Devo
- 2024
- 1h 34m
In 1980, new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution", formed in response to the 1970 Kent State shootings.In 1980, new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution", formed in response to the 1970 Kent State shootings.In 1980, new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution", formed in response to the 1970 Kent State shootings.
- Awards
- 1 win & 1 nomination total
Gerald Casale
- Self - Devo
- (as Jerry Casale)
Robert Mothersbaugh
- Self - Devo
- (as Bob Mothersbaugh)
Bob Casale
- Self - Devo
- (archive footage)
- (voice)
Jim Mothersbaugh
- Self - Devo
- (archive footage)
Alan Myers
- Self - Devo
- (archive footage)
- (voice)
Elliot Roberts
- Self - Devo's Manager
- (archive footage)
John F. Kennedy
- Self - 35th President of the United States
- (archive footage)
Richard Nixon
- Self - 37th President of the United States
- (archive footage)
Jimmy Carter
- Self - 39th President of the United States
- (archive footage)
Ronald Reagan
- Self - 40th President of the United States
- (archive footage)
Allison Krause
- Self - Killed at Kent State Anti-War Protest
- (archive footage)
Jeffrey Miller
- Self - Killed at Kent State Anti-War Protest
- (archive footage)
Bob Lewis
- Self - Early Collaborator
- (archive footage)
- (voice)
Ernest Angley
- Self - Christian Evangelist
- (archive footage)
David Bowie
- Self - Singer-Songwriter
- (archive footage)
Richard Branson
- Self - Entrepreneur
- (archive footage)
Featured reviews
Don't get me wrong: music with a message like Devo's remains important for its subversive qualities, but this documentary doesn't exactly avoid backfiring with self-indulgence and potential hypocrisy.
Yes, mindless consumerism and toxic capitalism is bad, but the same society they lampoon has awarded them a career. They know this (the doc nods to it in the second half) and while they're by no means the most shameless paradox in music (looking at you, Rage Against The Machine), you still can't help but cringe at the bigger picture unfolding in front of you with this film: privileged Me Generation ultimately changed nothing with their complaining and became the system they hated at varying degrees.
Especially when, during one particular archived interview, the members basically concede their pleasure in profiting from their fans and justifying it by audience numbers... the same logic used by their corporate and government peers.
Another flaw: the lack of insight to their core musicality. Mostly the film likes to cover social and thematic aspects of Devo, but almost no insight is offered about their actual music, the equipment, the historical place they have during post-punk and onward.
Devo's place in pop culture shouldn't be undercut but it also shouldn't be overstated. Ethos aside, in the greater story of music, they are still mostly that one-hit wonder band that made "Whip It". This doc tries to walk the middle-ground but can't totally get away with what it's trying to do, and frankly it's on the fringes of a puff piece.
Yes, mindless consumerism and toxic capitalism is bad, but the same society they lampoon has awarded them a career. They know this (the doc nods to it in the second half) and while they're by no means the most shameless paradox in music (looking at you, Rage Against The Machine), you still can't help but cringe at the bigger picture unfolding in front of you with this film: privileged Me Generation ultimately changed nothing with their complaining and became the system they hated at varying degrees.
Especially when, during one particular archived interview, the members basically concede their pleasure in profiting from their fans and justifying it by audience numbers... the same logic used by their corporate and government peers.
Another flaw: the lack of insight to their core musicality. Mostly the film likes to cover social and thematic aspects of Devo, but almost no insight is offered about their actual music, the equipment, the historical place they have during post-punk and onward.
Devo's place in pop culture shouldn't be undercut but it also shouldn't be overstated. Ethos aside, in the greater story of music, they are still mostly that one-hit wonder band that made "Whip It". This doc tries to walk the middle-ground but can't totally get away with what it's trying to do, and frankly it's on the fringes of a puff piece.
I was a fan of Devo and always thought they were a fun band. Them now trying to make it sound like they were making important statements over cheesy synth riffs is just amusing to me. To most people they were a one hit wonder with 'Whip it'
I liked a few more of their songs but never once thought 'wow what great social commentary'. For that I was listening to the Clash and the Jam and many other bands of that era.
Watched this at the 2024 Sundance Film Festival.
Chris Smith creator of "American Movie" creates a fun documentary about the band DEVO who are widely misunderstood with interesting choices of music, background observations and conversations. DEVO's background and story is pretty interesting as the documentary does a good job on exploring the band with some fun insights.
Since I am not the biggest music documentary person, I found certain aspects feeling slow and uneventful towards the second act. Including some of the conversations feeling a little dry. Overall, there are some really nice fun moments together.
Chris Smith creator of "American Movie" creates a fun documentary about the band DEVO who are widely misunderstood with interesting choices of music, background observations and conversations. DEVO's background and story is pretty interesting as the documentary does a good job on exploring the band with some fun insights.
Since I am not the biggest music documentary person, I found certain aspects feeling slow and uneventful towards the second act. Including some of the conversations feeling a little dry. Overall, there are some really nice fun moments together.
I learned a lot about Devo today, mainly how crazy they were! They had a plan and they stuck to it and became known around the world. Its a good thin MTV came along when it did or they may not have made it. Makes me want to get one of those plastic hair pieces. Satisfaction is a great video as well as Whip It, love that song.
I spent my college years and beyond listening to DEVO and the many groundbreaking musicians and bands who emerged throughout the 70s and 80s. This documentary perfectly captures the talent, focus, uncontrollable urge, weirdness, and circumstances that shaped and catapulted DEVO. Highly recommended, even if you can't stand or understand their music. DEVO's many influences that helped shape rock 'n' roll and performance art are undeniable.
Did you know
- TriviaDevo (via Mark Mothersbaugh) earns approximately $1 million annually from "Uncontrollable Urge," thanks to its long-standing role as the theme for MTV's "Ridiculousness."
- Quotes
Mark Mothersbaugh: And after the set was over, Bowie came backstage, and he said he'd like to produce us. We're like, "Sounds good to us, because we're sleeping in an Econoline van tonight."
- ConnectionsFeatures Island of Lost Souls (1932)
- Soundtracks(I Can't Get No) Satisfaction
Performed by Devo
Details
- Release date
- Countries of origin
- Language
- Also known as
- Devo: La banda más incomprendida de EE.UU.
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 34m(94 min)
- Color
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