A thief breaking into a luxury SUV realizes that he has slipped into a sophisticated game of psychological horror.A thief breaking into a luxury SUV realizes that he has slipped into a sophisticated game of psychological horror.A thief breaking into a luxury SUV realizes that he has slipped into a sophisticated game of psychological horror.
- Director
- Writers
- Stars
Ricardo Pequenino
- Street Drummer
- (as Ricardo Pequinino)
Sofia Tesema
- Sadie (Lipstick Woman)
- (as Sofia Tes)
Gabrielle Walsh
- Amy
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Sorry - it's not good
I got back from the theaters a few mins ago
I thought this movie looked more like something I would watch on streaming, but since I have Regal Unlimited, I decided to go on a slow day at the office.
Long story short - the movie isn't good. You're better off waiting for streaming
The plot itself is bare-bones. Bill Skarsgard (who looks a little like Pete Davidson here) gets trapped inside a car, basically. And as a result, very little actually happens for most of the movie. What we get, instead, is about an hour and change of watching Skarsgard sit inside the car by himself, which gets dull very quickly. The movie simply doesn't have enough to maintain interest while Skarsgard is trapped. The dialogue between him and Hopkins isn't interesting: Hopkins' characters meanders on and on, and they seem to repeat themselves ("What do you want from me?" "I want you to understand" .. seriously, I feel that I heard that exchange at least 5 times). The little acts that Hopkins does to terrorize Skargard similarly become repetitive
The movie is basically a two-man show in Skarsgard and Hopkins, and neither one of them is likable. Hopkins' character is obviously too pyscho for the audience to like. And though the film tries to make Skarsgard appear likable by using his daughter as well as a scene where he randomly gives water to a dog, the basic truth remains that he's scum who steals people's money and belongings . There is no one here for the audience get behind
The movie takes a bit of a silly turn when Hopkins somehow controls the car remotely; the events that happen here become almost unintentionally funny. Some of the dialogue near the end (e.g. Dirty Harry references) become cringe
4/10.
I thought this movie looked more like something I would watch on streaming, but since I have Regal Unlimited, I decided to go on a slow day at the office.
Long story short - the movie isn't good. You're better off waiting for streaming
The plot itself is bare-bones. Bill Skarsgard (who looks a little like Pete Davidson here) gets trapped inside a car, basically. And as a result, very little actually happens for most of the movie. What we get, instead, is about an hour and change of watching Skarsgard sit inside the car by himself, which gets dull very quickly. The movie simply doesn't have enough to maintain interest while Skarsgard is trapped. The dialogue between him and Hopkins isn't interesting: Hopkins' characters meanders on and on, and they seem to repeat themselves ("What do you want from me?" "I want you to understand" .. seriously, I feel that I heard that exchange at least 5 times). The little acts that Hopkins does to terrorize Skargard similarly become repetitive
The movie is basically a two-man show in Skarsgard and Hopkins, and neither one of them is likable. Hopkins' character is obviously too pyscho for the audience to like. And though the film tries to make Skarsgard appear likable by using his daughter as well as a scene where he randomly gives water to a dog, the basic truth remains that he's scum who steals people's money and belongings . There is no one here for the audience get behind
The movie takes a bit of a silly turn when Hopkins somehow controls the car remotely; the events that happen here become almost unintentionally funny. Some of the dialogue near the end (e.g. Dirty Harry references) become cringe
4/10.
Locked in.
My only advice for potential criminals who are reading this review is I would advise against breaking into a nice car lol. You will get locked in.
I caught the trailer and I was pretty hooked, went into this one open minded with zero expectation and it was a pleasant surprise.
Bill Skarsgård plays a really slimy character who at first I just wanted to see him suffer. But as the story progresses you start to feel for him, and start rooting for this guy.
Anthony Hopkins plays a narcissist rich man who is really sick and twisted. But you understand why he does certain things as you learn about his back story. His weapon of justice is a modified car that feels indestructible.
The suspense is great and I really liked the film's atmosphere and setting. There's never a dull moment and the pacing moves along really well. Twards the end I found Locked a little predictable but overall this is an enjoyable time at the theater. Go out and see it, at least watch it on vod when it comes out.
I caught the trailer and I was pretty hooked, went into this one open minded with zero expectation and it was a pleasant surprise.
Bill Skarsgård plays a really slimy character who at first I just wanted to see him suffer. But as the story progresses you start to feel for him, and start rooting for this guy.
