Small Things Like These

'' Small Things Like These '' is a film based on a novella by the same title from the author Claire Keegan and, trully, it follows the book closely, presenting the story with a straight storyline and only a few flashbacks.

The story is quite moving, intriguing, sad, melancholic, and yet, hopeful and it overall feels like Christmas. The atmosphere is spot on, the cinematography brilliant, even the camera lenses were just the right ones to give the story that perfect setting.

In addition, the performances by everyone in the cast were briliant, but Cillian Murphy is just the right man for the right role in this one.

Cillian Murphy is always a celebration for the large and small screen. This time he travels several decades back, to the eighties in Dublin. He is a coal seller, that keeps his house warm and sells coal for other houses and places to keep them warm in Ireland's cold winter. His five daughters and wife are the apple of his eyes and he would do anything for them.

Until...one day he stumbles into a situation in a monastery, which hosts young catholic girls, sometime against their will, that keeps his confused and torn between his will of normality and his conscience. The catholic church is being criticized here in a way that one can easily be reminded with the classis "The Magdalene Sisters".

During several segments of the movie the past keeps reminding Bill with his childhood traumas. He is described as a generous and simple guy, that wants only to earn money to keep his family on track with food in their bellies, fire in the fireplace and off course proper education, but he still has great virtues and gentle heart, as far as it goes to other people, that their daily suffering doesn't go unnoticed.

It's a slow burner, that is directed with a fine and gentle hand and mindset. It has a lot of criticism, as mentioned, of the church and cynical use of religion to oppress the common folks. On the other side it has a lot of humanity, love and care in it. It feels long, but it is a straight forward film, that catches the essence of the era and state of mind of these days.

I haven't felt always the strong connection between the flashbacks to current plot developments, but all helped to better build the protagonist character and to better understands him and his motivation. Murphy's character has been built well, from a script perspective and also thanks to an enormous performance from Murphy himself.

'Small Things Like These (2024)' is a quiet character study about a working-class man who learns of a long-ignored abusive situation and grapples with his conscience - as well as those around him - as to whether he should, or even could, do anything to prevent it. It feels incredibly relevant in today's society, essentially making the case that we shouldn't turn a blind eye to suffering just because it's easier - and expected - to do so. It posits that you should help in whatever small way you can, that kindness is courage and that going against the grain to do what's right is paramount even when the weight of the world's injustices feel so overwhelming that to ignore them seems like the only option. At the centre of the picture is Cillian Murphy's low-key, almost entirely insular performance. He puts in some phenomenal work and is able to convey a complete character arc with very little dialogue and even less on-the-nose exposition. The screenplay mostly implies rather than states, forcing the audience to interpret its events in order to fully understand the narrative (which isn't so much ambiguous as it is not spoon-fed). This makes for a deceptively quiet and mundane experience that feels really realistic. It's not the most entertaining movie in the world, but it isn't supposed to be and its creeping power can't quite be denied. Although I wish it did expand its ending somewhat to deliver at little more denouement, the final frames make it clear that the film has been about a choice rather than its aftermath. The climax cements the film as a character study, reinforcing the fact that each and every moment has been building up to the decision the lead makes in the last act. While the affair is generally rather slow and its pacing initially feels somewhat skewed, it's ultimately a rewarding and distinct effort that doesn't need to shout in order to be heard. It's pretty strong stuff.

It's unbelievable to know that this story takes place in 1985 and went on until 1997. Cillian Murphy's breathtaking performance takes you through the struggles from his past and the struggles in his present until the character of Bill Furlong can't take it any more. Filmed up close and very personal. You can hear every breath and feel his pain. Beautifully portrait by Tim Mielants. He is so close to all the characters, you can almost feel their hearts beat.

The story is one of the many sad examples of the influence of the churches in Europe until recently. Seeing this film at the Film Fest Gent gave it an extra dimension with Cillian Murphy introducing the film and wishing everyone a pleasant screening in Dutch. From the screen, due to his work on PB7 as we speak.

This sombre insightful drama takes us back to an earlier Ireland, a long way from the young vibrant and open society of today, an Ireland (well, to be accurate, Irish republic) where the Catholic Church dominated life culture and even politics, as it had done since the 1920s. Ordinary folk were either brainwashed into submission or intimidated into repressed poverty stricken acceptance of the status quo. It really does seem that it largely was like that.

We've seen other films, in particular The Magdalene Laundry, about the practice of sending young women who became pregnant 'out of wedlock' to convents where their babies were taken away at birth, and the women 'enslaved' into the Laundry, ostracised by all. Cruel and vindictive, this went on until 1998!

Cillian Murphy plays an ordinary family man with five daughters in country Ireland who runs a coal supply firm, its 1985. He sees without really understanding all that's wrong around him and how young women are treated. When delivering to a convent he chances upon its cruelties and he recalls his own difficult early life, and tries to take action in what is a severely compliant almost closed society.

It's sombre, low key, and it took me time to understand, but this slow burn approach pays off as I gradually understood how through the central character we experience his world and realise just how wrong so much of it all seems. It's heart rending stuff, truthful, and dark, particularly the malevolent portrayal of the nuns, with a great turn by Emily Watson. The film will not cheer you up, but it's an important historical reflection on a world thankfully has now disappeared.