Teacup

The show has its moments, but continued stupid decisions by the characters and no decent explanation to what the purpose of the visitors are is maddening. Characters continually separate and put themselves in position to be taken over. Main character can't hit a target from 20 yds with scoped rifle. Teenage kids put in charge of the safety of the young kid carrying "harbinger", yet separate and become vulnerable. Just some dumb decisions to put themselves in dire situations. Lazy writing. Would love to see a well-written show where people make good decisions and still seem to be in a seemingly unwinnable situation.

Maggie Chenoweth (Yvonne Strahovski) and James Chenoweth (Scott Speedman) run an animal clinic on a rural Georgia ranch. They live with his mother Ellen Chenoweth (Kathy Baker) and their two kids. Ruben Shanley (Chaske Spencer) and his son Nicholas Shanley bring over their injured horse. Donald Kelly (Boris McGiver) and his wife arrive hunting for a rabid dog. A man in gas mask sprays paint on the ground around the Chenoweth ranch. Lights go out. Cars don't work. Somehow everybody is trapped within the painted circle.

The premise is reminiscent of Under the Dome. There are some interesting choices. Some are awkward. Some are interesting. One or two things are annoying. At the end of the day, there is not enough new and compelling to overcome the derivative feeling. It is one season and done.

I wasn't sure about the show until the end of the second episode. No spoilers, but the sound effects alone were so visceral as to make me excited to see more! The visual effects also were also quite grotesque! The gore reminds me of the fun practical effects of 80/90s horror, but blended with CGI.

The show finds it's footing by the end of the second episode. I think it's absolutely fine for showrunners to take their time to work into the story - in the past we gave series a lot more time when 24 episodes was the norm.

I'll be interested to see what direction the show takes from here. Fun new show :)

As soon as the blue line appeared, I immediately thought of "lost" and "under the dome", two other shows where people are trapped someplace and there is some mysterious danger they must avoid.

This is very poorly written because there are lots of scenes where the simple question of "why" is never asked and that's how they string us along like they have done before.

It's not natural for humans not to ask obvious questions.

It takes more than some spooky music to not notice how lazy the writing is.

This show has potential because of the tension between the characters but the isolation/mystery element is just another run at an island or a dome.

I'll still watch it but the slow pace won't keep my attention for too long. It's too boring at this pace, and I am not as dumb as they must take me for.

I watch for Yvonne Strahovski. There's something about her - a magnetism, a quiet force - that makes you think she should be headlining films, not locked into roles on TV. Still, she owns every scene as Mrs. Waterford in "The Handmaid's Tale," the kind of role that gets under your skin and stays there. Then there's "Teacup." It wants to be eerie, unsettling, even grotesque. Instead, it drags, provoking yawns where there should be tension, eye-rolls in place of chills. Like the moment they buy the kid's story, then start throwing around the title "Assassin" like it's a game. Sure, the show is reaching for a place alongside the heavyweights of dystopian drama, but it misses the mark - plot, dialogue, even the characters - just shy of hitting the right notes.