Where the Devil Roams

And this one is out there. In my best estimate, it is as though they have pureed Alejandro Jodorowsky's Santa Sangre with Arthur Penn's Bonnie and Clyde and distilled that into a feature-long Dresden Dolls music video.

Set during the Great Depression, it's a tale of ukeleles, dronecore, baby shoes, shell shock and side-show extremity regeneration. As with most of their previous offerings, the Adamses have done a lot of lore and world-crafting but leave a good deal of it unexplained. Weird things just happen in their films as if all is normal.

And I am totally fine with that.

They are making films they want to make - which is admirable in its own right.

Is it shot on a budget? Sure.

Is the acting oddly stilted? Absolutely.

But that is the charm. Like John Waters carefree guerilla cinema style. They're just making quirky horror in upstate NY with anachronistic scoring with no fear of taking things in odd directions. And that is what makes their movies interesting and different.

This one maintains that trend.

I can only see these guys getting better over time. For a small family run production company they cover most, if not all aspects of their productions, including most of their own music (H6LLB6ND6R is on bandcamp). Even the practical effects were really decent, all things considered. Sure there were some things i didn't really care for, but i think it's important for people like this to exist and be out there, making things they want to make. Great things can be created with little in the way of tools (and/or money), and they did a good job in that regard. I'll definitely need to check out their previous work, and of course looking forward to seeing what they come up with next.

Please wait through the opening poetry reading (which I didn't care for), and you'll be rewarded with a solid little indie horror. I've liked other Adams family movies, and this one fits into their work nicely.

"The Deeper You Dig" was my first one and is still on my list of favorite "must see" October movies. It has a wonderful twist at the end, and the ending of this one provides just as good of a payoff.

Story = 5/10. I wasn't quite sure why the family wasn't traveling with the circus, but their horrific side trips wouldn't have happened otherwise.

Cinematography = 8/10 -- it's visually stunning. I loved the look of it and paid more attention to enjoying the imagery than to the story in some parts.

Recommended if you like different, weird stories.

The filmmaking Adams family make low budget,chilly horrors that are several cuts above the usual stalk and slash horrors that populate the market. They have a keen eye for character and atmosphere that make for a more subtle horror, with well drawn characters that add to a rather brave whole.

Unfortunately here the plot is bogged down with tedious hallucinationary scenes, an overlong opening that doesn't excite or grab the audience but is daring nonetheless, and a music video that plays weirdly at the end- It adds nothing really.

The piercings and tattoos on the carnival workers,seem too modernistic out of place , like Lucy Osbourne appeared,minus her sodding phone!

The CGI on the WW1 scenes are a little too unsubtle.

Nonetheless, I applaud this family of filmmakers for trying to appeal to the more adult of horror fans. The designs and cinematography effectively evoke the back roads of 30s Catskills, the chilly look got to my bones and they look of the time and place.

After a couple of predictable' found footage' films of late at least these guys know there is room for low budget horror to develop interesting ideas rather than cliched use of the camera and lines of dialogue.

It could have been better but overall a memorable little chiller.

Living in a floundering carnival, a group of workers trying to make due during the Great Depression find themselves under the spell of a gruesome object in the possession of a popular act in the carnival with them which forces them into a massive killing spree to find a better life for themselves.

This was a massively disappointing and nearly unwatchable genre effort. Among it's only positive points here stem from the technical qualities on display which are genuinely impressive at capturing a haunting, dark mood. The period setting, the miserable existence working in the type of environment that looks like a soul-crushing existence, and the general lifestyle of the various participants they stumble across in the rampage they commit secures this kind of atmosphere incredibly well. Even with the way this plays out that shows the descent into madness that they fall into, with each of the family members shown to have a special liability that helps to make the plight seem all the more dynamic and ingrained into this atmospheric setting. Coupled rather nicely with the genuinely gruesome and bloody kills featured here which come about not just through the carnival acts but also the incredibly graphic murders they engage in as the sense of the curse carries out, these are enough to give this one some positives. There are some massively disappointing detriments on display with this one. The main drawback here is the absolutely draining and just plain dull pace that this one plays at where it's not really that interesting in the slightest. The tempo is a major part of this where it's just so slow-going and plodding that there's very little chances to do something interesting with a clunk storyline that doesn't warrant this type of length so it's sluggish means of carrying out the family's destructive rampage or the inner workings of the carnival where their work with the sacred heart for their deal is all just so bland and dull it's not that interesting. That factor is the other big factor here, where even though this goes for the type of in-depth analysis on the family it does very little make them endearing or worth following in this type of feature as so little of it tends to just become quite uninteresting. Added with some obvious anachronistic tendencies that give its setting away, these bring the film down overall.

Rated Unrated/R: Graphic Violence and Graphic Language.