Ballard

I really wanted to like this show, probably like a lot of viewers, I am a devotee of the Bosch series's

I was hoping for at least a semblance of the same gritty realism, balance and quality writing.

Opening Thoughts: Ballard, the latest addition to the Bosch universe, introduces us to Detective Renée Ballard, portrayed by Maggie Q. While the series aims to carve its own niche, it immediately falls into the trap of exaggerated tropes and lacks the nuanced storytelling that made its predecessors stand out.

Character Development: Renée Ballard is presented as a tough, no-nonsense detective. However, her characterization feels one-dimensional, relying heavily on over-the -top clichés in what feels like an exercise in building a moral superhero - and the hard boiled detective routine just doesn't sit well with Q, despite her acting ability.

Rather than offering a variation on the stereotype it just offers us exactly the same old character type right down to the smallest detail.

The supporting cast, though diverse, often serve as mere archetypes, lacking the complexity that would make them truly engaging.

Narrative and Realism: The series attempts to highlight systemic issues within the LAPD, but its portrayal feels exaggerated and out of touch with current realities. The depiction of gender politics, in particular, seems anachronistic, not reflective of current attitudes, forced, lacks the subtlety and panders to a safe narrative rather than tackling a genuine current real world dynamic.

Comparative Analysis: Compared to Department Q, which masterfully delves into the psyches of its characters, Ballard feels superficial. While Department Q presents flawed, relatable individuals, Ballard offers characters that seem more like symbols than real people.

Conclusion: While Ballard has the potential to evolve into a compelling series, its initial episodes cry out for more authentic storytelling and character development. For viewers seeking depth and realism, revisiting Bosch or exploring Department Q might be more satisfying options.

Originally I gave this a 5 after the first few episodes but I'm taking one star off because of the dretch I had to sit through to finish the season. Everything everyone else has said is true. The writing is bad and the acting is even worse. I feel like there were at least 3-4 people miscast. Parker is horrible and I hate every scene she's in. The usual basement motley crew of diverse heroes delivering cheesy lines you've heard a million times in CSI and other shows while fulfilling every modern day trope and social justice crusade. Unfortunately it's tone deaf and about a year out of date. I love Bosch and that's the only reason this doesn't get a 1 star. Anybody giving it a 10 should have their internet privileges revoked.

I have been waiting for this show to arrive. Almost 2 hours after it's release I went to look up a few cast members, and I see 3 reviews, horribly rated. How did you watch 8 hours of show already? I chalk this up to two things. Misogynists or Bosch lovers who can't let go.

I only know Maggie Q from a failed, very decent sitcom...and Bosch.

Elevator Pitch: It's like "The Sandlot" meets "The Shield" with goodness.

Almost every episode, there is a 'sort' of win, for this rag tag team. Some story lines seem too quick and too wrapped up, but over all, this is quite entertaining. So much better than 3/4 of the American made tripe. Maggie Q is wonderful. The whole, "rag tag" team are fantastic. The "tussles" are great as are the police car barricade scenes. So worth it, Don't pay attention to nay sayers.

I am a huge fan of all the novels of Michael Connelly!!!

In the book "Desert Star" Ballard and Bosch work TOGETHER to solve two main cold cases: the Gallagher family massacre and the murder of Sarah Pearlman. I was so thrilled because I wanted to see them BOTH hunting the killer... Unfortunately in "Ballard" TV series Harry Bosch just apears for a while in some episodes...

"Ballard" TV series lack the emotional depth and complexity of the novels of Michael Connelly...

I miss in "Ballard" the strong visual presence of Los Angeles, that in "Bosch" it was a significant part of its appeal and contributed to its emotional impact...

In the "Ballard" TV series, the character of Ted Rawls is significantly different from his portrayal in the Michael Connelly novels...

Those who haven't read the book may find the series more enjoyable because they lack the pre-conceived expectations and comparisons that readers often bring to adaptations.

The project is pitched as a spin-off of the iconic Bosch, and it shows right away: the atmosphere, narrative structure, and visual style are carefully carried over from the original. Everything works in the familiar key - restrained, dark, and refreshingly unflashy.

Casting deserves special mention. In the role of Renée Ballard is Maggie Q - an actress who masterfully combines steely resolve with emotional depth. She's magnetic, compelling, and perfectly at home in the action genre. Her character isn't just a narrative device but the emotional and dramatic core of the story. On a personal note, I've been a fan since Nikita, and she doesn't disappoint here.

Narratively, the show doesn't reinvent the wheel. It's a procedural machine: clashes with the system, cold cases, bureaucratic rot, personal demons - the playbook is well-worn. The clichés are not hidden, but rather presented openly. And that's fine - because what matters is the execution. It's solid, measured, and stylishly done.

Not a masterpiece. But far from a failure. A confident, competent crime drama made with respect for the genre and its legacy. For Bosch fans, it's a must-watch. For everyone else - a decent one-evening binge, as long as you manage your expectations.