The Last Night at Tremore Beach

This series is actually a psychological story that explores the influence of the mother on the main character, a common theme in psychology. The series has a great soundtrack, and the cinematography is excellent. However, the plot could have been better-there are many illogical and unfinished elements. What was particularly irritating is that the main character whispers throughout every conversation with the other characters, which literally drove me crazy. Still, the series is watchable, though nothing exceptional. Additionally, the landscapes where the series was filmed are truly stunning and take your breath away.

"Última noche en Tremor" starts strong and manages to draw you in with its atmosphere. It has that psychological thriller vibe that makes you question everything, and the setting is really well done. Javier Rey is great-he conveys the character's anguish without overdoing it.

What didn't fully convince me is that, at times, the series drags on a bit too much. Some scenes feel repetitive and could have been trimmed without affecting the story. Even so, it remains entertaining and has some interesting twists.

I liked the ending, though it's not one of those jaw-dropping conclusions. Overall, it's a solid thriller, well-directed, and engaging, but with a somewhat uneven pace. If you enjoy this type of story, it's worth watching.

In my almost 60 years of age, I've never seen a male character in a movie or tv series so pathetic, so unmanly, so annoying, that I wished he was already dead by the second episode. He spends all 8 episodes crying like a little girl, because god only knows, he's the most tormented man alive. His mommy issues make his life so miserable, even when he has a beautiful woman who loves him, and whose life has been much worse than his but you don't see her complaining or crying all over the place. Yes, the ending has an interesting twist, but it takes too long to get there. Half way through the series you already wish for someone to put the protagonist out of his misery. He's just a poor excuse of a man, so weak and useless that is almost impossible to feel empathy for him. The series could have been great if it was told in half the episodes with a stronger lead character.

From the very first scene, I was drawn in by the mystery and the beautiful world created by Oriol Paulo. His choice of camera angles, haunting music, and hints of something dark set a chilling, gripping tone that made me want to keep watching. Paulo's masterful use of foreshadowing is like that of Hitchcock, Godard, or De Palma. He brings his own unique noir style, layered with tension and nuanced visual storytelling. In thid, he closely aligns with Guillermo del Toro, making scenes that are both visually stunning and deeply immersive. In this series pay attention to the many slight, but deliberate inconsistencies (how doors open, wet or dry hair, the changing weather and varied animal behaviors). I also love the pace, neither too fast or slow. As a fan of psychological thrillers, this series resonates perfectly, hitting every note with precision and artistry-keeping me eager for what lies ahead. If you liked The Changeling, you will also enjoy this series.

I could't agree more with most of the viewers who thought that it was a dissent story, excellent cinematography, and good acting from the main characters.

But going back and forth with so much unecessary detail, not helping at all for the undrstanding of the story, let alone the pace of the series was really tiresome.

By the 4th episode I caught myself going fast forward in most of the remaining episodes.

Good ending though, after the last two episodes which were really trying (and achieving) to confuse you totally as to what is reality, dreaming, past, future and present. So I guess it was worth it at the end.

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