Anthony Hopkins plays a narcissist rich man who is really sick and twisted. But you understand why he does certain things as you learn about his back story. His weapon of justice is a modified car that feels indestructible.
The suspense is great and I really liked the film's atmosphere and setting. There's never a dull moment and the pacing moves along really well. Twards the end I found Locked a little predictable but overall this is an enjoyable time at the theater. Go out and see it, at least watch it on vod when it comes out.
Trapped in Tension: Locked but Not Loaded
Locked (2025), the English-language remake of Argentina's 4x4, sets out with a chilling premise-a carjacker trapped inside a high-tech SUV turned psychological prison. Directed by David Yarovesky and starring Bill Skarsgård and Anthony Hopkins, the film delivers on claustrophobia and unease but falls short of leaving a lasting mark.
The plot unfolds as Eddie, a reckless thief, breaks into what he believes is just another luxury car-only to find himself ensnared in a twisted game of justice by a vigilante played briefly, but brilliantly, by Hopkins. While Skarsgård carries the majority of the film, shifting between fear and frustration, it's Hopkins' minimal screen time that lingers most-his voice alone lends gravitas the film sorely needs.
Technically, the film scores well-direction, editing, background score, and cinematography all pull their weight. But narratively, it's a slow-burner that doesn't quite ignite. The tension builds steadily, yet the climax arrives too suddenly and is followed by a rather muted epilogue, dulling the impact of the confrontation and its moral undertone.
In the end, Locked feels like a high-concept thriller that loses steam halfway. It grips, but doesn't quite throttle. A one-time watch, especially for fans of psychological tension, but not one that demands a revisit.
Rating: 3/5 A tense setup with strong performances, but the payoff doesn't quite justify the ride.
The plot unfolds as Eddie, a reckless thief, breaks into what he believes is just another luxury car-only to find himself ensnared in a twisted game of justice by a vigilante played briefly, but brilliantly, by Hopkins. While Skarsgård carries the majority of the film, shifting between fear and frustration, it's Hopkins' minimal screen time that lingers most-his voice alone lends gravitas the film sorely needs.
Technically, the film scores well-direction, editing, background score, and cinematography all pull their weight. But narratively, it's a slow-burner that doesn't quite ignite. The tension builds steadily, yet the climax arrives too suddenly and is followed by a rather muted epilogue, dulling the impact of the confrontation and its moral undertone.
In the end, Locked feels like a high-concept thriller that loses steam halfway. It grips, but doesn't quite throttle. A one-time watch, especially for fans of psychological tension, but not one that demands a revisit.
Rating: 3/5 A tense setup with strong performances, but the payoff doesn't quite justify the ride.
[6.9] The little human stain
A very unappreciated and underrated movie made in 2025, yes, cause many years will pass until people realize what a sociological gem 'Locked' is.
William so much reminded me of Judge Lawrence Wargrave in Agatha Christie's possibly best mystery novel 'And Then There were None'. Near perfect copy in a little similar limited situation.
The acting by Eddie is believable, the situations tense, the visuals and score on point and the flow marvelously paced.
What could I ask more for an unknown movie mostly set claustrophobically in a luxury car, which honestly looked great.
Well-done Anthony Hopkins and Bill Skarsgård who showed a more human and flawed facet of his personality, as well as bravo to little Sarah (Ashley Cartwright).
'Locked' has a tight, simple screenplay and I loved it.
William so much reminded me of Judge Lawrence Wargrave in Agatha Christie's possibly best mystery novel 'And Then There were None'. Near perfect copy in a little similar limited situation.
The acting by Eddie is believable, the situations tense, the visuals and score on point and the flow marvelously paced.
What could I ask more for an unknown movie mostly set claustrophobically in a luxury car, which honestly looked great.
Well-done Anthony Hopkins and Bill Skarsgård who showed a more human and flawed facet of his personality, as well as bravo to little Sarah (Ashley Cartwright).
'Locked' has a tight, simple screenplay and I loved it.
- Screenplay/storyline/plots: 6
- Production value/impact: 7
- Development: 7.5
- Realism: 7.5
- Entertainment: 7.5
- Acting: 8
- Filming/photography/cinematography: 7.5
- VFX: 7.5
- Music/score/sound: 6.5
- Depth: 7
- Logic: 4.5
- Flow: 7
- Psychological/drama/thriller: 7
- Ending: 6.5.
