Until I Kill You

Top notch performances from everyone involved, made for uncomfortable viewing at times, but also gripping television. I often wince at real life dramas because they sweeten things for one side or the other. In this case you felt they gave a fair representation of both sides. I don't remember the original story so it felt quite fresh for me.

We binged the programme, and never intended to, so that says something. The fact it felt so underwhelming made it even more believable and the pacing as we moved through the key components of the story maintained the tension, I would recommend this as a quality piece of TV.

This short series left me speechless, just blew me away! Not only because of the great actors and performance but also because of how well the story is told, realistic, very strong and at times uncomfortable and frustrating. Once you start watching it you won't be able to stop it!

The first two episodes are the most intense and brutal. The actress Anna Maxwell, in the role of Delia, is simply magnificent! She acts with great strength, power and realism, I can't imagine anyone better, it is simply perfection!

The series reflects on the protection systems that are established around victims of abuse, and she holds responsible those who should contribute to guaranteeing their safety.

The plot is very well structured, marking each of the episodes as outstanding stages in the development of events, and they look very deep into personal obsessions.

Don't miss this one! It is an extremely solid British true crime production that will get under your skin thanks to the excellent performances.

Engaging story and great acting. The lead actress's dialect did not bother me as it did others but it was definitely noticeable. She did an incredible job though. Great acting by the lead actress and everyone else.

I'd read an article that while working on the script the writer worried about how people would find empathy or be on the side of someone.with an "unconventional personality." She was quirky for sure. I didn't find that distractive though. I did however find her abusive to the people trying to help her. I found it difficult to watch because she was quite simply not a likable person. That does not mean she deserved anything that happened to her or that she caused it in any way. It just means it's understandably challenging to tell her story. Others have pointed out that she would of course have anger. I agree. But that anger was directed at other people. People that cared about her and were trying to help. For me this made the series difficult to watch.

I dipped my reluctant toe in, thinking that, despite the content, this would be a poorly delivered presentation of a female's time of horrors.

So many of these programmes can turn to sentimentality or sensationalism and can make a viewer miss the point or worst still, be manipulated into anguished responses.

I was wrong, the performance from Anna Maxwell-Martin was so good, that it felt like listening to Delia. It is Delia, who kept me watching, it is Delia, who made this an exceptional programme.

Delia was hard work, even before the troubles, her intransigence in the face of what I guess she considered petty rules and conventions, does not endear her to others.

As an aside, I will add a further two comments.

The sheer frustration of watching, yet again, the keystone cops, metaphorically fumbling around in an unlit room, simply because they could not be bothered to switch the light on, was palpable.

The anger one felt at the judicial system that allows clearly vulnerable victims to be pilloried in the witness box was at a peak.

Enough said; I highly recommend the programme.

One of those shows where you hover between "Surely it couldn't have happened like that!" and "How on earth can people be so incompetent?" It's a true story, though, and from what we know of other cases, the failings of the police and the demands of the criminal justice system damage far too many victims - which was Delia case.

Anne Maxwell Martin plays Delia with an extraordinary intensity, rarely making it easy to like her: she is irrascible, mercurial and unpredictable.

Shaun Evans is truly scary, switching from the quiet and self-effacing shy man Deliameets in a pub, to a furious and violent narcissist with a dark, dark past.

A very well-written, cleverly-paced and carefully directed short series.