Devo
- 2024
- 1h 34m
In 1980, new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution", formed in response to the 1970 Kent State shootings.In 1980, new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution", formed in response to the 1970 Kent State shootings.In 1980, new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution", formed in response to the 1970 Kent State shootings.
- Awards
- 1 win & 1 nomination total
Gerald Casale
- Self - Devo
- (as Jerry Casale)
Robert Mothersbaugh
- Self - Devo
- (as Bob Mothersbaugh)
Bob Casale
- Self - Devo
- (archive footage)
- (voice)
Jim Mothersbaugh
- Self - Devo
- (archive footage)
Alan Myers
- Self - Devo
- (archive footage)
- (voice)
Elliot Roberts
- Self - Devo's Manager
- (archive footage)
John F. Kennedy
- Self - 35th President of the United States
- (archive footage)
Richard Nixon
- Self - 37th President of the United States
- (archive footage)
Jimmy Carter
- Self - 39th President of the United States
- (archive footage)
Ronald Reagan
- Self - 40th President of the United States
- (archive footage)
Allison Krause
- Self - Killed at Kent State Anti-War Protest
- (archive footage)
Jeffrey Miller
- Self - Killed at Kent State Anti-War Protest
- (archive footage)
Bob Lewis
- Self - Early Collaborator
- (archive footage)
- (voice)
Ernest Angley
- Self - Christian Evangelist
- (archive footage)
David Bowie
- Self - Singer-Songwriter
- (archive footage)
Richard Branson
- Self - Entrepreneur
- (archive footage)
Featured reviews
10LeiaB-1
This has to be one of the best and most well put together movie down to the overall feel with the music and the aesthetic of DEVO absolutely is amazing. I wish this documentary would be released to the public and not just in film festivals because it has truly inspired me and I've been trying to find this documentary since i saw it for the first time. This has also striked my idea on what my style is and has changed it for the better. I love how unique DEVO is as a whole and they are truly inspiring with their visuals and music. I truly hope that this eventually comes out and this is my last resort to write a review in hopes the director sees this!
DEVO (2025). Devo was one of the most innovative bands in rock history, but their very uniqueness became a double-edged sword for they were so ahead of their time, yet they were too often dismissed as a novelty act. Chris Smith's documentary does a good job tracing the origins and inevitable frustrations of the band. A sound clip in the opening montage describes them as "The Band Who Fell To Earth" - a clear reference to the David Bowie sci-fi film (a quite appropriate reference as Bowie would play a key role in launching the band).
Before they were even a band, Devo was an intellectual art project forged by twin events for the Ohio based artists. First, they were influenced by the outre theory of De-Evolution which included a pamphlet entitled "Jocko Homo" (credit much also go to Bob Lewis who was an early collaborator). Second, key members Jerry Casale and Mark Mothersbaugh were on campus and witnesses to the Kent State massacre in 1970. Add in a pinch of the classic horror film ISLAND OF LOST SOULS and what became Devo was born.
It took a few years, but Devo got seen and heard through their innovative short films which predated MTV and the music video revolution (which they became key contributors to). They made their way to NYC and got truly 'discovered' and noticed by the likes of John Lennon, Iggy Pop and Bowie (who eventually shephereded their first album in 1978 via Brian Eno). Even Mick Jagger got into the act as he personally signed off on Devo's first official single, a cover of "(Can't Get No) Satisfaction". Soon SNL called.
Smith's doc covers all of this in great detail and it makes up more than half of the running time. It's quite clear early on that Devo was never going to much more than a cult act. Their hit single "Whip It" also became a bit of an albatross as the record label kept demanding another hit (it was to be Devo's sole Top 40 record). Devo kept plugging away, touring, shooting videos, recording - rinse, repeat eventually putting out 8 albums during their initial incarnation.
In reality, by 1984 they had been somewhat abandoned by all but their most loyal fans and were dropped by their record label. Members began to quit (and sometimes come back), It may sound like a typical 'Behind The Music' career arc, but what what set the band apart was they never were really in it for the fame and fortune. They had a theory of man's de-evolutionary downward spiral and they preached and practiced it.
Devo may never get into the Rock Hall Of Fame although they've been nominated multiple times, but their experimental excellence endures. DEVO is a fine film tribute.
Before they were even a band, Devo was an intellectual art project forged by twin events for the Ohio based artists. First, they were influenced by the outre theory of De-Evolution which included a pamphlet entitled "Jocko Homo" (credit much also go to Bob Lewis who was an early collaborator). Second, key members Jerry Casale and Mark Mothersbaugh were on campus and witnesses to the Kent State massacre in 1970. Add in a pinch of the classic horror film ISLAND OF LOST SOULS and what became Devo was born.
It took a few years, but Devo got seen and heard through their innovative short films which predated MTV and the music video revolution (which they became key contributors to). They made their way to NYC and got truly 'discovered' and noticed by the likes of John Lennon, Iggy Pop and Bowie (who eventually shephereded their first album in 1978 via Brian Eno). Even Mick Jagger got into the act as he personally signed off on Devo's first official single, a cover of "(Can't Get No) Satisfaction". Soon SNL called.