Could of been interesting, but the movies stuck in neutral
First and foremost I have not seen the movie that this picture is based on I cannot tell you how faithful a adaption it is or how well it compares, I can only judge it on it's own merits.
Problem is, it's awfully predictable, and I don't particularly mean just the story but the whole set up. If you told me they are casting a young troubled character, I almost envision Skarsgard. If you told me they are casting a character of an older man who wants to outsmart you in a battle of wits, I envision Anthony Hopkins. Because these are characters these two actors have portrayed in countless movies.
And for example, with Anthony Hopkins, a incredibly gifted actor, even if to a degree we have seen this performance a number of times (Fracture, Hannibal Lectar, Solace), there's no denying that he is still a treasure to watch, because he is so mesmerizing. But that magic is completely taken out of his performance when you can't actually see him and he is nothing but a voice on the end of the phone.
Some reviewers have praised this movie for its realism, we must if been watching a different movie. This is a highly implausible thriller at best. When movies are confined to small places, it really needs a interesting premise to keep the movie running, it's a difficult task because the movies options are limited. A few movies like 'Phone Booth' just about manage to pull it off because of clever twists. This movie is avoid of intelligent twists and what's left is just a generic thriller.
It has it's moments, it's a relatively short movie so pacing issues are not really a problem, it flies past. Even tho the actors have done these roles numerous times, they are still likeable enough as actors that you kind of want to see where they are going to take their characters. There's a few gory scenes added in just to keep modern audiences happy.
It's not a awful movie. It's not a good movie. It's just a payday for the actors, a one time watch. But in the weeks and months that follow, you will ultimately forget this movie was any part of Hopkins and Skarsgards resume.
Problem is, it's awfully predictable, and I don't particularly mean just the story but the whole set up. If you told me they are casting a young troubled character, I almost envision Skarsgard. If you told me they are casting a character of an older man who wants to outsmart you in a battle of wits, I envision Anthony Hopkins. Because these are characters these two actors have portrayed in countless movies.
And for example, with Anthony Hopkins, a incredibly gifted actor, even if to a degree we have seen this performance a number of times (Fracture, Hannibal Lectar, Solace), there's no denying that he is still a treasure to watch, because he is so mesmerizing. But that magic is completely taken out of his performance when you can't actually see him and he is nothing but a voice on the end of the phone.
Some reviewers have praised this movie for its realism, we must if been watching a different movie. This is a highly implausible thriller at best. When movies are confined to small places, it really needs a interesting premise to keep the movie running, it's a difficult task because the movies options are limited. A few movies like 'Phone Booth' just about manage to pull it off because of clever twists. This movie is avoid of intelligent twists and what's left is just a generic thriller.
It has it's moments, it's a relatively short movie so pacing issues are not really a problem, it flies past. Even tho the actors have done these roles numerous times, they are still likeable enough as actors that you kind of want to see where they are going to take their characters. There's a few gory scenes added in just to keep modern audiences happy.
It's not a awful movie. It's not a good movie. It's just a payday for the actors, a one time watch. But in the weeks and months that follow, you will ultimately forget this movie was any part of Hopkins and Skarsgards resume.
Soundtrack
Preview the soundtrack here and continue listening on Amazon Music.
Did you know
- TriviaThe name of the car, Dolus, is from the Latin meaning deception, deceit or guile, and is a character from Aesop's fables.
- GoofsAt 34:56 in the film, minutes into an in progress phone call between the two characters, the camera cuts back to the infotainment system of the car and for almost a full second the button show as "Decline", "Message", and "Accept", which is what it shows when William is calling. It quickly corrects back to "End call", "Mute", and "Keypad", which is what it shows the rest of the time there is an active call going on.
- SoundtracksDrive Off: Tchaikovsky Piano Concerto 1
Written by Pyotr Ilyich Tchaikovsky
Performed by Tim Williams (as Timothy Williams) and The Budapest Scoring Orchestra
Published by Something for the Beach House Publishing (ASCAP)
Courtesy of Beach House Music, Inc.
- How long is Locked?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Encerrado
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,632,758
- Opening weekend US & Canada
- $924,054
- Mar 23, 2025
- Gross worldwide
- $4,647,059
- Runtime
- 1h 35m(95 min)
- Color
- Aspect ratio
- 2.76 : 1
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