IMDb RATING
6.6/10
1.4K
YOUR RATING
Meena, who loves a man from a lower caste but her family thinks she is possessed and cast the spell out of her.Meena, who loves a man from a lower caste but her family thinks she is possessed and cast the spell out of her.Meena, who loves a man from a lower caste but her family thinks she is possessed and cast the spell out of her.
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- Awards
- 2 wins & 5 nominations total
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- TriviaIt was shot in Arri Alexa mini with Ultra prime lens setup
Featured review
This movie really caught me off guard! The plot is pretty simple: it's a road trip film that kicks off with two families heading to see a fortune teller in another region to lift the spell of forbidden love affecting one of the girls, who's not interested in marrying her cousin. But in just 90 minutes, we don't just get to know the family members and their dynamics-we also uncover layers of meaning, symbolism, and cultural depth, which is a huge achievement. The ensemble cast is fantastic, especially Anna Ben, who barely speaks throughout the movie-something that carries its own significance. The cinematography isn't flashy, but it works perfectly for this film. The production design and landscapes are stunning. There's something really unique about this movie compared to other road trip films. Halfway through this seemingly simple trip, the stakes keep getting higher with every moment. And the ending? It's just mind-blowingly fascinating!
The themes are familiar-similar to what we saw in All We Imagine As Light in 2024-but it's the execution that makes this film stand out. There's a rawness and precision in the storytelling that sticks with you. At the beginning of the movie, we see a girl with a rooster tied by its leg to a heavy stone. This rooster represents Meena's lover but also parallels her own situation, suggesting she's being treated as an object to be controlled or fixed rather than as an individual with her own desires. The symbolism is clear from the start, but how the filmmaker uses it throughout makes it even more captivating. By the end, that rooster isn't just a symbol; it becomes almost like a character in its own right. I won't go on about the usual themes like caste and social hierarchy, patriarchy and gender roles, tradition, superstition, personal freedom, and the many forms of female oppression by society, family, class, gender, and religion-those are all there-but the magic lies in how they're executed.
Although the movie is primarily a drama, there's comedy mixed in, along with some horror elements. The comedy feels like it comes straight from the culture itself, reflecting how the characters speak and behave. As I mentioned earlier, something scary happens midway through, and from then on, the stakes keep rising, making me feel really uncomfortable-but it's necessary for the ending. At first glance, the ending seems surprising, but it didn't take me long to figure it out for myself. It feels open-ended, but I'd argue it's not really. I won't say more about it-just watch the movie! It's great on so many levels. The acting is phenomenal; it feels almost like a documentary for most of it. There's no music at all, which isn't needed here. Not a single extra scene drags on; it never gets boring for a second! This should have been the real awards contender instead of All We Imagine As Light, which I didn't care for at all. This movie deserves way more attention-don't miss it!
The themes are familiar-similar to what we saw in All We Imagine As Light in 2024-but it's the execution that makes this film stand out. There's a rawness and precision in the storytelling that sticks with you. At the beginning of the movie, we see a girl with a rooster tied by its leg to a heavy stone. This rooster represents Meena's lover but also parallels her own situation, suggesting she's being treated as an object to be controlled or fixed rather than as an individual with her own desires. The symbolism is clear from the start, but how the filmmaker uses it throughout makes it even more captivating. By the end, that rooster isn't just a symbol; it becomes almost like a character in its own right. I won't go on about the usual themes like caste and social hierarchy, patriarchy and gender roles, tradition, superstition, personal freedom, and the many forms of female oppression by society, family, class, gender, and religion-those are all there-but the magic lies in how they're executed.
Although the movie is primarily a drama, there's comedy mixed in, along with some horror elements. The comedy feels like it comes straight from the culture itself, reflecting how the characters speak and behave. As I mentioned earlier, something scary happens midway through, and from then on, the stakes keep rising, making me feel really uncomfortable-but it's necessary for the ending. At first glance, the ending seems surprising, but it didn't take me long to figure it out for myself. It feels open-ended, but I'd argue it's not really. I won't say more about it-just watch the movie! It's great on so many levels. The acting is phenomenal; it feels almost like a documentary for most of it. There's no music at all, which isn't needed here. Not a single extra scene drags on; it never gets boring for a second! This should have been the real awards contender instead of All We Imagine As Light, which I didn't care for at all. This movie deserves way more attention-don't miss it!
- ehsancinematic
- Feb 6, 2025
- Permalink
Details
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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