Smith's doc covers all of this in great detail and it makes up more than half of the running time. It's quite clear early on that Devo was never going to much more than a cult act. Their hit single "Whip It" also became a bit of an albatross as the record label kept demanding another hit (it was to be Devo's sole Top 40 record). Devo kept plugging away, touring, shooting videos, recording - rinse, repeat eventually putting out 8 albums during their initial incarnation.
In reality, by 1984 they had been somewhat abandoned by all but their most loyal fans and were dropped by their record label. Members began to quit (and sometimes come back), It may sound like a typical 'Behind The Music' career arc, but what what set the band apart was they never were really in it for the fame and fortune. They had a theory of man's de-evolutionary downward spiral and they preached and practiced it.
Devo may never get into the Rock Hall Of Fame although they've been nominated multiple times, but their experimental excellence endures. DEVO is a fine film tribute.
I learned a lot about Devo today, mainly how crazy they were! They had a plan and they stuck to it and became known around the world. Its a good thin MTV came along when it did or they may not have made it. Makes me want to get one of those plastic hair pieces. Satisfaction is a great video as well as Whip It, love that song.
Don't get me wrong: music with a message like Devo's remains important for its subversive qualities, but this documentary doesn't exactly avoid backfiring with self-indulgence and potential hypocrisy.
Yes, mindless consumerism and toxic capitalism is bad, but the same society they lampoon has awarded them a career. They know this (the doc nods to it in the second half) and while they're by no means the most shameless paradox in music (looking at you, Rage Against The Machine), you still can't help but cringe at the bigger picture unfolding in front of you with this film: privileged Me Generation ultimately changed nothing with their complaining and became the system they hated at varying degrees.
Especially when, during one particular archived interview, the members basically concede their pleasure in profiting from their fans and justifying it by audience numbers... the same logic used by their corporate and government peers.
Another flaw: the lack of insight to their core musicality. Mostly the film likes to cover social and thematic aspects of Devo, but almost no insight is offered about their actual music, the equipment, the historical place they have during post-punk and onward.
Devo's place in pop culture shouldn't be undercut but it also shouldn't be overstated. Ethos aside, in the greater story of music, they are still mostly that one-hit wonder band that made "Whip It". This doc tries to walk the middle-ground but can't totally get away with what it's trying to do, and frankly it's on the fringes of a puff piece.
Yes, mindless consumerism and toxic capitalism is bad, but the same society they lampoon has awarded them a career. They know this (the doc nods to it in the second half) and while they're by no means the most shameless paradox in music (looking at you, Rage Against The Machine), you still can't help but cringe at the bigger picture unfolding in front of you with this film: privileged Me Generation ultimately changed nothing with their complaining and became the system they hated at varying degrees.
Especially when, during one particular archived interview, the members basically concede their pleasure in profiting from their fans and justifying it by audience numbers... the same logic used by their corporate and government peers.
Another flaw: the lack of insight to their core musicality. Mostly the film likes to cover social and thematic aspects of Devo, but almost no insight is offered about their actual music, the equipment, the historical place they have during post-punk and onward.
Devo's place in pop culture shouldn't be undercut but it also shouldn't be overstated. Ethos aside, in the greater story of music, they are still mostly that one-hit wonder band that made "Whip It". This doc tries to walk the middle-ground but can't totally get away with what it's trying to do, and frankly it's on the fringes of a puff piece.
Watched this at the 2024 Sundance Film Festival.
Chris Smith creator of "American Movie" creates a fun documentary about the band DEVO who are widely misunderstood with interesting choices of music, background observations and conversations. DEVO's background and story is pretty interesting as the documentary does a good job on exploring the band with some fun insights.
Since I am not the biggest music documentary person, I found certain aspects feeling slow and uneventful towards the second act. Including some of the conversations feeling a little dry. Overall, there are some really nice fun moments together.
Chris Smith creator of "American Movie" creates a fun documentary about the band DEVO who are widely misunderstood with interesting choices of music, background observations and conversations. DEVO's background and story is pretty interesting as the documentary does a good job on exploring the band with some fun insights.
Since I am not the biggest music documentary person, I found certain aspects feeling slow and uneventful towards the second act. Including some of the conversations feeling a little dry. Overall, there are some really nice fun moments together.
Did you know
- TriviaDevo (via Mark Mothersbaugh) earns approximately $1 million annually from "Uncontrollable Urge," thanks to its long-standing role as the theme for MTV's "Ridiculousness."
- Quotes
Mark Mothersbaugh: And after the set was over, Bowie came backstage, and he said he'd like to produce us. We're like, "Sounds good to us, because we're sleeping in an Econoline van tonight."
- ConnectionsFeatures Island of Lost Souls (1932)
- Soundtracks(I Can't Get No) Satisfaction
Performed by Devo
Details
- Release date
- Countries of origin
- Language
- Also known as
- Devo: La banda más incomprendida de EE.UU.
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 34m(94 min)
- Color
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