Devo
- 2024
- 1h 34m
In 1980, new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution", formed in response to the 1970 Kent State shootings.In 1980, new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution", formed in response to the 1970 Kent State shootings.In 1980, new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution", formed in response to the 1970 Kent State shootings.
- Awards
- 1 win & 1 nomination total
Gerald Casale
- Self - Devo
- (as Jerry Casale)
Robert Mothersbaugh
- Self - Devo
- (as Bob Mothersbaugh)
Bob Casale
- Self - Devo
- (archive footage)
- (voice)
Jim Mothersbaugh
- Self - Devo
- (archive footage)
Alan Myers
- Self - Devo
- (archive footage)
- (voice)
Elliot Roberts
- Self - Devo's Manager
- (archive footage)
John F. Kennedy
- Self - 35th President of the United States
- (archive footage)
Richard Nixon
- Self - 37th President of the United States
- (archive footage)
Jimmy Carter
- Self - 39th President of the United States
- (archive footage)
Ronald Reagan
- Self - 40th President of the United States
- (archive footage)
Allison Krause
- Self - Killed at Kent State Anti-War Protest
- (archive footage)
Jeffrey Miller
- Self - Killed at Kent State Anti-War Protest
- (archive footage)
Bob Lewis
- Self - Early Collaborator
- (archive footage)
- (voice)
Ernest Angley
- Self - Christian Evangelist
- (archive footage)
David Bowie
- Self - Singer-Songwriter
- (archive footage)
Richard Branson
- Self - Entrepreneur
- (archive footage)
Featured reviews
I learned a lot about Devo today, mainly how crazy they were! They had a plan and they stuck to it and became known around the world. Its a good thin MTV came along when it did or they may not have made it. Makes me want to get one of those plastic hair pieces. Satisfaction is a great video as well as Whip It, love that song.
10LeiaB-1
This has to be one of the best and most well put together movie down to the overall feel with the music and the aesthetic of DEVO absolutely is amazing. I wish this documentary would be released to the public and not just in film festivals because it has truly inspired me and I've been trying to find this documentary since i saw it for the first time. This has also striked my idea on what my style is and has changed it for the better. I love how unique DEVO is as a whole and they are truly inspiring with their visuals and music. I truly hope that this eventually comes out and this is my last resort to write a review in hopes the director sees this!
Devo was a fun, adventurous band with a talent for mixing innovative sounds and vision with a commercial appeal that spread across a tumultuous decade or so.
Devo's catalog is rich and tuneful, despite the surface weirdness. The band wasn't just keenly talented musically, they brought a wit and an intellectual heft that was sorely needed in the music industry.
Casale seems to be the genius behind it all with Mothersbaugh right up there. But it's Casale's and Motherbaugh's never-ending complaining about the commercialization of the music industry and how Devo were poor, innocent lambs, victims of not just the piranha-like music industry but of America itself that disappointed me.
It's obvious Devo were masters at commercializing their product, even placing marketing/product paraphernalia inside albums. Instead of being the victims of commercialization, Devo were experts at sucking out the money from everything they touched/touch.
Funny that they whine so much while both Casale and Mothersbaugh continue to become richer and richer in the film industry while the legend of Devo continues to grow.
A fine documentary, as enjoyable as the band, but Devo sometimes come across today as too 21st century, too privileged and entitled with wealth, reminding one of Trump or Musk, playing the victim while enriching themselves.
Devo's catalog is rich and tuneful, despite the surface weirdness. The band wasn't just keenly talented musically, they brought a wit and an intellectual heft that was sorely needed in the music industry.
Casale seems to be the genius behind it all with Mothersbaugh right up there. But it's Casale's and Motherbaugh's never-ending complaining about the commercialization of the music industry and how Devo were poor, innocent lambs, victims of not just the piranha-like music industry but of America itself that disappointed me.
It's obvious Devo were masters at commercializing their product, even placing marketing/product paraphernalia inside albums. Instead of being the victims of commercialization, Devo were experts at sucking out the money from everything they touched/touch.
Funny that they whine so much while both Casale and Mothersbaugh continue to become richer and richer in the film industry while the legend of Devo continues to grow.
A fine documentary, as enjoyable as the band, but Devo sometimes come across today as too 21st century, too privileged and entitled with wealth, reminding one of Trump or Musk, playing the victim while enriching themselves.
Don't get me wrong: music with a message like Devo's remains important for its subversive qualities, but this documentary doesn't exactly avoid backfiring with self-indulgence and potential hypocrisy.
Yes, mindless consumerism and toxic capitalism is bad, but the same society they lampoon has awarded them a career. They know this (the doc nods to it in the second half) and while they're by no means the most shameless paradox in music (looking at you, Rage Against The Machine), you still can't help but cringe at the bigger picture unfolding in front of you with this film: privileged Me Generation ultimately changed nothing with their complaining and became the system they hated at varying degrees.
Especially when, during one particular archived interview, the members basically concede their pleasure in profiting from their fans and justifying it by audience numbers... the same logic used by their corporate and government peers.
Another flaw: the lack of insight to their core musicality. Mostly the film likes to cover social and thematic aspects of Devo, but almost no insight is offered about their actual music, the equipment, the historical place they have during post-punk and onward.
Devo's place in pop culture shouldn't be undercut but it also shouldn't be overstated. Ethos aside, in the greater story of music, they are still mostly that one-hit wonder band that made "Whip It". This doc tries to walk the middle-ground but can't totally get away with what it's trying to do, and frankly it's on the fringes of a puff piece.
Yes, mindless consumerism and toxic capitalism is bad, but the same society they lampoon has awarded them a career. They know this (the doc nods to it in the second half) and while they're by no means the most shameless paradox in music (looking at you, Rage Against The Machine), you still can't help but cringe at the bigger picture unfolding in front of you with this film: privileged Me Generation ultimately changed nothing with their complaining and became the system they hated at varying degrees.
Especially when, during one particular archived interview, the members basically concede their pleasure in profiting from their fans and justifying it by audience numbers... the same logic used by their corporate and government peers.
Another flaw: the lack of insight to their core musicality. Mostly the film likes to cover social and thematic aspects of Devo, but almost no insight is offered about their actual music, the equipment, the historical place they have during post-punk and onward.
Devo's place in pop culture shouldn't be undercut but it also shouldn't be overstated. Ethos aside, in the greater story of music, they are still mostly that one-hit wonder band that made "Whip It". This doc tries to walk the middle-ground but can't totally get away with what it's trying to do, and frankly it's on the fringes of a puff piece.
I was a fan of Devo and always thought they were a fun band. Them now trying to make it sound like they were making important statements over cheesy synth riffs is just amusing to me. To most people they were a one hit wonder with 'Whip it'
I liked a few more of their songs but never once thought 'wow what great social commentary'. For that I was listening to the Clash and the Jam and many other bands of that era.
Did you know
- TriviaDevo (via Mark Mothersbaugh) earns approximately $1 million annually from "Uncontrollable Urge," thanks to its long-standing role as the theme for MTV's "Ridiculousness."
- Quotes
Mark Mothersbaugh: And after the set was over, Bowie came backstage, and he said he'd like to produce us. We're like, "Sounds good to us, because we're sleeping in an Econoline van tonight."
- ConnectionsFeatures Island of Lost Souls (1932)
- Soundtracks(I Can't Get No) Satisfaction
Performed by Devo
Details
- Release date
- Countries of origin
- Language
- Also known as
- Devo: La banda más incomprendida de EE.UU.
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 34m(94 min)
- Color
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