $28,009,161
- Opening weekend US & Canada
- $9,912,713
- Mar 10, 2024
- Gross worldwide
- $43,787,034
- Runtime
- 1h 44m(104 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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