Grave Torture

Netflix often drops international horror films with little promotion, so I'm here to keep you in the loop. If you're into chilling stories, I highly recommend "Grave Torture", the latest from Indonesian horror master Joko Anwar (known for Satan's Slaves and Impetigore). It's streaming now, and trust me, it's worth watching!

"Grave Torture" grabs you right from the fantastic opening scene and never loosens its grip. The film masterfully builds tension, keeping you on edge with every twist and turn. Joko Anwar creates an atmosphere so thick with dread that it's impossible to look away, no matter how unsettling things get.

If you're after something truly creepy, this is it. The slow-burn suspense and chilling moments will stick with you long after it's over. "Grave Torture" is a must-watch for horror fans looking for a film that delivers on every front.

Have you ever been in a group project where everyone had a good idea, but no one could agree on which one to use? That's exactly how this movie feels. While it does deliver some genuine scares (hence the bump to a 5), the overall direction is completely scattered. It feels like a college movie project gone off the rails.

This is not a 6/7-star horror movie like The Night House, A Dark Song, Session 9, Tigers Are Not Afraid, Huesera: The Bone Woman, or Lake Mungo (which I personally think deserve higher ratings, but are likely dragged down by non-horror fans). I suspect this film's rating may be inflated, possibly due to being more catered to a religious Indonesian audience.

It's worth a watch, but don't make it the main event for movie night. It's the kind of film you put on when you don't mind your friends talking during it. Or maybe the one you watch before diving into something really good.

Honestly, this movie would've worked better as an anthology. The number of different directions it tries to go in ends up being almost comedic at times.

Horror movies. Often a genre synonymous with jump scares, gore, and mindless entertainment. While these elements can be thrilling, they rarely delve into the deeper recesses of the human psyche. They seldom grapple with the existential questions that gnaw at us in the quiet hours, the ones that keep us up at night. This is precisely why Joko Anwar's Siksa Kubur a.k.a. Grave Torture, struck such a profound chord with me. It dared to be different, to transcend the genre's limitations and offer a horror experience unlike any other.

Unlike its conventional counterparts, Siksa Kubur didn't shy away from the very questions I myself grapple with. These weren't the usual horror tropes - ghosts seeking revenge or vengeful spirits. Instead, the film delved into the complexities of fear of the unknown, the nature of good and evil, motives and consequences. It forced me to confront these unsettling realities head-on, making me a willing participant in its exploration of the human mind.

But what truly elevated from Siksa Kubur was its ability to offer insightful answers to these harrowing questions. It didn't bombard me with simplistic solutions or preachy pronouncements. Instead, the film presented its ideas through a masterfully crafted narrative, allowing me to arrive at my own interpretations. The terror wasn't simply a means to an end; it served as a catalyst for introspection. The scares, while undeniably effective, weren't the sole focus. They were meticulously woven into the narrative, each one serving to push me further down the rabbit hole of self-discovery.

This is not to say that the film shied away from genuine scares. Siksa Kubur delivered moments of pure, unadulterated terror. However, these moments were not gratuitous. They were meticulously placed, serving to heighten the emotional stakes and reinforce the film's central themes. The true brilliance lay in the way these scares intertwined with the exploration of the aforementioned questions. Each jump or moment of heart-pounding suspense added another layer to the film's tapestry, deepening the overall impact.

The film's characters also played a pivotal role in its success. They weren't simply one-dimensional archetypes, instead, they were complex individuals wrestling with their own internal demons, mirroring the struggles of the audience. Their journeys became our journeys, their fears resonated with our own anxieties. We empathized with their plight, becoming emotionally invested in their fate, which made the film's exploration of these profound themes all the more impactful.

Ultimately, Siksa Kubur served as more than just a horror film. It was a thought-provoking experience that challenged me to confront my own fears and grapple with the existential questions that linger in the shadows. It offered no easy answers, but instead, empowered me to forge my own path of understanding. In a genre often content with cheap thrills, Siksa Kubur dared to be different, offering a horror experience that was both terrifying and intellectually stimulating. It reminded me that horror, at its best, can be a powerful tool for introspection, forcing us to confront the darkness within and emerge, perhaps, with a newfound sense of self-awareness.

Many people said, this film are like Christopher Nolan of Indonesia. But, sadly, Not!! There's too much people praising this film. "It's just like western movie" they said. "It's not about jump scare" or "It's more psychological film."

The atmosphere are great. The cinematography are good. The acting are top notch. That's the only positive things from this film.

The first half of the film is about our brave women, Sita. She try to find the truth about "Siksa Kubur" or Grave Torture. There's so much ideology battle, especially about religion through the film. Quite enjoyed it, yes, this "psychologycal" thing are so great.

Sadly, after that, when, Sita goes to the grave, it's became down hill! The ghosts are laughable. Why? Because it's literally more like alien, like Venom. And the other ghost just crawling in the wall like spiderman.

And there's literally Zombies in here! Just beat it, man!! Those old man zombies are not menancing enough!!

Many people said, the most "scary" scene are the washing machine scene. But, sorry, it's a big NO. Nothing scary, that's scene just make my eyes roll, because, it's soo dumb. They're literally in super rich nursing home, why the patient washed their clothes alone?? Yes, it's a part of "big twist" but too dumb.

And Sita suddenly became weak minded. She's a brave women like Spider-Woman or Katnis Everdreen from the get go, but why do that to her at the end?? Ugh.

They're claimed this film would make people "believe" about grave torture and repent. But at the end, i just thought, "did i watched some superhero movie"??

Life after death is not a new story that has emerged around us. From the animist era (kejawen) of Semar's disappearance to the realm of virtue to the concept of heaven and hell in the religion of Abraham, we are attached to the belief to do self-moral as a form of devotion to God. Interestingly, this movie does not try to reflect on moral boundaries, but instead challenges the general concept of each belief without offending any party. From the beginning, we are brought into the movie feeling various sides of emotions and the impression of injustice for deep wounds. Leading us to be unsure of the direction of this movie. I personally did not feel a deep impact when watching this movie the first time. But realized that there was a hidden message being carried. Creating various question marks about the direction of this film. Realizing that many feel this film is good, but for me personally this film is less able to describe an explicit picture or traumatic impression in death itself. Which is the soul of the movie itself. I realized that the director (from some media interviews) did not delve into that area, from the beginning he tried to open new doors to create a space for discussion. For me, this is unacceptable because it seems selfish and will exclude ordinary viewers who don't really dig the absurdity. If I reflect on this movie, it is more suitable to be juxtaposed with films like Shutter Island (2010) or Seven (1995). But I appreciate that Jokan (as fans call him) remains consistent in bringing his world. Given that quite a lot of people are fanatical about his work. Various theories are proposed and concluded, but not many are satisfying for me. I would personally recommend this movie for anyone who wants to explore further the psychological sides of humans rather than looking for trivial fears that are widely peddled in most Indonesian films.